Relic point Vietnam

Việt Nam
TAM PHU TEMPLE

TAM PHU TEMPLE

Tam Phu Temple (also known as Three Kings Temple), located in Cao Duc commune, Gia Binh district, is a place to worship three supreme deities: Thien Phu, Dia Phu, Thuy Phu - Kings of the three natural realms (Heaven - Earth). - Water) created all living things. According to local documents, the temple was built a long time ago on a high mound in the middle of Nguyet Ban beach - a large alluvial ground, surrounded by a vast river. The relic is associated with the historical event where the kings and mandarins of the Tran Dynasty convened the Binh Than Conference (military conference) to discuss plans to defeat the Yuan-Mongol invaders who invaded our country in the 13th century (1282). Nguyet Ban - Tam Phu Temple holds a ceremony to pray for heaven and earth, praying for victory over the enemy and keeping the land peaceful. Through historical periods, today Tam Phu Temple relics still preserve ancient relics dating back to the Le - Nguyen dynasties and have been restored and embellished spaciously. In front is the "Three Kings" temple consisting of 3 buildings: Upper temple, Middle temple and Lower temple; Behind the temple grounds there are also a number of buildings such as: a Buddhist temple and a shrine to Mother Goddess Lieu Hanh. Among them, the most outstanding historical and architectural value is the temple worshiping the "Three Kings" consisting of 3 buildings: front altar, middle temple and harem. The altar building is built according to the architecture of 3 compartments and 2 left, curved roof, frame built entirely of ironwood with many sophisticated carved lines of dragons, phoenixes, plants, flowers... There is an altar here to worship Saint Tran (Hung Dao Vuong - Tran Quoc Tuan) - the person who had meritorious service in fighting the Mongol invaders in the Dai Than gate area, was built a temple by the people here and bestowed the title by the kings. The central temple is built according to the architecture of 3 compartments and 2 left, curved roof, with the same architecture as the front altar, where the altar to worship the Five Immortals, Lord and Lady of Luc Dau Giang is located. In particular, on the altar there is hung an ancient horizontal panel in Chinese "Tam Phu Linh Tu" (sacred temple of the Three Palaces), on both sides of the pillars are hung parallel sentences: "The eternally magnificent Tam Phu Dien/Sudden autumn Luc Luc". first river". Tam Phu Temple relic and Bai Nguyet Ban site were ranked historical and cultural relics by the Provincial People's Committee in 2007. Source: Bac Ninh province electronic information portal.

Bac Ninh

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Communal House - Ho Lenh Pagoda

Communal House - Ho Lenh Pagoda

Phu Binh is the locality with the largest number of communal relics, temples, pagodas and festivals in Thai Nguyen province. In the early spring, spiritual tourist destinations in the district such as: Communal House - Temple - Salt Bridge Pagoda relic complex; Phuong Do communal house; Khanh Long Pagoda; Mai Son pagoda... attracts quite a large number of tourists inside and outside the province to visit and worship. Among them, it is impossible not to mention the relic complex of Ho Lenh Communal House - Pagoda located in Trung hamlet, Diem Thuy commune, Phu Binh district. Ho Lenh Pagoda's literal name is "Linh Quang Tu", built around the 17th century. The pagoda is located on a high terrain, facing Southeast. Initially, the pagoda had a layout including: Three gates, front hall, harem, ancestral house... Over time the pagoda has been degraded. However, with the attention of leaders at all levels and the support and donations of Buddhist monks, nuns and people in the village, the pagoda was restored and embellished on the basis of maintaining its current status and expanding the teaching area. roads, churches... to serve Buddhists from all over and organize great holidays. Ho Lenh Pagoda was ranked a provincial architectural and artistic relic by the Provincial People's Committee in 2010. Ho Lenh Communal House was built in the Le Dynasty, the 4th year of Vinh Huu (1738). Ho Lenh communal house worships the village's tutelary gods including: Cao Son, Quy Minh and Tam Giang, who were generals who supported King Hung to fight the enemy and protect the country, and Duong Tu Minh, a talented general during the Ly dynasty. The communal house consists of 3 compartments, 2 wings, 21m long, 9m wide, structured by 48 ironwood columns. The trusses are all decorated with the theme "four sacred animals". Dinh Ho Lenh Communal House was recognized as a National Historical and Cultural Monument in 2001. Every year, the Dinh - Ho Lenh Pagoda festival is held on January 4, attracting thousands of visitors from all over to visit and worship. Over time, the Ho Lenh Communal House - Pagoda relic complex still preserves its ancient majestic architectural appearance, is a place for religious activities of local people, and is a spiritual tourist destination that attracts a large number of tourists. People from all over come to visit and pray for good luck. Source Electronic information portal of Phu Binh district, Thai Nguyen province.

Thai Nguyen

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Ha Thai Communal House

Ha Thai Communal House

The architectural and artistic relic of Ha Thai communal house, Duyen Thai commune, Thuong Tin district, Hanoi is one of 15 monuments in the country ranked as a national monument by the Ministry of Culture, Sports and Tourism in the first phase of 2017. . The Ministry of Culture, Sports and Tourism has just issued decision No. 824/QD- BVHTTDL recognizing the architectural and artistic relic of Ha Thai communal house, Duyen Hai commune, Thuong Tin, Hanoi as a national monument. Ha Thai communal house, Duyen Thai commune, Thuong Tin district has bold architectural features of the Northern Delta with banyan trees, water wharf, and communal house yard. This is the place to worship the two village tutelary gods, the military mandarin of Le Bui Si Luong's reign and Mrs. Dinh Thi Trach (also known as Mrs. Lay) who sacrificed her life to let the villagers escape the disaster to pay tribute. The genealogy records that: previously this land was desolate, overgrown with trees and sparsely populated. At that time, there was a ferocious tiger in the forest, called the wolf tiger by the villagers, who often came to capture people and livestock to eat. Unable to capture this mature tiger, the villagers had to pay tribute to the tiger every year on November 10. In the village, there was Mrs. Lay, a woman without a husband or children. Understanding the pain and loss of the villagers, she voluntarily offered herself to the tiger with the hope that this tribute would stop. Her prayer before heaven and earth seemed sacred and fulfilled, because since November 10 of that year when the tiger came to pounce on Ms. Oi and took her away, people have no longer seen the tiger return to harass her. To commemorate her merits, the people built a shrine. She was later honored as the village's tutelary god and that shrine became Ha Thai village communal house and took November 10 every year as the traditional village festival. Ha Thai village communal house is also related to the military mandarin during the reign of Le Bui Si Luong (1544-1597), he held the position of Grand Master and Commander of the Palace. As a man of excellent literary and military intelligence, he had great contributions in defending Le and destroying Mac. When he came to Ha Thai, realizing that this land had the power of dragons worshiping tigers, he chose Ha Thai to establish a family home and teach people to start a business, so after his death, he was also honored as the village's Tutelary God. Ha Thai village festival takes place from the 9th to the 11th of the 11th lunar month every year and attracts a large number of tourists from all over. Source Hanoi Department of Culture and Sports.

Hanoi

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DINH DINH BAN

DINH DINH BAN

For a long time, in the subconscious of every Vietnamese person, whenever talking about villages, no one forgets to mention the village communal house, because it is the crystallization of intelligence, effort, prosperity of the village, and pride. of the village, where large and small activities of the whole village are witnessed and taken place... is where boys and girls confide and express their feelings. "Go to the communal house and take off your hat to see how much the communal house loves you." 20km north of Hanoi, Dinh Bang village communal house (Dinh Bang communal house) belongs to Tu Son town, Bac Ninh (formerly Huong Co Phap). This sacred land is the hometown of Ly Cong Uan (also known as Ly Thai To), who founded the Ly dynasty and founded the capital Thang Long (in 1010). Dinh Bang has a cluster of cultural relics, especially relics of the Ly Dynasty, forming a unique memorial area, with historical resonance, of national significance, with all: Communal house, Temple, Pagoda, Mausoleum, Tam .... characteristic of Vietnamese village culture. Dinh Bang village communal house is the most famous ancient communal house in Kinh Bac, built in 1700 and completed in 1736, thanks to the efforts of mandarin Nguyen Thac Luong, a Dinh Bang native, and his capable wife Nguyen. Thi Nguyen, from Thanh Hoa, bought ironwood for the villagers to build, and the communal house was able to last forever (now the ancient house of Mr. Nguyen Thac Luong, which was built on a trial basis before building Dinh Bang Communal House, still exists and is preserved). . Dinh Bang Communal House is a place of cultural and religious convergence. In front of the communal house, there were 3 natural gods: Cao Son Dai Vuong (God of Earth), Thuy Ba Dai Vuong (God of Water) and Bach Le Dai Vuong (God of Cultivation). The gods are worshiped by agricultural residents, praying for good weather and good crops. Every year in the 12th lunar month, people hold festivals to pray for a good harvest year. Also at the village communal house, people also worship the Six Patriarchs (six people who were instrumental in reestablishing the village in the 15th century. Later, when Ly Bat De temple was destroyed by the French colonialists in 1948, the people received the tablets of eight kings of the dynasty. Ly returned to worship at Dinh Bang communal house. Dinh Bang communal house is a unique image of national architecture, preserving the integrity of the ethnic stilt house style applied to village communal house architecture. Looking back at the history from the beginning of the nation's founding, the image of a stilt house is still printed on Dong Son bronze drums - a creation of our ancestors in the field of residential architecture. It is impossible to compare the massive communal house after several decades with the stilt houses on Dong Son bronze drums, but it must be recognized that both of these models have a unified style, inheriting and developing architectural traditions. established from the beginning of the nation's founding. Dinh Bang Communal House is a large-scale architectural work, originally there were three gates, the middle door was built with two tall lantern-style brick pillars, on both sides there were rolling archways with fake roofs, behind was a large yard, on both sides were two ranges left vu and right vu. Like all other communal houses, the most important work of Dinh Bang Communal House in terms of artistic architecture is the Bai Duong (Dai Dinh) building. The communal house's Bai Duong is rectangular, 20m long, 14m wide, divided into seven compartments, two wings located on a high platform of green stone with two steps. The massive appearance of the communal house is shown through the wide roof that accounts for 2/3 of the overall height and 6 rows of about 60 large and small iron columns with diameters from 0.55 - 0.65 meters placed on square green rocks. Vac. When entering the communal house, you are welcomed and fascinated by all the quintessence of 18th century carving art. The first attraction for all visitors is the large Hammock door in the middle palace of the outer hall. The Hammock painting covers a large area, extending from Thuong Luong to Lower beam and opens across an entire room. The Hammock Door is carved with sophisticated embossments on all 7 layers and 9 panels of the four sacred and precious themes.... Above the Hammock door is a wooden ceiling covering the roof of the nave with a decorative image of a The Phoenix bird spread its wings to the surrounding clouds. Decorative patterns on other architectural structures are very diverse, intricately carved, elaborate, and harmonious. The structure of the communal house's frame is quite solid, tied together with all kinds of mortises in the "Upper third, lower fourth" way. Each carving in the communal house is a unique and famous work. The more you admire, the more fascinated you become: The painting "Eight Horses Flying" shows the liveliness, the freedom and tranquility of this land through the image and posture of each horse. The two-piece statue stands in adoration, male and female, each with its own look. The exquisite dragon carvings: Dragon Cloud Congress, Five Dragons Painting Pearls, Six Dragons on Heaven... each painting, each depicting many things. For more than 200 years since its inception, up to now Dinh Bang communal house has entered the emotional life and is the pride of the Northern people as well as the people of the country: "The first is Dong Khang communal house Second is Dinh Bang Communal House, glorious Diem Communal House" Dong Khang Communal House today no longer exists, what we can still admire today is Dinh Bang Village Communal House. With the beauty of architectural scale, carving art, decorative art and the more precious Dinh Bang communal house, it gives visitors a complete view of the village communal house architecture built in the first half of the 18th century. while other communal houses can no longer maintain their intact appearance. SOURCE: BAC NINH DEPARTMENT OF CULTURE, SPORTS AND TOURISM

Bac Ninh

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PHA LAI Pagoda

PHA LAI Pagoda

Pha Lai Pagoda is currently located on top of Pha Lai mountain in Duc Long commune, Que Vo town, Bac Ninh province. This is a cultural, religious and belief project that was built a long time ago and has been associated throughout the history of formation and development of the locality. Pha Lai Pagoda was built a long time ago. According to ancient documents, around the Thai Ninh era (1075 - 1075) during the reign of King Ly Nhan Tong, Pha Lai pagoda was built by Zen monks Giac Hai (from Gia Vinh, Thanh Hoa) and Duong Khong Lo. built on a large scale. During this period, the pagoda had a scale of hundreds of compartments, including works: Buddha Pagoda, Ho Pagoda, Am Pagoda, Tam Quan Inner Gate, Tam Quan Outer Gate, Kinh Thien Palace, Bell Tower, Drum Tower, Monk Room... During the Tran Dynasty, the king came here many times to admire the scenery, write poetry and allowed the pagoda to undergo major renovations. The scale includes: Kinh Thien Palace, Four large towers, Bell Tower, Drum Tower, Three Jewels, Temple of Saints Duong Khong Lo and Khong Minh Khong, on both sides are two corridors. At the foot of the mountain, in front of Kinh Thien Palace is the Lower Temple and Dragon Pond, on the east side of the mountain is Co Am Pagoda. Also during this time, the pagoda was renamed "Chuc Thanh Pagoda", the pagoda was recorded in history books as follows: "Since 1407, when our country had the Ming invaders, Chuc Thanh Pagoda was destroyed by the Ming invaders. , they took all the bronze bells, bronze tops... to make weapons, guns and bullets. They also took other gas objects." When Le Loi raised the flag of rebellion and defeated the Ming invaders, a number of other Buddhist objects were also returned to the pagoda. During the reign of Le Trung Hung, Pha Lai pagoda continued to be renovated and embellished. The people, the pagoda, the princes and noblemen donated money and hired green stone carvers to rebuild the Kinh Thien, Tam Bao, Temple, and Am palaces. , Tower... At the same time, a brick and tile kiln was opened on the north side of the hill of the pagoda to provide bricks and tiles for construction projects and a bronze kiln was opened to cast necessary offerings. After each temple repair, the pagoda sets up merit stele and posthumous stele to save for future generations. Over the years from the Le Dynasty to the Nguyen Dynasty, Pha Lai Pagoda continued to repair and offer Buddhist objects such as: Amulets, thrones, incense burners, dragon tablets, fruits, tablets, bells... In 1884, the French colonialists occupied Pha Lai mountain. They destroyed most of the land and tried to set up a post here but failed and had to move to Phao Son to set up a post. After that, people renovated the pagoda to include: 8 compartments worshiping Khong Minh Khong and Duong Khong Lo, 3 compartments for worshiping, 5 compartments in the front called Co Am pagoda worshiping Buddha, 3 compartments Nghe worshiping the Tutelary God and two wooden towers. stone. In 1947, the French invaded Pha Lai again, occupied and destroyed the above works, leaving only a few worship objects. In 1957, Pha Lai people continued to restore and rebuild the works including: 3 Pre-Teacher spaces, 2 Rear Palace spaces, 3 pagoda spaces. Many relics were gathered and returned to their locations, such as the collapsed stone of Kinh Thien Palace, the Adoring Dragon, crocodiles, saint statues, stone stele... In 1985, people continued to repair and embellish the pagoda. In 2014, the doors were replaced with ironwood. In 2018, the entire monument was restored. Currently, Tam Bao Pagoda Pha Lai has a Dinh-shaped architectural plan including: The front hall has 3 compartments, 2 wings and 2 shelves, the architecture is in the style of 4 curved roofs. The frame is made of reinforced concrete, the structure of the roof is "stack of beams and gongs", the middle compartment is of the "cob" style, and the side compartments are of "stack of beams". The upper hall has 2 compartments, the structure is like "The upper house is stacked with beams and gongs, the lower side is stacked with beams and seven porches". In the relic space, there is also the temple of Saint Khong Minh Khong, consisting of 3 architectural buildings: Front temple with 4 compartments, Middle temple with 4 compartments, Rear temple with 2 compartments. In addition, in the relic space there is also a 3-compartment building, the middle of which holds the altar to worship the God Emperor. Through historical changes, Pha Lai Pagoda still preserves a system of extremely precious documents and antiques, with unique artistic value and containing a lot of information about the nation's history, typically: Stele "Pha Lai tu bi" Le Dynasty; the miraculous miracle of 1938; 3 leaders conferred the reigns Dong Khanh 2 (1887), Duy Tan 3 (1909), Khai Dinh 9 (1924); Artifacts of the Nguyen Dynasty include: dragon communal house; octagon set; Statues of the Father's body, the Holy Mother's body of Minh Khong, the statue of the Three Worlds, and the statue of Avalokiteśvara. Pha Lai Pagoda is a place to worship Buddha, Mother Goddess... This place also worships Zen Master Khong Minh Khong and his father and mother. Zen Master Nguyen Minh Khong (1073 - 1141), from Dam Xa village, Gia Vien district, Ninh Binh province. He was a talented Zen master, with many contributions to the political life and cultural ideology of Dai Viet during the Ly dynasty. He was appointed National Teacher by the king, the highest position in the Ly dynasty monk system. . In folk consciousness, Nguyen Minh Khong is a man with extraordinary strength, able to move clouds and wind, move mountains, fill seas... and is one of the very few historical figures who have been canonized as saints by the people. In addition, he is also considered the founder of the medical and pharmaceutical industry and the founder of Vietnamese bronze casting. From ancient times until now, Pha Lai pagoda has always been a place to preserve and maintain the spiritual and cultural activities and beliefs of the village community. Every year, the relic has main event days such as: On March 10, a spring festival takes place to commemorate the day Duong Khong Lo returned to fish and practice at Co Am pagoda; The temple festival takes place from August 12 to 15 (lunar calendar). Especially during the festival, there is a ritual of carrying water from Vuc Chuong to the temple - legend has it that the temple bell of the Ly dynasty sank there. Activities during the special days attracted a large number of people and visitors from all over to attend the festival, contributing to tightening the solidarity of village communities and enriching the country's cultural traditions. Pha Lai Pagoda, Duc Long commune, Que Vo town has been ranked as a national relic by the State, Decision No. 100 VH/QD dated January 21, 1989. SOURCE: QUE VO TOWN ELECTRONIC INFORMATION PORTAL

Bac Ninh

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DIEM VILLAGE COMMUNAL

DIEM VILLAGE COMMUNAL

The hammock door of Diem village communal house in Hoa Long commune, Bac Ninh city, Bac Ninh province is more than 300 years old, is a unique masterpiece of wood carving art, representing the pinnacle of wood carving art. Combined with red lacquer and gilding during the Le Trung Hung period, it has just been recognized as a National Treasure. Diem communal house, also known as Viem Xa communal house, formerly belonged to Cham Khe canton, Yen Phong district, now belongs to Viem Xa village, Hoa Long commune, Bac Ninh city, Bac Ninh province. Completed in the 13th Chinh Hoa era (1692), this is one of the "first Kinh Bac" communal houses. Diem communal house currently preserves many artifacts of high artistic value, among which the hammock door of Diem communal house is a unique masterpiece of wood carving art. Accordingly, each floor is decorated with different themes, divided into separate floors and sections, but all 5 floors have a harmonious, flexible connection, bringing beauty to life, promoting human life, working and spirit. The god of democracy as well as the desire for prosperity, the desire for human proliferation in life. The top layer of the attic has a station shaped like the sun and clouds. The next part is delicately decorated with the highlight being four statues of fairies lifting the clouds and looking down. Mr. Nguyen Kim Vet, Head of Diem Communal House, said: "The beauty of Diem Communal House is the "unique" Hammock Door painting. This Hammock Door painting runs all the way from Thuong Luong at a height of 7m down to the communal house floor. consists of four large floors arranged in descending order until the main column inside. Each floor is delicately carved with many artistic shapes, symbols of the four sacred animals (dragon, lychee, tortoise, phoenix) and themes. full of art". The carved layer in the center of the hammock door is delicately carved with symmetrical images, demonstrating the skills of Kinh Bac sculptors at that time. The altar of Diem village communal house is carved very elaborately and vividly, creating a monumental but extremely delicate work of art. On one side are elephants and mahouts, on the other side are images of horses and people. In 1964, Diem communal house was recognized by the Ministry of Culture as an architectural and artistic relic and in January 2020, the hammock door of Diem village communal house was recognized as a National Treasure. Located in the ancient and solemn scenic complex of an ancient village on the banks of the Nhu Nguyet River in the land of Quan Ho's ancestors, the national architectural and artistic relic of Diem family along with valuable antiques and treasures has been converging and crystallizing the typical cultural beauty of the thousand-year-old cultural land of Bac Ninh - Kinh Bac and is one of the treasures of precious cultural and spiritual heritage of the homeland and the nation. Source: VOV electronic newspaper

Bac Ninh

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LINH Ung Pagoda

LINH Ung Pagoda

Linh Ung Pagoda (Ngoc Kham - Gia Dong - Thuan Thanh) located on Road 282 in Pho Kham area is an important historical site in the Dau region since ancient times with the song: "The seventh day of the Kham festival/The eighth day of the Dau festival/Mong festival". Wherever you go, you always go to the Giong festival." This ancient pagoda, after hundreds of years of existence, no longer has its original architecture, but still retains its treasures, which are three stone statues and the Linh Ung restoration stele from the epigrams inscribed in the year of Hoang Dinh. 13 (1613). The large stone stele placed on the turtle's back measures 196 x 129 x 26 (cm) with double-sided writing revealing many valuable sources of information about the history of the temple. The pagoda was built during the Tran Dynasty in accordance with the legend "Besides the Buddha next to the pedestal" as follows: Statues of three Buddhas were transported from India. The boat carrying the statue went ahead along the Thien Duc River and landed at Bao Kham wharf (old name of Ngoc Kham village) on the south bank. The boat carrying the platform later landed at Long Kham wharf (Tien Du district) on the north bank. Long Kham people immediately sent a delegation to Bao Kham to demand the statue. While the two sides have yet to negotiate, the Buddha's spirit shows that wherever the statue has settled, the pagoda will be built there. So the people of Bao Kham built a pagoda where there were three stone statues, named Linh Ung Tu. At the beginning of Le Trung Hung's reign, Thai Loc Marquis Le Dinh Chat, the special adjutant of the Fatherland, General Kim Tu Vinh Loc, from Bai Thuong (Thanh Hoa), spent money on his house to buy wood to restore the pagoda, including building a bell tower and erecting a house. stone stele, repairing three treasures, corridors, burning incense, front hall, three gates, Buddha statue bowl and buying a field of 1 sao 3 meters to offer to the pagoda. Construction started on May 11, Nham Ty (1612), completed on November 19 of the same year. Joining in the meritorious service with Marquis Thai Loc Le Dinh Chat were many high-ranking mandarins such as Duke Thanh Trinh Trang (at this time not yet crowned lord), Hoa Duong Marquis Vuong Chau (from Binh Ngo neighboring Bao Kham, later promoted to the throne). The duke, when he died, was crowned king for the people to worship). The three stone statues are almost the same size, 145 cm high. Although there is a legend about the Buddha and the pedestal, in reality the statue still has a lotus-shaped stone pedestal, the middle pedestal is 112 cm high, the two pedestals on both sides are 105 cm high. The statue is in a meditating position, looking healthy. The two faces on both sides are slightly bowed, the middle face is slightly turned up. All three statues have curly hair, so people often call them hibiscus snails. In terms of clothing, all three pho wear ao dai with the chest part wide open and decorated with hyacinth strings with flowers, leaves, and tassels, making the statue feel lively when looking at the statue. The statue's pedestal is decorated with lotus flowers and motifs of dragons, clouds, chrysanthemum strings... bearing the style of the Tran dynasty to prove that the pagoda dates back to the Tran dynasty, meaning that since there was a statue, there was a pagoda. Through some other artifacts, Linh Ung Pagoda has been repaired many times. By 1952, the pagoda was completely destroyed, the stone statues had no roof, and one statue even had its head blown into the water of nearby Thuan Thanh high school. However, with the unique value of the three stone statues, in 1981 the State ranked them as historical and artistic relics. After that, local people rebuilt the pagoda and gradually perfected it into the current scenic spot. Source: Bac Ninh Online Newspaper

Bac Ninh

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DAM Pagoda

DAM Pagoda

(BNP) – Dam Pagoda is an ancient pagoda located on Dam mountain (Nam Son ward, Bac Ninh city, Bac Ninh province). The pagoda worships Buddha and Nguyen Phi Y Lan (people call her Tam, so it is also called Ba Tam pagoda). The pagoda also has many names: Dam Pagoda, Lam Son, "Canh Long Dong Khanh", "Than Quang Tu". History records and legends say that the pagoda was personally chosen by Nguyen Phi Ỷ Lan and built from the winter of 1086 to 1094, when it was completed and is considered "the largest Buddhist center of Dai Viet". This is an important project, so King Ly Nhan Tong took great care of it and when the pagoda was completed, he gave it the name "Canh Long Dong Khanh". Over a long history, the pagoda has been restored and embellished many times. During the resistance war against the French, the pagoda was demolished. After peace was restored, in 1986, local people built 3 small pagodas on the old ground to worship Buddha. Inheriting archaeological results, from 2015 to present, as well as consulting with Among experts and scientists, Bac Ninh province has carried out the master planning and construction of the "Dam Mountain cultural and ecological relic area". Dam Pagoda was restored and embellished, with a large scale, spacious and perfect decoration, along with a system of statues and worshiping objects at the pagoda of great artistic and aesthetic value, representing the artistic characteristics of each period. . Currently, Tam Bao building has an architectural structure of the letter Cong (I); including works such as: Front Street, Burning Incense and Thuong Dien. The entire structure is made of massive, strong ironwood. The front hall has 7 compartments, 2 wings and 4 curved roofs; The roof structure is "stacked with a beam for the price of a gong", because the armpit is "stacked with a beam for the price of a gong". Connecting the front hall and the upper hall are 3 incense burning spaces. The upper palace has 3 compartments, 2 wings and 4 curved roofs, with a structure similar to the Tien Duong building, with a porch system running around the main building. The new pagoda items have a massive architectural scale, built entirely of ironwood, painted, and exquisitely decorated using traditional techniques. The table door system opens all 7 compartments, 2 compartments are built with brick walls and doors in the style of "Tho". In addition, the pagoda also has the Patriarch's House and the Mother's House built on opposite sides, each with 3 compartments, 2 wings, 4 curved roofs and a load-bearing wooden frame with similar structures. Currently, the pagoda still preserves the stone pillar of Dam pagoda dating from the 11th century, which has been recognized as a national treasure with historical and aesthetic value, attracting a large number of scientific researchers to study. , learn about. In the pagoda, there are also new worship statues and worship objects created in the 21st century such as: 03 statues of Tam The, a set of statues of Dida Tam Ton, a set of Hoa Nghiem Tam Thanh statues, 01 statue of the Jade Emperor, 01 statue of Maitreya, 01 Statue of Avalokiteshvara, statue of Dharma Protector, statue of Monsignor, statue of Thanh Hien, statue of the Eight Sets of Diamonds, statue of Ten Dien Diem Kings, statue of Mrs. Nguyen Phi Ỷ Lan, statue of King Ly Nhan Tong, Hoang Phi, parallel sentences and worship objects on one's own….. The pagoda is located halfway east - south of Dam mountain, overlooking the field in front of Con Rua mountain, in the distance are Tao Khe and Thien Duc rivers. In front of the pagoda there is a ditch running from the foot of the mountain to the river bank called Con Ten stream. Like most pagodas in Vietnamese villages, Dam Pagoda is a religious construction built a long time ago to worship Buddha, Mother Goddesses, and monks. In addition, the pagoda worships Mrs. Nguyen Phi Ỷ Lan (who was instrumental in building the pagoda in the Ly Dynasty), and is also the center of Buddhist religious activities of the people. The pagoda festival takes place every year on September 8 (lunar calendar). The pagoda and all the people prepare offerings to Buddha to pray for peace, health and luck. In addition, on days such as: Buddha's Birthday, Vu Lan Festival, full moon week, first day, traditional festivals, Lunar New Year, Buddhists, monks and guests from all over come to attend the pagoda festival. Dam Pagoda was ranked as a cultural and historical relic by the Ministry of Culture and Information - Decision No. 29 -VH/QD dated January 13, 1964. Source: BAC NINH ELECTRONIC INFORMATION PORTAL

Bac Ninh

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PEPPER Pagoda

PEPPER Pagoda

Tieu Pagoda has the literal name (Thien Tam Tu) or also known as Tieu Son Tu, located halfway up Tieu Mountain, in Tuong Giang commune - Tu Son town - Bac Ninh province. The place preserves valuable cultural heritage of the Ly dynasty and attracts a large number of tourists from all over to visit and learn about history. According to historical records, Tieu pagoda is where Ly Cong Uan was reincarnated and was raised and educated by National Teacher Ly Van Hanh, who later became a wise king who was instrumental in founding the Ly dynasty and Dai Viet civilization. Thai To, surnamed Nguyen (Ly), from Co Phap Lo Bac Giang province; His mother was Pham Thi. On February 12, the 5th year of the Thai Binh era (974), the king was born. When he was a child, the king was intelligent, virtuous, and generous. He studied at Luc To Pagoda. Monk Van Hanh saw him with surprise and said: This is an extraordinary person who, when he grows up, will definitely be able to save the country, calm the people, and become a wise man. master of the world. Based on history books and folk legends, Tieu Pagoda can be considered to date back to the Early Le Dynasty. By the Ly dynasty, it was one of the major Buddhist centers, where the abbot of Zen Master Ly Van Hanh, who was instrumental in raising Ly Cong Uan, grew up. Tieu Pagoda has many works such as: Cam Tuyen Institute, Tien Linh Floor, Front Hall, Upper Palace, Back Hall... Besides, to the Southeast, there is Truong Lieu Pagoda. During the reign of Le Trung Hung, Tieu Pagoda was restored and expanded on a large scale in the style of a hundred-room pagoda, so it was also called "hundred-room" pagoda. During the Nguyen Dynasty, King Bao Dai's reign, the pagoda continued to be restored and recorded on the first sentence of the Three Jewels court. During the years of resistance against the US, the enemy bombed and destroyed Tieu Pagoda, leaving only a few Buddha statues and worshiping objects remaining. Truong Lieu Pagoda was also destroyed, leaving only three statues of Tam The, a statue of God and a bronze bell named "Truong Lieu Tu Chung" cast in the year Thieu reigned 3 (1843). The current architecture of Tieu Pagoda is the architecture of restorations and embellishments. The pagoda includes buildings: Tam Bao, Patriarch's house, guest house, bell tower and auxiliary works. The Three Jewels Palace is built with a wooden frame, carved with stylized floral decorations. The Patriarch's House has a roof in the style of stacking matches. At the Patriarch's house, there is an ancient statue of Zen Master Van Hanh and a throne tablet clearly stating "Ly Dynasty entered into Prime Minister Ly Van Hanh's divine position". In addition to the main works, Tieu Pagoda also has a number of auxiliary works such as guest houses, monks' houses... In particular, Tieu Pagoda also preserves 14 ancient towers of famous monks who once lived here. In addition, on the top of Tieu Mountain there is also a statue of Zen Master Ly Van Hanh about 5 meters high. Tieu Pagoda still preserves a number of valuable antiques from the Le and Nguyen dynasties, reflecting the Ly dynasties as follows: 15 beautifully carved wooden Buddha statues, 01 statue of Zen Master Ly Van Hanh, 01 stone stele with the name "Ly Gia Linh Thach" dated "Canh Thinh Nguyen Nien" (1793) records the background and merits of Ly Cong Uan, 01 bronze bell of Truong Lieu pagoda, dated Thieu Tri reign "(1843), 01 stone stele named "Cung Dien Bi Ky" dated Bao Dai 3 (1923) and many parallel sentences, poems, oracles... Visitors to the Tieu pagoda relic area (Thien Tam pagoda) are looking for vivid stories about the childhood of Ly Cong Uan, the wise king who publicly founded the Ly dynasty and the Dai Viet nation. About Tieu Pagoda is about an ancient land with many mysteries associated with the history and culture of the land of Bac Ninh - Kinh Bac and of the Vietnamese people. SOURCE ELECTRONIC INFORMATION PORTAL OF BAC NINH PROVINCE

Bac Ninh

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Rating : National Monument

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LOWER DINH, UPPER DINH THUONG

LOWER DINH, UPPER DINH THUONG

Lower communal house and Upper communal house belong to Tu Nhien commune, Thuong Tin district, Hanoi city. According to legend, the remaining divine genealogies and ordinations, the two communal houses worship Chu Dong Tu (one of the four immortals of the Vietnamese people) and his two wives, Princess Tien Dung and Hong Van. After Princess Tien Dung married Chu Dong Tu, the two learned magic to cure diseases and save people, and together with the villagers, renovated and expanded the land, planted crops, and raised livestock to establish a prosperous village. When King Hung heard the news, he was angry and ordered his soldiers to take him back to the court to punish him. Knowing that news, Chu Dong Tu and Tien Dung magically flew back to heaven, carrying with them Hong Van of Tu Nhien land. The people were grateful and built a temple. The Upper Communal House and the Lower Communal House are two parallel architectural works, with similar dates, built in the Later Le Dynasty; embellished and renovated to make the Harem Palace at the end of the Nguyen Dynasty. The difference is that the Thuong Dai Pagoda does not have the legend "Mother Dragon" but has the legend "Doc Dragon". The Upper Communal House has 69 ordinations, 3 more than the Lower Communal House. Tu Nhien village's festival takes place on the 1st day of the 4th month (lunar calendar). On this day, the villagers organize a Long Ngu procession including 07 palanquins of three communal houses: Upper communal house, Lower communal house, Thuy tribe communal house to recreate the love story thousands of years ago of Chu Dong Tu and Tien Dung. Both communal houses are ranked as national relics: Ha Communal House was ranked in 1988, Thuong Communal House was ranked in 2002. Source Electronic information portal of Thuong Tin district, Hanoi city.

Hanoi

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Rating : National monument

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