Relic point Vietnam
Việt Nam
Phuc Quang Pagoda
Located 20km northeast of Bac Giang city center, Tien Luc commune, Lang Giang district is famous for its clusters of historical and cultural relics. This is an ancient temple, established in 1723 under the reign of King Le Canh Hung, facing south, built by a monk whose hometown was Tien Luc, Lang Giang - he is the Patriarch sitting on the Three Jewels. . The pagoda has 35 compartments, designed in the "domestic and foreign" architectural style. The entire front hall, two corridors and bell tower are connected to form the letter Quoc, the remaining part is the incense burner connected to the upper palace to form the letter Cong. In the pagoda, the system of Buddha statues is arranged in order from the upper hall to the two corridors and below the large bell tower, in total there are about 90 precious ancient statues. If you stand in the middle of the pagoda to observe and admire the ancient statues, you will not be surprised and admired by the extremely skillful and sophisticated sculpting art of the ancestors. With these precious values, in 1989, Phuc Quang Pagoda was ranked by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) as a National Historical and Cultural Monument. However, the people of Tien Luc commune still constantly wonder why the pagoda has such beautiful, majestic architecture and peaceful landscape without an owner, with the doors closed front and back. Mr. Nguyen Dinh Thuan, the long-time caretaker of the pagoda, said that there is a monk Thich Hue Cuu, whose birth name is Nguyen Thanh Chung (from Ninh Thuan), who has stayed for no more than three years at the longest (abbot since 2010). to 2013). Even though they cannot explain it, people believe in the sacredness of the temple. The evidence is that during the war years, although the surrounding area was bombarded to the point of ruin, Phuc Quang pagoda and Tien Luc commune were still safely protected. They believe that the more than 300-year-old pagoda has guarded this land, helping people settle down. At the end of 2014, the project to renovate and embellish Phuc Quang Pagoda relics was officially started, including 04 main items. On the morning of July 29, 2016, 02 completed items were handed over as planned, including the Main Pagoda (Three Jewels, Bell Tower, two Corridors), area of 884.5 m2 and Thao Xa House, area of 278.3 m2. The total settlement value from the national target funding source and local budget is estimated to be about 23.5 billion VND. SOURCE PROPAGANDA COMMITTEE OF BAC GIANG PROVINCIAL COMMITTEE
Bac Ninh 1955 view
Dinh San
San Communal House worships saints Cao Son - Quy Minh and Minh Giang Do Thong, both generals of King Hung, who had meritorious achievements in fighting the enemy, defending the country, eliminating disasters and were bestowed with titles by the Le - Nguyen feudal dynasties. god. Currently, in the two coffins of San Communal House, many religious ordinations with era titles such as: Tu Duc Luc Nien; Tu Duc decade; Tu Duc thirty-three years; Khai Dinh is nine years old; Duy Tan's third year... Passing through the communal house gate, on the right is San Pagoda, going straight in is the Great Temple with 3 compartments, 2 compartments, 2 majestic, majestic wings with 4 curved blades. The roof's edge is covered with "Luong, dragon flanking the moon", both ends have pincers, the strip edge is covered with Nghe chau, dancing phoenix, extremely lively. All the roofs and banks are decorated with lemon flowers, running throughout, adding to the majesty, grand, and outstanding beauty, yet still gentle and elegant thanks to the sophisticated, harmonious combination of horizontal lines. Straight lines with soft, lively curves. The Communal House is made in the shape of the letter Cong (I) and includes three morning glory rooms connected to three harem rooms and the three harem rooms also have very beautiful cornered swords, making this entire massive communal house superior to other temples. Another family in Luc Nam. With the structure: Upper is the husband's head, gong price, lower is the husband's head, the long is strong and beautiful. In particular, this is a Le Dynasty communal house that is still quite intact, but the main pillar frame is much higher and the military column is completely lower, creating a high, wide and very airy interior of the communal house. With this "four rows of legs" structure of the column frame system, the communal house's roof has a large water slope and a wide roof, making the communal house both durable, strong, sturdy, massive, and tall and spacious inside. Spacious but still gentle and elegant. The "nine insects" hammock door is the most outstanding symbol of the art of carving, lacquer and gilding during the Nguyen Dynasty. With 4 monograms "Long live the Holy Palace". The middle space and the entire roof in front of the communal house are covered with ceilings, the well's well is painted with embossed "Four Spirits", "Four Quarters", "Long Ma", "Lac Thu" and a period pattern extending through the morning glory strip. to the harem. The shrine in the harem is bright and brilliant with 2 golden-painted dragon pavilions, 2 altar thrones, inside there are two splendid statues of gods, lacquered tablets of the Le Dynasty, palanquins and many other worship objects... In 1994, San communal house was recognized by the State as a national historical-cultural, architectural and artistic relic. SOURCE BAC GIANG DEPARTMENT OF CULTURE, SPORTS AND TOURISM CENTER FOR INFORMATION - TOURISM PROMOTION
Bac Ninh 1827 view
Bao An Pagoda
Bao An Pagoda (Minh Kinh Tu), located in Cuong Son commune, Luc Nam district (Bac Giang). Because it is located in the Western Yen Tu relic system, located near Luc Nam river wharf, next to road 293, the pagoda is an ideal stop for tourists on their travel journey to the land of Yen Tu Buddha. Bao An Pagoda was built during the Le Dynasty and was repaired in 1710. Over more than three hundred years, the building has been repaired and renovated many times. And now it basically has the architectural features of the 19th century Nguyen Dynasty, some Buddha statues and worship objects have the style of the 18th century Le Dynasty. As one of the ancient pagodas belonging to the Truc Lam Yen Tu sect, Bao An pagoda worships the Three Patriarchs of Truc Lam: Tran Nhan Tong, Phap Loa and Huyen Quang. History books say that, after leaving the throne, King Tran Nhan Tong founded the Truc Lam Zen sect. At that time, Tran Nhan Tong advocated converting Buddhism closer to the people, with the concept "Buddha is the Mind - The Mind is Buddha". In addition to the summer seasons, King Tran Nhan Tong also returned to many places to preach and travel around the zodiac. Along with affirming the position and role of the Truc Lam Zen sect, during the Tran dynasty and later periods, many ancient pagodas appeared on the high peaks of Bac Giang province such as: Am Vai, Binh Long, Ho Bac. , Ma Yen... Although Bao An Pagoda appeared later (Le Dynasty), it is a continuous continuation of the prosperity and development of the Truc Lam Zen sect in Bac Giang. This is an ancient pagoda with beautiful scenery. In front of the pagoda, two ancient brick towers, the resting place of the master, are shaded by the foliage of two ancient trees. The temple garden is covered with green leaves and the scent of flowers and grass spreads throughout the four seasons. Many ancient trees in the temple grounds are proof of the long existence and development of this ancient temple. Bao An Pagoda currently has the following construction items: Tam Bao Court, Patriarch House, Mother House, Guest House and 2 ancient brick towers, all located on a 10,700 square meter campus, surrounded by moss stone walls. ancient style. The Tien Duong and Buddha Hall have a continuous structure in the style of a nail. The 5-compartment frontage is built with a brick structure, the architectural structure is ironwood roof, linked in the style of upper and lower husband, lower and lower, and the carved floral and leaf-shaped structures are in the style of the Nguyen Dynasty in the 19th century. The Upper Palace has 3 compartments, the wooden frame has discolored over time, and is fully decorated with a system of Buddha statues. The Patriarch's house is behind the Tam Bao building, this is where the statue of the Tam To Truc Lam is arranged. All three statues are beautifully crafted according to standards, the statue of Tran Nhan Tong is meditating on a wooden pedestal in the middle, his knees wide open, and the statue is painted with pink powder. The statue of Phap Loa sits as an assistant on the left, the statue of Huyen Quang sits on the right. In addition to the system of beautiful Buddha statues and ancient architecture, Bao An Pagoda also preserves a number of worship objects and Sino-Nom heritage that have existed for hundreds of years such as: Incense burners, "Minh Kinh Tu Chung" bronze bells, stele. stone "Epic of the Late Buddha", ancient tower... Every year, pagoda festivals are held on the 18th, 19th, 20th of the third lunar month with many rituals and folk games imbued with national cultural identity. Along with many other relics on the slopes of West Yen Tu in Bac Giang, Bao An Pagoda will be an attractive destination for tourists from near and far. SOURCE: INFORMATION CENTER, OFFICE OF THE PEOPLE'S COMMITTEE OF BAC GIANG PROVINCE
Bac Ninh 1779 view
Dinh Than
Than Communal House is a place of worship for famous gods who have made great contributions in the fight against foreign invaders and protecting the homeland; In the early days, this place worshiped the Thanh Hoang Thanh Cao Son and Quy Minh Dai Vuong, talented generals of the Hung King period, beautiful symbols of patriotism and the nation's spirit of fighting against foreign invaders. Through the content of documents still preserved here, such as: stories, ordinations, couplets, sacrificial writings... it has been confirmed that this place worships generals of the Hung Due Vuong period and princesses of the Ly Dynasty. Arranged in chronological order, the following gods are worshiped at Dinh Than: * During the reign of Hung Due Vuong, there were: - Cao Son Dai Vuong is a supreme God - Quy Minh Great Vuong is a supreme God - Phuong Dung - Goddess of Yin Phu * During the Ly period there were: - Binh Duong Princess - Princess Thien Thanh - Princess Thien Cuc In the modern historical period since the French colonial invasion, Than communal house has been the base of our army and people, the base of operations of revolutionary and resistance organizations. This place was the base for the activities of revolutionary soldiers in the pre-uprising period and later in the years of resistance against Japan and France. It was also here that in March 1943, the Communist Party in Luc Nam sent comrade Kien to build the party's base and enlighten the elite sons of the homeland who followed the revolution, namely you (Mr. Huyen, Mr. Tai, Mr. Tuy, Mr. Vuong, Mr. Thang, Mr. Moc, Mr. Man, Mr. Cam, Mr. Luu...). At the same time, it was also here that on July 25, 1945, the guerrilla team met to discuss and organize the people to overthrow the Japanese to build a Provisional Revolutionary Committee. During the anti-American period, Dinh Than was the gathering place to send off generations of hometown children who went to fight the enemy to save the country. On September 2, 1969, when President Ho Chi Minh passed away, the District Party Committee - People's Committee of Luc Nam district took this place as the place to hold a very solemn and solemn memorial ceremony for Uncle Ho. A large number of officials and people from all ethnic groups in the district came here to attend Uncle Ho's memorial service. In the period after 1975, when the South was liberated to unify the country, Dinh Than village, in addition to serving the religious culture and community activities of Than village, was also the place where the Party Committee and village authorities discussed and unified production methods. Intensive farming to increase crops, especially during the renovation period. The communal house is where the Board of Directors of Thanh Xuan Cooperative discusses and makes decisions on intensive farming to increase crops and improve efficiency in agricultural production; During the period 1986-1992, Thanh Xuan cooperative was the leading flag in good production and business of 04 mountainous districts of Ha Bac Province. For that achievement, the President awarded the Third Class Labor Medal in 1991. Through many ups and downs of history, the communal house still retains its ancient and unique majesty; With the above mentioned cultural and artistic values, Dinh Than has been ranked as a National Historical - Cultural Relic according to Decision No. 502-QD/BT, dated April 28, 1994 of the Ministry of Culture and Information. news (now the Ministry of Culture, Sports and Tourism). Developing national traditions, government committees and people of the village are now Than Binh, Than Phu, Thanh Tan residential groups, and businesses; Local children who are studying and working in all parts of the country every year make contributions and embellish the relic site to make it more spacious and beautiful. This place is also an annual place of traditional education for generations of young people and teenagers in the area. 2. Architecture Lang Than Communal House is also an ancient cultural and artistic architectural work of the Le Dynasty (17th-18th centuries) with unique and typical artistic value. Currently, the communal house has a Dinh-shaped layout including a Vestibule with 3 compartments and 2 left and a 2-room Harem building. The value of artistic architecture is mainly shown in the Vestibule with its massive architectural scale, unique long lines that give the communal house a steep slope, and sophisticated carvings on all ends. The top is embossed, embossed with leaf-shaped themes, vivid and harmonious animal shapes, carved lines, elegant and sophisticated altarpieces bold with the artistic architecture of the Le Dynasty. The history of building the Than Communal House on the first sentence of the communal house is still clearly inscribed with the inscription that reads: "The roof will be topped off in the first quarter of the year, two moons, two decades, and five days". That means the communal house was built on February 25, Quy Ty year (1713) under the reign of Le Du Tong, the 8th year of Vinh Thinh. The communal house has a unique ancient architecture, typical of art that has been over 300 years old. age, especially the carved lines shown at the ends of the muzzle depicting the four sacred animals (Dragon, Ly, Quy, Phuong) with twisted shapes and rich rolling clouds make the throne unique. The communal house is more sacred and artistic. SOURCE ELECTRONIC INFORMATION PORTAL OF DOI NGO TOWN - LUC NAM DISTRICT
Bac Ninh 1981 view
Communal house - Pagoda in Thuong Lam village
Historical-cultural relic area of Thuong Lam communal house and pagoda, located in Thuong Lam village, Thanh Lam commune, Luc Nam district, Bac Giang province, 20km northeast of Bac Giang city. The cultural and historical relic area of communal houses and pagodas in Thuong Lam village was built from the end of the Le dynasty to the beginning of the Nguyen dynasty, during the reign of King Le Hien Tong in the 42nd year of Canh Hung in 1781 as a place of worship and commemoration of the hero who had work with the people and the country. Because in the years 1516-1522, the insurgent army led by Tran Cao and Tran Cung, father and son, occupied a large area from north of Song Cau upwards. In addition to historical significance, this relic also has architectural and artistic significance - helping to educate all generations today and in the future about the tradition of building and defending the country of our ancestors. . The Thuong Lam Village Communal House - Pagoda historical relic site received the first deity ordination to worship the emperor, who contributed to helping the country. Over many dynasties, the relic complex has received many ordinations from kings. Lords of the Nguyen Dynasty, that shows the respect and worship of the local people for the heroic heroes who have made contributions to the country and the people. In the tablets that have been preserved until now, it is written (Chinh Minh, An Quoc, Thai Hoang, Duong Huong, Great Ceremony, Chi Than, Tien) along with the bronze bell, the inauguration of the dragon cot pagoda, the dragon palanquin, the god's hat, the god's hat, are still kept in the village communal house to this day. Precious relics that have been preserved over the centuries still retain their splendor and solemnity. The relic area includes: 1) Communal house: facing south, designed in 2 parts - The altar house is made of ironwood, roofed with funny-nosed tiles, made in the style of stacking beds, with five compartments, 6.87 m wide and 13 m long. - The rear palace consists of 1 room and 2 doors with long stripes, beams, materials made of ironwood, tiled roofs and brick walls, 8.35m long, 6.10m wide. 2) Thuong Lam Pagoda (Long cot pagoda) facing south includes: The old location of the pagoda was built on Long Cot Tu mountain, facing the North. In 1940, the pagoda was moved to its current location. For reason: to protect the temple. The old location now has only 3 towers remaining. - The altar house has a stacked-bed structure, 12.22m long, 7.65m wide. - The cathedral is structured in the style of a gong stand, ironwood, funny-nosed tiles, and square tiled floor. It is 7.5m long and 5.91m wide. In this relic, many rare documents and artifacts are still preserved, which have direct scientific research and traditional educational significance for many present and future generations. These are great paintings, parallel sentences, bells, inscriptions, incense burners, worshiping objects, a system of statues (including 21 Buddha statues), original artifacts of the Le and Nguyen dynasties that have economic value as well as both as art and as documents and artifacts serving scientific research and traditional education. These are rare collections of worship objects that represent a variety of types, ages, and construction materials. Thuong Lam communal house - temple - pagoda relic area is a typical cultural center of Thanh Lam commune in particular and Bac Giang province in general. It is meant to be a very important document that deeply reflects our people's tradition of love for homeland and country and deep hatred of the enemy. At the same time, it is a place of worship and commemoration of Tran Cao - Tran Cung, two leaders of the peasant uprising in the early 16th century against the oppression, exploitation, repression, and harshness of the Vietnamese feudal court in the later period. Pear. What is precious and respectful is that the restorations and repairs are all created by the skillful hands of local carpenters and bricklayers. It is also a reflection of the traditional handicraft tradition here that has existed for a long time and is constantly developing to beautify the village and make Thanh Lam commune prosperous. 7. Related cultural activities and rituals The traditional festival of the local people is held on January 13. During the festival, in addition to the sacrificial ceremony to the village deity and tutelary god, there are also many traditional folk games held such as Chinese chess, wrestling, cockfighting, pot beating, Quan ho singing under the boat... In addition, other rituals Other ceremonies are also held at the relic such as Village Work Day on April 11, Ceremony Day (August 10), Temple of the Soul Worship Day on November 15... Each ceremony has different regulations. SOURCE LUC NAM DISTRICT ELECTRONIC INFORMATION PORTAL
Bac Ninh 2179 view
Dinh Noi
Noi communal house, Viet Lap commune, Tan Yen district is one of the famous large-scale, beautiful and famous ancient communal houses of Tan Yen land, past and present. Based on Han Nom sources still inscribed on wooden pillars in the communal house, it is said that the Noi communal house was built during the reign of King Le Hien Tong, the 34th year of Canh Hung (1775), on a high, open mound in the middle of the temple. Ly village and Noi village. However, because the communal house was built by people of 3 borders: Western, American, and Domestic of Noi village, that's why the communal house is called Noi communal house. In addition, when the communal house was completed, the villagers also named the communal house "Tien Dinh". Those two words are embossed on the top of the communal house's roof for everyone to see. If you want to visit the relic, visitors can go from Bac Giang city along National Highway 1A (old), cross Song Thuong bridge, turn right along provincial road 398, Bac Giang - Cao Thuong route, pass kilometer 11, turn right. Go right along the inter-village gravel road for about 1km to Noi communal house. Going back in time to find the history of Noi Communal House's construction, it is known that when they had prepared enough materials, Noi villagers welcomed carpenters from Bac Ninh to build the communal house. The workers competed with each other to show off their talents, so they left behind many beautiful wood carvings at the Noi communal house. Among them, a typical carving with the theme "rowing a boat to catch a stork" is based on the classic story: "If you keep the fish alive, the fisherman will benefit", depicting the scene of a stork pecking at a boy, and a boy holding his shell tightly to the stork's beak. So the old fisherman rowed out to catch both of them. There is also a carving of two mandarins sitting and drinking together, but behind each mandarin are two sword-wielding warriors standing right next to them. People call this carving "fighting while talking". The artist seems to want to say that in anything, we need to be calm and discuss carefully, then we hope to succeed. Again, these are crude carvings, but all the meanings are clearly visible. There is another painting depicting the scene of cavalry going into battle in an extremely strong and sturdy posture. In addition, in the communal house there are many carvings with delicate lines, each of which the artist reflects a current social reality with another profound meaning. The Noi Communal House was built to worship Saint Cao Son and Quy Minh, who were generals from the time of Hung King who had many contributions in repelling foreign invaders and protecting the peace of the country. The communal house also fully preserves precious worship objects such as: Dragon throne, tablets, palanquin set, and wooden bowls in the artistic style of the Le Dynasty (18th century). Over time, the Noi communal house was also restored and embellished through historical periods. Especially in the late 19th century, the communal house received attention and direction from the leader of the Yen The insurgent army - De Tham. This story is told by the elders: The front communal house faces southwest, the roof points straight to the Noi hamlet. People see "the corner of the family pond" as an unfavorable thing, causing people in the village to often quarrel and lose unity. Therefore, the villagers asked Mr. De Tham to change direction when Hoang Hoa Tham led the army to fight the French, having a close relationship with Noi village. The insurgents often came back here to meet and discuss with Mr. Doc Tuan (Ly village); Chanh Hoach (Noi village), Tong Lo (Temple of Literature). Knowing that, De Tham, with his prestige, stood up and turned the direction of the communal house to Noi village. From there, the communal house rotates to the Southeast. Also after the shooting of this communal house, the people built in front of the communal house two buildings, left vu, right vu, and a majestic ceremonial gate. Seen from afar, Noi village communal house stands tall in the beautiful natural scenery of a countryside village with green bamboo, ancient trees growing in the rain and sun next to the communal house's yard, and a fragrant green lotus pond radiating a cool scent. from the family pond makes the love for the countryside even more passionate. Today, through the ups and downs of history, the Noi communal house is no longer as intact as it was originally. Some items of the old building have been lost such as: The dance hall, the ceremonial gate, the entire wooden floor system of the communal house and many parallel sentences and horizontal panels are also gone. But basically, Noi Communal House still retains the appearance of an ancient communal house. The communal house currently has a linear layout including a large communal house with 5 compartments and 2 wings. In front of the communal house is a row of 3 rooms. Inside, the wooden frame system is linked in the way of stacking beams and gong stands. The communal house still preserves some traditional architectural features shown in the patterns carved on wooden structures, with the art of embossing, sinking, and carving channels that are very elaborate and meticulous. Decorative themes are presented in a variety of ways such as: Themes of four sacred animals, four precious animals, rowing boats to catch storks, storks,... typical of the style of the Le-Nguyen dynasties. The remaining system of precious worship objects in the communal house is: 1 set of palanquins, 2 altar thrones, 2 incense bowls of the Le Dynasty, 2 altar fruits, 1 mail tube... These artifacts are all very valuable original artifacts. in researching the history of monuments as well as the human land here. Every year, on January 10 and 11, Noi Lai villagers organize a big festival at the center of Noi communal house. During the festival, villagers organize sacrifices and solemn processions of books; There are poetry feasts, five trays of sticky rice made with the four words "peaceful world", there are rituals of singing ca tru to worship the Saints, singing tuong, singing cheo... to welcome people to dance at Lang Cao to come and enjoy the festival. At the same time, the association organizes many unique folk games such as: playing bridge, swing, cockfighting, wrestling... attracting many people from all over to attend. Therefore, the people of Noi village still have a song that says: "Dinh Noi has a festival to rob the bridge. Every November, every January comes." With typical architectural, artistic, historical and cultural values, it is also a place closely related to the Yen The uprising led by Hoang Hoa Tham (late 19th century - early 19th century). XX), Noi communal house was honored to be included in the list of 23 relics and historical relic clusters of Yen The uprising sites signed by the Prime Minister in Decision No. 548/QD-TTg dated May 10, 2012. recognized as a special national monument. This decision affirms the role and value of the monument and is a tribute from the state to the great contributions of our ancestors in creating a peaceful life for today's descendants. SOURCE Bac Giang Tourism Information & Promotion Center
Bac Ninh 1689 view
Ha Temple
Ha Temple in dual village 2B, Hong Giang commune, Luc Ngan district is an important relic with high historical, architectural and artistic value. The temple located in the middle of Ky Son hill has always been called Ha and Tu Ha temples. Along Highway 31, from the Bac Giang expressway intersection, turn right about 40km to the Kep and Hong Giang junction, turn right for more than a mile to reach the relic. Ha Temple worships Than Canh Phuc (ie Vu Thanh, Canh Nguyen, Canh Long or Than Dao Nguyen) who was the son-in-law of the Ly Dynasty and married to Princess Thien Thanh. In addition, Temple Ha from ancient times up to now not only worships one general of Vu Thanh, but also worships 6 other people who are all concubines and princesses of the Ly dynasty; Minister of the country Vu Tinh; National mother Thien Thanh Vu Thi Canh; Thuy Nhien, Princess Ly Thi Duoc; Binh Duong Princess Ly Thi Giam; Princess Yen Hoa Ly Thi Kien and Thanh Concubine Giap Thi Tuan. Ha Temple in Hong Giang commune is a type of famous memorial relic to commemorate not only one famous person, general Vu Thanh, but also 6 other famous people of the Ly dynasty. Ha temple is located in the southeast of Ho Ho village, on a large hill, arranged in the style of the letter Tam, including three not very large buildings: the lower temple, the middle temple and the upper temple. Next to it is the temple of the same name. All form an architectural unity located on the Luc Nam bank about half a kilometer. These three temples are located parallel to each other, but the middle and upper temples are connected to the temple by a tube. The house is simple, the structure between the rafters is in the style of single pillars. Ha Temple's architecture consists of 3 compartments, 2 grilles with 6 trusses and 24 large and small columns irregularly spaced between compartments. Behind the Lower temple is the middle temple consisting of 3 compartments and 2 compartments and finally the upper temple is also built with 3 compartments and 2 compartments. Located in the overall architecture of the temple is Tu Ha Pagoda. The pagoda's architecture is in the style of a nail. Around the temple area are a number of other relics associated with the temple and annual festivals including puppet ponds, drum mountains, gong mountains, flag fields, Duoc beach... which have made the relics richer and more lively. SOURCE ELECTRONIC INFORMATION PORTAL LUC NGAN DISTRICT, BAC GIANG PROVINCE
Bac Ninh 2534 view
Khanh Van Temple Relics, Chu town
Khanh Van Temple is located next to the bank of Luc Nam river, on Tan Da hill, Ha Thi village, now Tran Hung Dao residential group, Chu town, Luc Ngan district. From Bac Giang, follow Highway 31 through Luc Nam district into Luc Ngan, a distance of nearly 40km to Chu town (district center). From here turn right about 500m to reach the temple. Khanh Van Temple is the name of the word (Sino-Vietnamese) engraved on the current temple roof, this is the main name of the temple. The name Quan Quan temple is the folk name after the character worshiped at the temple. The temple worships Vi Hung Thang of Luc Ngan, a general of the Tran Dynasty who helped Tran Trieu fight the Yuan-Mongol invaders in the 13th century. Vi Hung Thang is the son of Mr. Phuc Tinh and Mrs. Tu Duyen of the Vi family in Kim Son fabric village, Luc district. Ngan. He was compared with Yet Kieu, Da Tuong, Pham Ngu Lao and other generals. After being honored with the title of Duke, the people called it Quan Quan Temple. Khanh Van Temple is a type of memorial to famous people to recognize Vi Hung Thang, Luc Ngan's outstanding son, for killing the enemy and saving the country. The original Khanh Van Temple no longer exists. The current temple has just been rebuilt on the old ground, according to the elders, this is the land where he was buried, his grave. The temple is arranged in a nail style, in the middle of the temple there is a statue of Vi Hung Thang in a sitting position. In addition, the temple also worships generals of his time such as Yet Kieu, Da Tuong, Pham Ngu Lao... Next to the temple on the right hand side is Khanh Van Pagoda and other structures serving activities, festivals, worship... SOURCE ELECTRONIC INFORMATION PORTAL LUC NGAN DISTRICT, BAC GIANG PROVINCE
Bac Ninh 2314 view
Kham Lang Pagoda
In the cultural space of Bac Giang province, Kham Lang Pagoda is an ancient relic that currently preserves many historical cultural values and artistic architectural values, the most typical being the lotus stone incense burner of the Early Le Dynasty. Kham Lang Pagoda, Kham Lang commune, Luc Nam district, is ranked as a national architectural and artistic relic according to Decision No. 53/QD-BVHTT dated August 2, 1999 of the Minister of Culture and Information (now is the Ministry of Culture, Sports and Tourism). The pagoda is located in Ben village overlooking Luc Nam river and the majestic Huyen Dinh mountain range. This is an ancient pagoda that still preserves many historical, cultural and artistic architectural values. Currently, Kham Lang pagoda also preserves some documents and artifacts with the most typical historical and cultural value. is a lotus stone incense burner of the Early Le Dynasty. On the incense burner is engraved the words "Thuan Thien five years - Nham Ty year" (ie year of the Rat, the fifth year of Thuan Thien (King Le Thai To's reign - 1432). Overall, the surface of the incense altar's base looks like a court). In Bac Giang, besides Cao Pagoda, there is no place with such a unique incense burner. With its historical and cultural value, aesthetic value and uniqueness, the lotus stone incense burner at Kham Lang Pagoda has been recognized by the Prime Minister as a National Treasure in Decision No. 2382/QD-TTg dated December 25, 2015. It is known that Cao Pagoda is an artistic architectural work of the Tran Dynasty. In 1999, it was ranked as a national architectural and artistic relic. In 2013, the Vietnam Institute of Archeology coordinated with the Provincial Museum to organize an excavation and discovered many relics such as: Single lotus-nosed tiles, leaf-nosed tiles, cow tiles... dating from the Ly and Tran dynasties. to the Le and Nguyen dynasties. SOURCE: Bac Giang Tourism Information & Promotion Center
Bac Ninh 1749 view
Cao Thuong Communal House
Cao Thuong communal house is located in the southeast of Yen Ngua mountain, Cao Thuong village, Cao Thuong commune, Tan Yen district (Bac Giang). It is a large, beautiful and splendid ancient communal house, the most majestic in the Tan Yen region. This place has imprinted the footprints of national hero Hoang Hoa Tham during the Yen The uprising 130 years ago. Cao Thuong Communal House consists of a 5-compartment, 2-room main house and 3-storey harem. This is a typical architectural work, characterized by the artistic style of the Le Dynasty in the 17th century. The communal house has an architectural style: the upper part of the house is the gong stand, the lower part of the house is the gong stand, and the lower part of the house is the 5-compartment and 2-compartment hall, which is tall, wide, majestic, and solemn. The middle space is up to 4.50 wide, the side space is nearly 4 meters wide, the main column has a circumference of more than 2 meters, a diameter of more than 70cm, enough to see the massive architectural scale of the communal house. The length of the communal house is more than 24m, the width is more than 14m, the area of the communal house is exactly one kilometer wide in the North, it is truly the largest wooden architectural work in this region. With 4 wide roofs, 4 curved blades, the roof is decorated with lemon flowers. Particularly, the gable is covered with a tiger face, originally from the communal house's renovations during the Nguyen Dynasty. As for the load-bearing frame structure, it includes 6 rows of column bases, a total of 48 columns with 8 extremely large columns, hardly seen in any communal houses in Bac Giang province today. This is the most outstanding architectural feature of Cao Thuong communal house, which is the many columns and large columns. All 8 main columns have 8 extra ends, these 8 columns are over 5m high, the military column is 3.5m high, and the porch column is also 2.7m high. The entire communal house floor is tiled with large bowls 40 x 40 x 5cm, 45cm higher than the communal house's yard surface. The bundle is full of bricks, 4 corners have 4 brick columns supporting the roof spreading out to nearly 2m. Creates a gentle, elegant look for the entire communal house's roof, which is inherently formal and majestic. Normally, village communal houses are built in the Dinh style, but Cao Thuong Communal House is built in the Nhi style with a two-room harem, 4 curved roofs, 4 rows of sturdy iron columns, and a strictly forbidden door. adjacent to the front and back roofs of the large communal house. This unique wooden architectural style has made the communal house both sustainable, strong, and massive while inside being tall and spacious while still being gentle, elegant, and beautiful. Currently, the communal house still preserves a number of ordinations with different dates, the two Cao Son - Quy Minh ordinations are: Superior God. The worship of the gods is held very solemnly and solemnly by the villagers. solemn with all the rituals: spring and autumn two periods: January 12 and August 20 (lunar calendar) both have book processions and jubilant sacrifices. From January 12 to 14, the two villages Cao Thuong and Dau Cau come to hold a big festival to process saints from Chanh communal house and Tren communal house to Cho communal house (Cao Thuong communal house is near the market so it is also called Cho communal house). The two villages held huge ceremonies and sang ca tru to worship the saint. Outside the communal house, there are many fun games: wrestling, chess, cockfighting, drum dancing... The festival includes tuong and cheo singing. People from far and near come to the festival and it has become a very sacred festival. During the years of fighting against the French colonialists, Hoang Hoa Tham often attended the Cao Thuong communal house and entertained the insurgents. When the French invaders burned Ton communal house, De Tham spent public funds and let the insurgents and people rebuild a new communal house. The communal house not only has architectural value but also carries a strong historical mark when the De Tham rebel army, our main force during the fight against the French colonialists, was stationed at this communal house. Especially during the Yen The uprising, the insurgent army led by Hoang Hoa Tham had a very close connection with Cao Thuong village and Cao Thuong communal house. Therefore, De Tham established a base on Yen Ngua mountain in the Cao Thuong communal house area. In 1890, the French colonialists learned that there were Mr. De's troops at Yen Ngua Mountain, so they organized a force to attack the insurgents. Defeated, they frantically burned down communal houses, pagodas and Yen Ngua mountain. During the second peace period between France and De Tham (1897-1909), De Tham helped people repair the communal house and rebuild the pagoda on the old pagoda's foundation. The historical evidence and heroic past of Cao Thuong communal house relics have been the pride of officials and people here. In addition to the unique architectural features and historical evidence, Cao Thuong Communal House is also known for its special market on the 2nd day of Tet every year, "Yin and Yang Market". According to the people of Cao Thuong village, Cao Thuong commune. (Tan Yen) is said to be special because the "Yin and Yang Market" only meets once a year, fixed on the 2nd day of Tet. People who go to the market are happy and mentally comfortable. They believe that it is an opportunity to do good and good deeds for the dead and their spiritual life will be more peaceful. With typical and unique values, Cao Thuong communal house was honored to be recognized by the Government as a special National Monument in 2012. SOURCE: Bac Giang Tourism Information & Promotion Center
Bac Ninh 2015 view
