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List of relic sites (128)
Nguyen village communal house
Nguyen village communal house: created during the Le dynasty. The communal house looks south, worshiping Saint Tam Giang and Duke Nguyen Dinh Chinh. The location of the communal house and the pagoda is close to each other, following the style of the communal house in front of the pagoda after "First Saint, second Buddha". The communal house has a Dinh (T)-shaped layout with 3 front worship rooms, 2 wings, 3 back rooms - the upper part of the husband's house fighting a gong stand and the lower part of the husband's house. The pillars, porch lines, and extra capitals on the columns are exquisitely carved. In the communal house, there are worshiping objects: palanquins with tribute bowls, parallel palanquins, parasols, halberds, precious bowls, gongs, gongs, dragon thrones, tablets, jade genealogies, stone stele... October 31, 2013, Ministry of Culture - Sports and Tourism issued Decision No. 3825/QD-BVHTTDL classifying Nguyen communal house as a historical-cultural relic. SOURCE: TRAVEL NEWS
Bac Ninh
6101 view
Rating : National monument
Cho Van Communal House
Cho Van communal house formerly belonged to Hoang Van canton, Bac Ha district, Kinh Bac region, now belongs to Hoang Lien village, Hoang An commune (Hiep Hoa). The communal house was built during the Le Trung Hung dynasty (17th century) and renovated during the Nguyen dynasty (19th century). Van Market Communal House was demoted in 1984. During the 1945 August Revolution campaign, many large rallies and propaganda events were organized and directed by revolutionary cadres at Cho Van Communal House. On the momentum of victory in Xuan Bieu (Xuan Cam commune) and Trung Dinh (Mai Trung commune), the people were extremely excited, the revolutionary spirit was boiling, and the prestige of the Viet Minh Front was increasingly enhanced. At Cho Van Communal House, on March 15, 1945, comrade Le Thanh Nghi, then member of the Tonkin Revolutionary Military Committee, and comrade Nguyen Trong Tinh, Secretary of the Provincial Personnel Committee, directed the Hoang Van Party Cell. and the local Viet Minh Front organized a propaganda campaign on market day to launch the anti-Japanese movement to save the country. The content of the speech clearly stated the basic spirit of the Resolution of the Central Standing Committee conference (March 9, 1945). Comrades have analyzed the world and domestic situation, clearly pointing out that the main enemy of our people right now is fascist Japan and mobilized the masses to destroy Japanese and French granaries to solve the famine. Next, to demonstrate their strength, on March 16, 1945, the Provincial Personnel Committee organized a large rally at Cho Van Communal House. After the rally and self-defense fight, the people went to destroy the plantation's granary. This event had a strong impact on the revolutionary movement in surrounding areas, contributing to the overall revolutionary cause of the whole country. According to elders and local leaders, nearly 60 years ago, the communal house was a teaching and learning point for the village and commune. In 1965 and 1966, during the US imperialist war to sabotage the North, the communal house was a place to store machine parts of the air defense force. On January 10 every year, the locality holds the Cho Van communal house festival. During the festival, there are many activities such as Quan Ho singing, folk games, air volleyball competitions, Chinese chess, tug of war... In addition, on the 10th day of the 4th lunar month every year there is a ceremony to pray for favorable weather and wind. The harvest is bountiful and the villagers are healthy. These rituals have been restored since 2012 until now, after 66 years of interruption. Over a long time, Van market still retains its traditional cultural values, becoming a place to buy and sell goods for people. In addition to admiring the system of historical relics, coming to Van market, visitors are attracted by many local specialties such as Hoang Van black fillings and banh chung. The market opens on the 2nd, 4th, 7th, 9th lunar days. In recent years, at Cho Van Communal House, many activities have taken place to announce contributions to Uncle Ho, admit union members and team members, launch launching ceremonies for youth groups and schools... Thereby educating historical traditions. revolution, patriotism, pride for the young generation. SOURCE: Electronic information portal of Mai Dinh Commune People's Committee
Bac Ninh
6222 view
Rating : National monument
Dinh Van Xuyen
(BGDT) - Located in Trung hamlet, Van Xuyen village, Hoang Van commune (Hiep Hoa), Van Xuyen communal house is a center of cultural and religious activities, worshiping people who have contributed to the people and the country and are also meaningful. Important history in the pre-uprising period of the August Revolution in 1945. This is one of 8 points in the Safety Monument Zone II (ATK II) ranked as a special national historical relic by the Prime Minister. Van Xuyen communal house was built during the reign of Le Trung Hung (17th-18th centuries). Currently, the communal house still retains many ancient architectural features, typical of communal houses in the Northern Delta with many items: Ritual gate, left and right vu, garden and main communal area with floor plan. Nail-style architecture (Dai Dinh and Harem). The Great Court is made up of 3 compartments and 2 wings with 4 curved roofs. The roof and strip are built of bricks covered with mortar. The middle of the roof is covered with the theme of two dragons flanking the sun. The four surrounding areas of the communal house are covered with wooden planks. The middle of the pavilion creates a well, the remaining two sides have wooden floorboards. The wooden frame system of the communal house is made up of 6 rafters, the structure of the rafters is linked in the traditional style of the upper husband and the gong rack, the lower husband and cock fighting the cock, the front and the back seven, with carved panels that are typical of the style. during the reign of Le Trung Hung (17th - 18th centuries). The Harem Court has 2 spaces connected perpendicular to the Great Court. The harem is separated by a layer of wooden doors and upper and lower walls. In the Harem, the altars, incense stands, altars, and tablets are exquisitely carved and elaborately painted. During the pre-uprising period, Van Xuyen communal house was a place marking many important historical events: On February 25, 1945, the Van Xuyen village self-defense team was established; On March 15, 1945, comrades Le Thanh Nghi and Nguyen Trong Tinh directed the Party Cell and Viet Minh Front in Hoang Van to organize a campaign propaganda rally, declare the destruction of the enemy government, and establish The National Liberation Committee of Van Xuyen with the participation of hundreds of people with the protection of self-defense teams fighting in Hoang Van, Ngoc Thanh and Ba Huyen hamlet; On June 1, 1945, self-defense chief Hoang Van and the armed forces of Bac Giang province gathered at Van Xuyen communal house to enter the district capital to seize power and establish a revolutionary government. With typical historical value, in 1994, Van Xuyen communal house was ranked a national monument by the Ministry of Culture and Information; By 2020, it will be ranked as a special national historical relic ATK II by the Prime Minister. SOURCE: Bac Giang Newspaper.
Bac Ninh
5876 view
Rating : National monument
Dinh Xuan Bieu
Xuan Bieu communal house is an ancient communal house built a long time ago, located on the northern bank of Cau River in Xuan Bieu village, Xuan Cam commune, Hiep Hoa district. The communal house is a place to worship Cao Son - Quy Minh and Saint Tam Giang who fought the enemy to save the country. Not only is it a communal house with ancient architecture, Xuan Bieu communal house also preserves many precious documents and artifacts valuable for historical and cultural research. The special value of the communal house is its historical value. At the communal house, 77 years ago, the first uprising to seize power at the grassroots level in the country took place in the spirit of the Directive "Japan - France shoot each other and commit suicide." "Our Movement" on March 12, 1945, organized by comrade Le Thanh Nghi, Politician directing the anti-Japanese movement in Bac Giang province, Bac Ninh and comrade Nguyen Trong Tinh, Head of the Party Committee of Bac Giang province. . In 1994, the communal house was ranked as a national historical and cultural relic ATKII. In 2020, the communal house was upgraded from National level to Special National level ATKII Hiep Hoa. Because the communal house was built a long time ago, over time it has been degraded and does not meet the religious and cultural needs of local people as well as traditional education. Based on that need, with the approval of the competent authorities, on December 10, 2021, Xuan Bieu communal house was started to repair and embellish with a total investment cost of more than 11.1 billion VND. After nearly 1 year of construction, on September 7, 2022, the communal house was completed and accepted and handed over by the Department of Construction of Bac Giang province and put into use. The communal house, which has been completely renovated and renovated, still retains the ancient architecture, better serving the religious and cultural needs of local people, and is also a place for traditional education. At the same time, preserving and embellishing relics has been receiving attention from party committees and authorities at all levels. The special national relic of Xuan Bieu Communal House was renovated and inaugurated, along with the Uncle Ho memorial site of Cam Xuyen village built previously, becoming red addresses with educational value for patriotic traditions and spirit. spirit of solidarity, national pride, and the desire to build a strong and prosperous homeland. At the ceremony, delegates cut the ribbon to inaugurate Xuan Bieu communal house. Under the authorization of the Prime Minister, the leaders of the District Party Committee and District People's Committee awarded the Certificate of Ranking as a Special National Monument of Xuan Bieu communal house to representatives of commune and village leaders. SOURCE: Bac Giang Newspaper
Bac Ninh
6072 view
Rating : National monument
Y Son Temple
Ia Temple's previous name is now called Y Son Temple. The temple worships Saint Hung Linh Cong - the person who was instrumental in suppressing the An invaders and saving the country, and has been admired and worshiped by the people in the area for a long time. Y Son Temple in Hoa Son commune was built at the foot of Mount Ia, Hiep Hoa district, Bac Giang province. The temple is 7 km west of Thang town. The temple is located in the Y Son Cultural Historical Relic complex including the Ha temple, the Upper temple, the Tien well and the pagoda. Both the Ha temple, the Thuong temple, the Tien well and the pagoda are all located in the complex associated with the legend of Saint Hung. Linh Cong, who had the merit of fighting the An invaders along with Thanh Giong during the reign of the 6th Hung King. The temple has been granted a certificate of historical and cultural relic status by the state since 1994. According to ancient documents and legends: "During the 6th Hung King period, there was an administrator of Kinh Bac named Hung Nhac, a descendant of Hung King. He is over 60 years old, she is over 40 years old and still does not have a son. On the first day of spring, my grandparents visited Chau Lang and sightseeed on the Nhu Nguyet River (Cau River today), passing through the Ia mountains when it was dark. They went to Ia Pagoda (Y Son Tay Tu) to rest and pray for Buddha's blessings. That night, a divine dream occurred: "The angel of the fall responded to conception". Lady Cao Tien, a mandarin, became pregnant and gave birth to a son on October 12 (Year of the Pig), and he was named Hung Linh Cong. . At the age of 17, Hung Linh Cong was handsome and talented in literature and martial arts. When the king heard the news, he summoned him to the capital to participate in the talent contest. Hung Linh Cong was chosen and proved to be an excellent person. When there was an enemy, the King ordered Hung Linh Cong to lead the army to quell it and capture the leading beasts to bring back and domesticate them for use. When the An enemy invaded our country, the King assigned Hung Linh Cong thirty thousand troops and Appointed Nhac Phu as general and led the army to defeat the enemy with Duc Thanh Giong. After defeating the enemy and the country was at peace, Hung Linh Cong returned to the Ia mountains and saw the charming landscape of green mountains and blue water. He set up headquarters here and was declared a saint on August 8. Lunar calendar. After Hung Linh Cong's father and mother passed away, the King was deeply moved by his miraculous story and his contributions to the people and country, so he allowed the villagers to worship Mr. and Mrs. Hung Nhac at the back hall. Ia pagoda (Y Son Tay Tu) and worshiping Hung Linh Cong at Ia temple. Through many periods of historical ups and downs, the historical and cultural relic of Y Son temple still preserves many sacred artifacts and offerings. Rare and precious items such as: 21 ordinations of dynasties from the Later Le and Tay Son dynasties to the Nguyen dynasty, 15th century incense burners, ivory fan blades, stone elephants, stone horses, diaphragms, ancient couplets. On the top of Ia mountain - where Hung Linh Cong became a saint, the villagers built Thuong temple to worship and commemorate. In front of the Thuong temple gate is a Fairy well. Legend has it that on beautiful moonlit nights, fairies often come down here to dance, sing, play chess, comb their hair, and look in the mirror at the well. To express their gratitude to the Holy Spirit Hung Linh Cong and his parents, every year on the full moon day of the first lunar month, people in the area organize a festival, called Tich Hoi Hoi Thanh Mau, and once every 3 years. , the festival is held on a large scale, taking place from the 15th to 17th of the first lunar month. Every year when Tet comes, the people in the area are bustling and busy preparing the rituals together. , costumes for the festival. Y Son Festival is recognized as a National Intangible Cultural Heritage, people here are extremely excited, eager and prepared before the annual festival. Y Son Temple Festival begins with activities such as welcoming the Saint, palanquin procession, and procession of Mr. Ma from temple to pagoda. Incense offerings, sacrifices, examination of statues, generals, drawing of letters, military posts, examination of generals... The procession lineup has more than 200 people. Incense, flowers and offerings were offered to express the villagers' respect and gratitude to His Holiness Hung Linh Cong and his parents and to wish the villagers a year of good rain and wind, good crops, and a prosperous country. Thai Dan An...Y Son Temple Cultural and Historical Relic Area is also the place where many revolutionary events took place. As early as 1940, on the top of Ia mountain, the Party's red hammer and sickle flag appeared. On February 22, 1940, on the occasion of Ia festival, Mr. Le Hoang - Member of the Central Party Committee of Tonkin gave a revolutionary propaganda speech. On July 12, 1945, Mr. Le Quang Dao - revolutionary officer chaired the people's organization of 3 Hiep Hoa districts (Bac Giang), Phu Binh and Pho Yen districts (Thai Nguyen) at a meeting to praise the preparatory forces. General uprising in August 1945. In 1966, the militia of Hoa Son commune fought on the top of Ia mountain, used infantry guns to shoot down an American jet and were awarded the Third Class Victory Medal by the State. Today, the historical and cultural relic site of Y Son temple has been repaired many times. SOURCE: HIEPHOANET.VN
Bac Ninh
4632 view
Rating : National monument
Dinh Huong Cau
Huong Cau communal house, Huong Lam commune is one of the remaining typical architectural and artistic relics in Hiep Hoa in particular and Bac Giang province in general. The communal house is ranked as a national architectural and artistic relic according to Decision No. 138/QD dated January 31, 1992 of the Minister of Culture, Information and Sports (now the Ministry of Culture, Sports and Sports). Tourism). In terms of architectural and artistic value, Huong Cau communal house is probably second only to Lo Hanh communal house, "the first in Kinh Bac", Dong Lo commune of the same district. The communal house is located in the center of the village looking west, in front there is a communal lake, and further away is the Cau River surrounding. The communal lake is not only a place where water gathers, providing an ecological landscape, but also a place where many folk games take place during the communal house festival, wrestling, going for prayers, singing quan ho on boats...all taking place on the lake. communal house lake. On the left in front of the communal house gate, a village well still reflects water next to a corner of the rural market. No one knows how long the village well has existed, but many generations of people here have been very attached to their childhood memories next to the village well. A corner of the rural market also displays, sells and buys all kinds of village products. Like many other communal houses, the gate of Huong Cau communal house is built in the ritual style, including a main gate built with a pillar with square edges, the body of the pillar is covered with parallel sentences in Chinese characters praising the scene of the communal house and the people worshiped in the communal house. The top of the pillar is stylized in the shape of a garden fruit. Many visual elements, along with folk culture, are displayed here. The lower part of the pier's ear is made up of seams, the four sides are covered with four sacred animals: Dragon, lyre, tortoise, phoenix, four sacred animals with many meanings in Vietnamese religious culture. Huong Cau Communal House has a total area of 8,971 m2, the inner communal house area is 291.60 m2. The garden is large and green with shady trees. From a distance, the wide, low roof of Huong Cau communal house with curved blades hidden in the verdant canopy of the village's trees makes it easy to recognize that it is an ancient communal house. The communal house has a very unique architecture, the grand communal house looks like a dragon communal house, surrounded by a very airy wooden railing system, and a roof system with four curved blades. The two main roof sides and the two side roof sides are covered with funny-nosed tiles. The roof edge is built to create a straight strip of lemon flowers connecting the two ends of the roof pliers. The tip of the roof pliers is stylized in the shape of a dragon's head opening its mouth to grasp the edge of the roof. The dragon's tail is a thin strip that curves like a crescent moon. In addition to the aesthetic element, it also has the element of yin and yang. His father put into it valuable folk experiences. The dragon is a symbol of kingship and a symbol of rain clouds. The crescent moon is also a symbol of rain. The dragon's head grasps the edge of the roof, making it easy to imagine the image of a dragon whirring and spraying water. And that will prevent a fire from happening. From a scientific perspective, it is also very reasonable, and folk experience will make people always aware of water and fire in life. The bank is also built to create a strip of lemon flowers reaching the bend to connect with the bank. The edge of the goat is built to create a strip of lemon flowers running straight to connect with the four curved blades. The corners of the knife's head are decorated with a stylized dragon and phoenix shape with a curved shape. At the four corners of the knife's head, there are dragon heads making water as if spraying water on the edge of the river. The four curved corners of the knife's head not only bring the element of yin and yang but also make the house more elegant and soft. The ingenuity of the masons who built Huong Cau communal house, they built tough, strong but very elegant lemon flower strip edges and at the same time created four corners of curved knife heads to cover the edges of the strip, creating a soft floating roof. commercial. The great communal house has 3 rooms and 2 wings built on high ground. From a distance, you can see the roofs forming like a large boat facing down on the wooden frame for the roof. The flat, wide roof system and low structure create a large slope for the communal house roof. On the outside, it is easy to see the porch stripes running around the four communal roofs with 24 stripes. The front eaves are carved the most. The two ends of the middle stripe touch both sides. The main theme is the image of a nest dragon, a mother dragon, and a baby dragon, with details of a 4-clawed dragon and a round, fat body. In addition to dragon images, there are also human and beast images. The top of the porch on the left side has a dragon image on the inside, and there is an image of a fairy's hand with long slender fingers, long nails, holding a dragon sword. Near the dragon's tail, there is a human figure, naked body, belted around the waist, wearing a loincloth, lying on a wooden shelf, one hand resting on his head, the other hand resting on his knee, legs crossed in a five letter, looking very comfortable. Thoughts and faces are described in detail and exude a very cheerful and close feeling. The right side of the porch stripe is also covered with the main theme being a dragon with four clawed dragon details, part of the corner of the stripe has a very funny spirit animal image. The next two lines are also thickly carved with themes of dragons, swords and clouds. The remaining lines running around the four roofs are carved lighter and more sparse than the previous lines. The main carving themes are images of mother dragons, baby dragons, swords, clouds, and mother dragons always opening their mouths to grasp the roof of the ship. If in some other communal houses in the Northern countryside, at the beginning of the 18th century, the engravings of human images were absent, the folk features remained only in the animals close to the workers, then Huong Cau communal house still fully retains the close image of people and animals, retaining the aesthetics, preferences and emotions of the workers. Scenes of love between boys and girls next to the scene of "four sacred animals and four nobles". The royal art here is very strange and rough. We rarely see images of ferocious tigers, or stereotypical images of the four sacred animals and four precious animals, but instead there are images that are very everyday, close and full of folk vitality. SOURCE: ELECTRONIC INFORMATION PORTAL DEPARTMENT OF CULTURE - SPORTS - TOURISM OF BAC GIANG PROVINCE
Bac Ninh
4220 view
Rating : National monument
Tomb of the Tran family
The Tran family's mausoleum was built during the Le Dynasty (more than 200 years ago), and is a carved architectural work of unique value. The main value of this mausoleum is the art of stone carving, because all works in the mausoleum are built with laterite and green stone. From mausoleums, small huts covering altars and statues of individual dancers, the artifacts here are very diverse and contain very profound artistic content. It is a system of artifacts made of stone such as stele, parallel sentences, statues of dancers, and symbolic animals also made of stone. All of this has given the mausoleum great artistic value even though it has gone through many changes of time and many ups and downs of history. This is a place to worship typical famous people of the Tran family: The couple of Duke Tran Dinh Ngoc and Duke Tran Dinh Mien, so this mausoleum is not simply a place to commemorate famous people of one family but also a A place to witness important local events: Ceremonies, rituals, and ceremonies not only take place in the common communal house but also take place within the Tran family, deeply expressing the sentiment of "drinking". "When you eat fruit, remember the person who planted the tree" of the people. Although many documents about famous people of the Tran family have been lost, they are recorded quite clearly in the national history in the book "Dai Viet Su Ky Toan Thu" (volume I, Record of 1686). -1740) of the Social and Science Publishing House, Hanoi, 1982. The interior part of the Tran family mausoleum is currently divided into two main parts: The first part is the mausoleum (grave) including 3 small huts facing the mausoleum facing the South, the other three sides are residential areas. In front of the mausoleum area, there is a mausoleum pond, a river trough and road 19. Around the mausoleum area there are a number of compound graves (Le Dynasty). Among these tombs, it is worth noting that there are tombs of family members and villagers who have long called them "grandfather's mausoleum" and "lady's mausoleum". Most of the above graves are sunken and flat below the ground (no earthen mounds or construction above). Some houses have been dug up and are no longer intact. The second part of the mausoleum's inner temple area is considered the exterior display part of a museum. Here, there are mainly stone steles, statues of boxers and symbolic animals such as stone crocodiles and stone horses. These artifacts are built in two long rows running along the mausoleum, at the outermost are two horses kicking each other. Previously, statues of boxers had roofs like small huts. Currently, those huts are all gone and some of the stone steles here are also scattered, only to be collected later and brought back as before. All stone statues in the Tran family mausoleum are carved very elaborately and artistically, in a very vivid, clear and unique Le Dynasty style. Each martial artist has his own personality and expresses his inner feelings differently, but they all exude the majesty of soldiers standing guard over the mansion (grave) of their master. The Tran family's mausoleum is an outdoor relic, without buildings like cultural buildings such as temples, communal houses or pagodas. Therefore, artifacts related to the mausoleum, in addition to those in its area, must also include artifacts kept in the family and village here. The parallel stone steles here are extremely valuable documents and artifacts, playing an important role in research on family history, famous Tran family members and the construction and renovation process of the Tran family. this mausoleum. Statues of people and animals in Tran family mausoleums tend to be depicted close to reality (the size is the same as real people and horses). Currently, 4 statues of dancers have been brought to Bac Giang Museum to be displayed and introduced to visitors inside and outside the province to visit and study. The artifacts that originally belonged to Cau communal house are now preserved in Giua village, also in Luong Phong commune. These are ordinations, orations, and reliable evidence of the great and profound influence of famous people from the Tran family on Luong Phong village and commune. There are currently 18 ordinations, most of which belong to the Nguyen dynasty. Thanks to these ordinations, we can now know fully and accurately. Specifically, the following 5 people are - King Cao Son King Linh Linh - King Quy Minh King - Princess Dien Binh King. - Your Majesty assists the Great King of Linh Quoc. In short, the Tran family mausoleum is an extremely valuable cultural work. It includes basic values that are similar to the cultural value and the architectural value of artistic carving (stone carving). This is a mausoleum built during the Le Dynasty. The art of carving reached a high level. The artifacts and stone sculptures here are very rich and diverse, deeply expressing the soul and talent of our ancestors from ancient times. With precious historical values as well as unique stone sculpture architecture of the Tran family mausoleum, in 1990 the Ministry of Culture recognized this mausoleum as a national historical site. SOURCE: Explore Vietnam's natural & cultural heritage
Bac Ninh
4640 view
Rating : National monument
Bau stone mausoleum
Bau stone mausoleum is located in Cam Bao village, Xuan Cam commune, Hiep Hoa district. This place keeps the body of Duke Ngo Dinh Hoanh - a military mandarin during the Le Dynasty (Le Than Tong - Le Duy Ky). According to Mr. Ngo Dinh Quyet, the 13th generation descendant of Duke Ngo Dinh Hoanh, due to careful care by the family, the Duke's mausoleum is still preserved quite intact. Bau Da Mausoleum was built in the southwest direction, the space in front is created in harmony with the beautiful, peaceful natural landscape with ancient trees reflecting on the large, clear blue lake. In front of the mausoleum gate are two pairs of large stone dogs sitting in adoration, with musical bells around their necks, in a comfortable but steady position. The entire surrounding wall, mausoleum gate and mausoleum are built of ancient laterite. The mausoleum gate consists of 2 floors, below is a rolling arch made of large laterite slabs. Next to the mausoleum gate, there are 2 statues of warriors, standing solemnly, wearing armor, wearing boots, holding a dragon sword. Through the mausoleum gate, along the Shinto path, there are pairs of human and elephant statues standing majestically on both sides. The pair of elephants are meticulously carved in a kneeling position. Besides, the pair of stone war horses are also meticulously carved with strong and beautiful physiques. The statue of the warrior guarding the tomb is also carved with solemnity and respect, with a long 2-layer armor plate, holding a mace... In the same mausoleum is the tomb of Duke Ngo Dinh Hoanh, built of large blocks of laterite. It can be said that all mascots arranged in Bau stone mausoleum exude majesty and grandeur, showing the sophistication of the owner, who is very careful about artistic style. At the same time, it reflects the ancient Asian concept that life in this world is only temporary and death is return to eternity. SOURCE: Bac Giang Newspaper
Bac Ninh
4260 view
Rating : National monument
Stone mausoleum of the Ngo family
(BGDT) - The mausoleum has the Chinese name Linh Quang Tu, in Thai Son commune, worshiping General Ngo Cong Que, who was a master of literature and martial arts, always devoted to the people and the country. The mausoleum was built in 1697 and continued to be renovated in 1714. The mausoleum has a rectangular plan, facing south with an area of about 400m2. The gate leading to the mausoleum is built in a rolling arch style, with reliefs on both sides of the door of two boxers holding maces. Outside the gate there is a stone dog carved in a realistic style. Through the gate, on both sides of the Shinto path are adoring statues and incense burners, including: A pair of elephants in costume, a pair of men and horses, and a pair of reclining animals. The middle incense burner is made of quite high stone, on both sides there are a pair of cows sitting with their heads held high. In front of the incense burner there are 2 high stone tables, behind there is a large and low stone table placed quite close to the entrance to the tomb used to place offerings during Tet. The structure of the tomb is a rectangular salt stone wall with an area of 15x12.5m and a stone wall height of nearly 2m. The tomb gate is carved with quite high reliefs. The center is a square stone tower with two curved roofs. This is where Ngo Cong Que's body is preserved. The second floor has four-sided doors with four meticulously carved tiger reliefs. According to Mr. Nguyen Quang Chinh, Head of the Culture and Information Department of Hiep Hoa district, among the mausoleum system in Bac Giang, this is the most intact relic site. The mausoleum was recognized as a national historical and cultural relic in 1964. The difference of this mausoleum is that the construction material is mainly rock salt. The sculptures here are mostly under 1m high, so they fit very well with the overall architectural model and proportions. Notably, the Ngo family's descendants are very interested in preserving their father's legacy. In addition to contributing funds for renovation and embellishment, we also sent people to take care of and protect the Tomb area. SOURCE: Bac Giang Newspaper
Bac Ninh
4658 view
Rating : National monument
Dinh Huong Mausoleum
Dinh Huong Mausoleum, located in Duc Thang commune, Hiep Hoa district, Bac Giang province, about 1.5km southwest of Thang town center. This unique architectural and stone sculpture complex has a scale of over 300m2, built in 1727, and in 1965 was recognized as a national historical and cultural relic. Dinh Huong Mausoleum is the resting place of a naval officer who was awarded the title of Duke, whose nickname was La Doan Truc. He was born in 1688. In 1730, during the reign of Le Duy Phuong, he was appointed to serve as a Marquis, Thi Doi, and then a Eunuch. During the reign of Le Y Tong, he was sent twice as envoy to the North, in 1735 and 1739. In 1740, during the reign of Le Hien Tong, he led troops to suppress rebellions in the areas of Kinh Bac, Son Nam, and Hai. Positive. He died on the 9th day of the 6th month in the year of the Snake (1749), at the age of 61. In 1754, the king appointed him the title of Phuc Than Loyal Great King. The mausoleum was built by the Duke himself in his hometown when he was still alive. The mausoleum is located on a circular hill, about one hectare wide, surrounded by a brick wall (in the past it was a laterite wall). The Dinh Huong mausoleum complex is divided into three main parts: the burial part in the middle, the worship part on the left, and the stele part on the right. Statues of people and animals at the mausoleum are made of green stone, carved very vividly. The statue is large in size, fat, sturdy, and meticulously trimmed. Through the Mausoleum gate is the orchard, then the entrance gate. The grave has two warriors leading horses on both sides. A brick wall surrounds a circular hill. Previously, the surrounding wall was made of 2 meters high laterite, but later it collapsed, now only the wall foundation remains. In front of the gate, there used to be a very large lake, but now the lake's area has been reduced. The entire mausoleum is located on a hill, very suitable for feng shui. The statue of a mandarin standing on the left side of the gate was elaborately crafted. Entering the gate, on the right side is the birthing area with two elephants lying in front of them, an altar with two calves sitting in front of them, followed by an altar throne with two maids standing. The altar seen from the right side consists of large stone blocks. There are two small stone calves lying in front of them, carved delicately and vividly. Dinh Huong Mausoleum has two statues of female servants. These two statues are smaller than the statues in the mausoleum, but are depicted in great detail like portrait statues. The two statues are arranged to stand at two corners outside the altar door, facing each other. These are maid statues created by artists with unique shapes as if copied from real prototypes, very lively and impressive. The maid on the left holds a rectangular box across her waist, her left hand supports the bottom of the box, her right hand holds the top of the box, leaving half of her hand exposed with long, beautiful fingers. The female official holding a fan stands on the right side of the throne, holding the fan in her hand, wearing a hat with a pointed tip like a small hat, the back half of the hat has four layers of cloth covering the roots of the hair, covering the ears and the nape of the neck. The tomb is about 100 square meters wide, surrounded by thick laterite walls, where the body of Duke La Doan Truc is kept, with two military officers leading horses standing guard. The pair of statues of mandarins leading horses are considered masterpieces of stone carving art. Animal statues pay attention to the way the body is created, making the animal more realistic. Some pieces are meticulously carved and highly stylized, such as the saddle and the horse's mane. The military officer wearing a sword and leading a horse on the right side has a big face and wide jaw. The military officer wearing a sword and leading a horse on the left side has a long beard and small face. The worship area includes: two elephants lying in front of each other, an altar with two large animals sitting with their mouths open, followed by an altar made from two large blocks of stone with two maids and two small animals carved delicately and vividly. . Above there is a system of unique worship objects, including: altar throne, incense burner, and shrine. On the right side of the grave is a stele house with 4 arched rolling doors, inside is a stone stele recording the merits of the person being worshiped, created in 1729. Overall, the materials used to create the artistic architectural work of Dinh Huong Tomb are mainly green stone, finely chiseled and trimmed, it is a massive architectural work, elaborately carved with skill. skillful. The mausoleum complex is a typical first-class stone art sculpture in Bac Giang province. The antiques in the mausoleum are preserved relatively intact. The highlight and unique feature of Dinh Huong mausoleum are the massive statues, much larger than those in other tombs, delicately carved. According to statistics, in Bac Giang, 46 ancient stone architectural works have been discovered and recognized, mainly stone mausoleums. The stone mausoleum system is proof of the art of tomb sculpture that has developed to its peak and holds an important position in the architecture and ancient stone sculpture of Vietnamese mausoleums. The most unique feature in the system of stone mausoleums in Bac Giang is the art of sculpture expressed through statues, stone artifacts... crafted by ancient folk artists, of which Dinh Huong mausoleum is a typical example. These are truly the quintessence of ancient sculpture, with sophistication expressed in every line on the statues. Artifacts and stone statues also contribute to increasing the historical value and cultural and artistic value of ancient mausoleums. Dinh Huong Mausoleum is a place to honor the nation's architectural tradition of stone sculpture, clearly shown in the art of sculpting human or beast statues and worshiping objects, as well as rich architectural decoration with many motifs and objects. The vivid patterns are truly typical of ancient Vietnamese stone sculpture art. With values of cultural history and typical architectural art, Dinh Huong mausoleum has been attracting tourists to visit. SOURCE: BAC GIANG PROVINCE ELECTRONIC INFORMATION PORTAL
Bac Ninh
4485 view
Rating : National monument
Ngoc Lam Temple
"The Ben Ngoc Daughter" is the name of a female general of the Trung Sisters, who made great contributions to helping the Trung Sisters repel the Han Dynasty invaders, and is today honored as a national historical celebrity. In Bac Giang city, there is a street named after Ba. She is Princess Thanh Thien. Ngoc Lam Temple is a relic located next to Ben Ngoc (literally called Ngoc Chu) - a place to worship and commemorate Princess Thanh Thien. Ben Ngoc is also known as Ngoc Lam, located in Ngoc Lam village, Tan My commune, Yen Dung district. "The Ben Ngoc Daughter" is the name of a female general of the Trung Sisters, who made great contributions to helping the Trung Sisters repel the Han Dynasty invaders, and is today honored as a national historical celebrity. In Bac Giang city, there is a street named after Ba. She is Princess Thanh Thien. Ngoc Lam Temple is a relic located next to Ben Ngoc (literally called Ngoc Chu) - a place to worship and commemorate Princess Thanh Thien. Ben Ngoc is also known as Ngoc Lam, located in Ngoc Lam village, Tan My commune, Yen Dung district. Princess Thanh Thien was the daughter of a family of Lac generals during the time of King Thuc - Because she did not cooperate with the Han dynasty, she hid at the temple. As a child, Thanh Thien was famous for his intelligence and talent. Growing up in the country's misery and humiliation under the domination of the Han Dynasty, this girl has since then nurtured a great ambition to take revenge for the country and society. Then she gathered her forces, stored food, trained soldiers and horses, and set up a base to wait for the opportunity to rebel. To strengthen her forces, she allied with patriots throughout Hai Duong (her hometown). Once when visiting her uncle in Ky Hop (Lang Giang), she stopped at Ngoc Lam site and was welcomed and wholeheartedly supported by the people. She discussed with him a plan to expel the enemy and set up camps in Ky Hop and Ngoc Lam. The base was established, and many clashes with the Han invaders occurred, the enemy forces were defeated many times. Once Ky Hop base was surrounded, Ngoc Lam base was blockaded. At that time, Hai Ba Trung's insurgent army stood up, heroes from everywhere came and Thanh Thien also followed that banner of insurgency. Under the banner of "Repaying the country's debt, avenging the family" of the Hai Ba, Princess Thanh Thien courageously stood side by side with the insurgents to expel the Han invaders and regain independence for the country. Crazy with defeat, the Han Dynasty sent the experienced male general, Ma Vien, to send troops to our country to suppress the uprising. Due to their defeat, Hai Ba Trung threw herself into the Hat Giang river and committed suicide to keep her virginity. As for Princess Thanh Thien, she fought until her last breath, following the Hai Ba to martyrdom at Ben Ngoc, refusing to fall into the hands of the Han invaders. Admiring Ms. Thanh Thien's example of filial piety, after her death, people built a temple to worship right next to Ben Ngoc - where she committed suicide. In the past, the monument was large and majestic, but now it is no longer intact. Currently, the ruins still have the Upper Temple and the Lower Temple. Thuong Temple is located on a high promontory adjacent to Chin Khuc River, opposite Bai Han area. The temple consists of two buildings: 3-compartment altar, simple architecture, inside there is an altar. The 3-room harem is located at the back. The altar has a altar, a throne, tablets and many other worship items. This is the sanctuary where the altar of Princess Thanh Thien is worshiped. The temple yard is tiled with square tiles, and in front there is an open-air altar. The landscape of Thuong Temple has an ancient sycamore tree reflecting on the Ben Ngoc river, creating a beautiful scene. Ha Temple is more ancient, built during the Le dynasty, and destroyed during the resistance war against the French. Now, the people have rebuilt the temple spaciously, including 5 high and wide front worship rooms and 3 back palace rooms. The landscape of Ha Temple is also very beautiful. In front there is a vast lake, located on the banks of the winding Chin Khuc River, creating harmony between the interior and exterior landscape. Ngoc Lam Temple was recognized by the Ministry of Culture and Information as Decision No. 138/QD dated December 31, 1992 as a Historical Relic and granted a monument ranking certificate at the same time. Since being ranked, Ngoc Lam temple relics have received more attention from local people to protect and restore./. SOURCE: ELECTRONIC INFORMATION PORTAL DEPARTMENT OF CULTURE - SPORTS - TOURISM OF BAC GIANG PROVINCE
Bac Ninh
8330 view
Rating : National monument
Born in Viep District, Duke Hoang Ngu Phuc
Souvenir relic of Duke Hoang Ngu Phuc in Tan Phuong village, Tan My commune, Yen Dung district, Bac Giang province (now in Bac Giang city) includes the birthplace and grave of Duke Hoang Ngu Phuc. This is one of the typical relics with important historical significance, a place to worship and commemorate a famous general who has been remembered by history and people for generations. Celebrity Hoang Ngu Phuc, also known as Hoang Dinh Viep, was born into a farmer family with a tradition of studious and martial arts in Phung Cong village, My Cau canton, Yen Dung district, Lang Giang prefecture, Kinh Bac town, now is Tan Phuong village, Tan My commune, Yen Dung district, Bac Giang province. He was born in 1713, served as an official serving two generations of Lord Trinh Doanh (1740-1767) and Lord Trinh Sam (1769-1782). He was ranked by historian Phan Huy Chu as one of the 19 talented generals of Le Trung Hung's reign. Relics The birthplace and grave of Duke Viep Hoang Ngu Phuc is a historical and cultural relic built in 1762. Previously it was a residence, and after Duke Viep's death, it became a place of worship and a souvenir relic of the country's General. Viep district Duke Hoang Ngu Phuc. Grave The basic grave still retains its original state, located in the middle of a lush, fertile field, on a hillock called Bai Lang. The land area is about 390m2. Hoang Ngu Phuc's tomb was not built, it was built into a high mound. On the stone stele, it is written: "The tomb of the general of the Le Dynasty was awarded Tinh Trung... reigning Duong Vu Dai Vuong". In front of the tomb, about 10 meters away, there is a stone stele placed in the lower field, carved in the shape of a tablet, inside the stele there are Chinese characters: "Tomb of the Le Dynasty." April 18, 1713 - January 16, 1776”. Born from Born in Viep, Duke Hoang Ngu Phuc is located southeast of Tan Phuong village. The landscape and space of the monument are spacious and airy, located next to the village road, convenient for transportation. The overall area of the birthing area is majestic and majestic with the outer gate consisting of two rooms with 4 green stone steps, the lower step is 19cm from the upper step, the area of the outer gate is 3.50m2. The beer house has an area of 3m2. Thong Nghi Mon's interior consists of three rooms with an area of 33.30m2, with 3 green stone steps, the architectural frame is made of ironwood, and the roof is tiled. The temple consists of 5 compartments with an area of 166m2, the architectural structure is made of ironwood, the roofs are made in the style of front, back, and seven, the temple roof is covered with funny-shaped tiles, and surrounded by brick walls. The cluster of relics and tombs of Viep Cong Hoang Ngu Phuc district is one of the proud historical relics that is respectfully preserved by the local people and the province. With great historical value, the relics of Viep's birthplace and tomb of Hoang Ngu Phuc district have been recognized by the state as a national historical and cultural relic since 1991. SOURCE Explore Vietnam's natural & cultural heritage
Bac Ninh
3499 view
Rating : National monument
Ve village communal house
Ve Communal House (literally called Nam Xuong communal house) - An architectural and artistic relic, villagers call it Ca communal house, because in addition to the big communal house, there are also communal houses of the neighbors; Hau's communal house borders the North; Kem communal house of the West border; Diec communal house of Nam border. The communal house is located in the center of the village, in a high and wide position, facing south. The communal house was built during the reign of Le Trung Hung in the 18th century. The architecture of the communal house is in the style of Dinh lettering, including 3 compartments, 2 compartments and 3 back rooms. On the roof, there are two dragons flanking the moon, on the edge of the bridge there is Nghe Chao, and pliers running into the corner of a curved blade. Inside the harem are placed altars, statues of saints and splendid gold-plated dragon thrones. Sitting on the altar is a statue of Saint Quy Minh, larger than life, with a high hat and a long dress holding a pearl in his hand. This is a reality that we rarely see in communal houses in the region. On the right side of the communal house is where the back stele and the back altar are placed. On the left side are 4 sets of palanquins and altar items. In addition, the communal house also preserves 10 dynasties' ordinations and jade genealogies to worship the village's gods. Ve Pagoda (literally named Huyen Khue Tu) - Artistic relic, located east of Ca communal house, facing south. In the past, Ve Pagoda was a common pagoda of both Thanh (Dong Nham) and Ve (Nam Xuong) villages, now in Tho Xuong ward. But during the Nguyen Dynasty, the village elders established the village's own pagoda. Based on the small hut of a retired Le Dynasty mandarin who donated to the village (Van Tu Am), Ve Pagoda was taken care of by Ve villagers and worshiped Buddha. In the pagoda, there is also a complete and beautiful system of Buddha statues, a large bell cast from the Le Canh Hung period, beautiful and clear, 1.5m high, 66cm wide and 66cm in diameter, and many other precious worship objects. Ve communal house and pagoda still retain their original ancient architecture and have been ranked by the State. The Ministry of Culture and Information granted the certificate of National Historical and Cultural Relic on February 12, 1994. Ha Vi communal house and pagoda were all destroyed by the French colonialists during their occupation of Bac Giang town from 1949-1954. In the 90s of the 20th century and in 2002, with their own efforts and money, the people of Ha Vi built a new, spacious and sturdy communal house and pagoda on the hill west of the village. The communal house and pagoda all face west, overlooking the Thuong River. On the old foundation of Ha Vi pagoda (now in Tran Nguyen Han ward) in 1994, local people built a new, beautiful, strong, durable pagoda and named it Hong Phuc pagoda. Currently, Hong Phuc Pagoda is the headquarters of the Buddhist Association of Bac Giang province. The ancient Hoa Yen communal house and pagoda are located in the main direction, on the left bank of the Thuong River, a sacred place, at the location of drainage pumping station 420 of Ha Bac Fertilizer and Chemical Company. Hoa Yen Pagoda was destroyed by the French colonialists in 1952. In 1960, due to the request to build Fertilizer Plant projects, Hoa Yen Pagoda was moved to be built in the Do Do Do General General temple area as it is today. . Hoa Yen Pagoda is an ancient pagoda, built in the Le Dynasty, with beautiful sculptural architecture. Temple of the Generals of the Ten family (Historic site), in Tho Xuong ward. Formerly a temple and pagoda in Hoa Yen village, located at gate 420 of the Ha Bac Fertilizer and Chemical factory. After that, the war and the expansion of the factory built so people moved materials to build at the current location in Moi hamlet, Hoa Yen village; Now it is the New Quarter residential group. The temple of Hoa Yen village was recently rebuilt by the people, but the architectural structure still retains the basic components of the Nguyen Dynasty. The temple consists of 3 compartments, 2 compartments, small scale, made of solid ironwood, without elaborate carvings. The main column is 3.83m high; The military column is 2.86m high, from base to roof is 4.5m high, house area is 76.80m2. The truss structure is simple, the upper part has a spike, the lower part has a horizontal line. In the middle of the temple, there is a 1 meter high arched brick altar, above the statue of General Tent and other worship objects. The Temple and Tomb of Admiral General Van Minh Tent are ranked by the State. The Ministry of Culture and Information granted the certificate of national historical and cultural relic on June 28, 1996. Dinh Dun, Huong Pagoda. Before the August Revolution of 1945, Cung Nhuong commune of Tho Xuong canton had two villages: Dun and Huong. The geographical location of residence between the two villages is far apart. Therefore, the communal house was built in Dun village (Dun communal house), the pagoda was built in Huong village (Huong pagoda). During the resistance war against the French colonialists from 1949 to 1954, Dun communal house was destroyed by the French colonialists; Huong Pagoda is still intact but is small in scale. After 1954, the homeland was liberated, Huong village was separated from Cung Nhuong as a unit. In the 90s of the twentieth century, Cung Nhuong and Huong villages both rebuilt communal houses and pagodas on the grounds of the old communal houses and pagodas. Cung Nhuong communal house and Huong communal house both worship general Leu Van Minh. SOURCE ELECTRONIC INFORMATION PORTAL THO XUONG WARD - CITY. BAC GIANG - BAC GIANG PROVINCE
Bac Ninh
3625 view
Rating : National monument
Dong Nham village communal house
Dong Nham village communal house or Thanh village worships two gods: Cao Son Dai Vuong Thuong and Quy Minh Dai Vuong Thuong. The two were generals of Hung Vuong who had merit in protecting the country, protecting the people, fighting the Thuc Phan enemy and bringing a peaceful life to the people. Thanh village communal house, the literal name is Dong Nham communal house, is located in front of the village facing south to west. The communal house was built on a high position overlooking Doc Dinh, located adjacent to National Highway 1A, Hanoi - Lang Son railway and Xuong Giang citadel. The communal house was built during the Le Dynasty and still retains its original architecture. The communal house consists of 3 rooms, 2 of which are arranged in a monogram style. The trusses are structured in the style of the upper and lower gongs, the lower and lower are skillfully and exquisitely carved. In addition to serving beliefs, the village communal house is also a meeting place to discuss and decide on important village affairs. The communal house was restored and repaired many times. During the resistance war against the French colonialists, the communal house was destroyed on both sides of the council house and the surrounding walls. In the 60s of the 20th century, the communal house was used as a granary warehouse for the Cooperative. The Saint was brought to worship. At the temple, in 1996 the harem was repaired and the Saint was brought back to be worshiped at the communal house. On the left side of the pavilion worships the mandarin of the Le Dynasty Nguyen Tuong Cong, nicknamed Trung Chinh, a man from Dong Nham village who went to Bac Su twice, achieved great achievements and was awarded the title of Duke Thai Bao by the King, the god of Phu Quan. He had no children. donated all land and land to Dong Nham village and Am Linh Tu, Thanh Pagoda today. Chung Communal House: is the communal house of two villages Dong Nham and Nam Xuong (or Thanh village and Ve village), the communal house was built during the Le Dynasty in 1629, and is now about 390 years old on the land between the two villages; The East borders Dong Nham village, the West borders Nam Xuong village. The communal house worships God Cao Son, a good general of the Hung King dynasty. The festival is organized by the two villages together with the villages' associations. The communal house was repaired and restored many times. In the 60s of the twentieth century, the communal house was used as the Commune Cultural Headquarters and Tho Xuong Commune Trading Cooperative Headquarters. Up to now, it has been repaired and is only used to worship God. Nghe Mieu: built in the 17th century around 1660, Nghe Mieu was built on the land of Mount Mieu overlooking the southwest, which is the boundary of Dong Nham and Nam Xuong villages. Worshiping the generals of the Tran Dynasty, a good general named Duong Hien was awarded the title of Duong Quoc Cong Dai Vuong, the mighty Demi-God, commanding the soldiers against the Nguyen invaders. Live peacefully for the People. Diem: built around 1929 on the land of Non hamlet in the middle of the village, leaning against the mountain overlooking Dam Con to the North. The shrine has an incense bowl for general worship of Hoang Lang deities. In addition, the shrine also holds worshiping objects and processions. In 1988 it collapsed, and in 1994 it was renovated. Thanh village communal house is an ancient architectural work, over several hundred years old, bearing the cultural imprint of a rural village. Therefore, having been ranked by the State, the Ministry of Culture and Information, now the Ministry of Culture, Information, Sports and Tourism, granted the certificate of cultural historical relic on February 5, 1994. SOURCE ELECTRONIC INFORMATION PORTAL XUONG GIANG WARD - CITY. BAC GIANG - BAC GIANG PROVINCE
Bac Ninh
3329 view
Rating : National monument
Vinh Ninh Communal House
Vinh Ninh communal house is located in Vinh Ninh village, Hoang Van Thu ward, Bac Giang city (before the August Revolution of 1945, it was in Dinh Ke commune, Dinh Ke district, Phuong Nhon district, Bac Giang province). Vinh Ninh communal house relic is located in the Northeast of Bac Giang city and at the beginning of National Highway 31, so the road is very convenient for visitors. Vinh Ninh communal house along with other cultural and religious works of Dinh Ke commune (nhe Ca and Ke Pagoda) form a very valuable continuous relic complex. The place where the communal house is built is the local "spiritual land", it is said that the ancient Vinh Ninh village was located on land shaped like a turtle (Turtle) and the village communal house was built on the head of the devil, facing the West. It is a beautiful and sacred land. Legend has it that in the past, anyone who passed through the communal house had to take off their hats, and mandarins passing by had to "lower their horses", otherwise they would be punished by the Saints. Anyone who did anything unethical would be inflicted with unexpected disaster by the Saints... The ancient Vinh Ninh communal house has a large and massive architectural scale, is an ancient architectural work, was built during the reign of King Le about more than 300 years ago, and was renovated and expanded during the reign of King Le in the 19th year of Vinh Khanh. 3 (1731) follows the traditional structure, including 3 main works: the front altar, the middle court and the harem. From a distance, people can easily recognize this large-scale architectural work because the communal house's buildings are located on high ground, with walls separating them from the outside on four sides. Each building follows another, creating a feeling of a truly solemn and intimate place of worship thanks to its gentle and elegant shapes and lines. The front court: Adjacent to the roof and on the same bank as the central court and the front court, this building consists of three compartments and two doors, ironwood frame, with curved roofs, soft and elegant, carved and painted. Artistic, sophisticated, with a table door in front. The altar is the place where local people gather and prepare offerings for offerings. Middle court: About 1.50m from the harem, this building consists of five compartments and two compartments, ironwood frame, tiled roof, and no swords on both sides of the pavilion. This court is the place of worship for the people, so the worshiping objects are arranged simply and neatly, including the altar, the altar, the "seven things" set, and is also the place to place the people's offerings on every occasion. weekly rules. The middle space of the central court (also known as the well space, in some places it is called the crowd space) is lower than the two side rooms. That is the place of worship - on both sides are the dining and seating areas for all the people according to the traditional order of the village: "The royal court values titles, the village party values slags" (In the royal court, titles are valued, in the countryside, people are respected). tooth loss in old age). The central court is also where gongs and drums are placed; On the roofs of the rooms hang horizontal panels and parallel sentences, brightly painted and gilded. The harem court: Consists of a room with two wings, an ironwood frame and a tiled roof, with 4 elegant swords, the top of the roof is covered with two Dragons flanking the moon. The harem is the center of worshiping Saint Cao Son-Quy Minh. In the harem, the altar is solemnly decorated in the middle, inside the altar is the throne and altar of the Saint. On both sides of the altar are two worshiping horses (two angelic horses), in front is an incense altar, on top is a bronze set of seven things, on the two sides are a set of super swords, eight symbols, on top is a horizontal panel of the Most Highest Spirit, two Next to the column hangs parallel sentences. In the harem, there is also a palanquin (a set of altars and incense pots to worship the Saint whenever the whole commune holds a festival at communal communal houses and Nghe An). All worship objects at the communal house are made of wood, carved and decorated exquisitely down to every small detail, and painted with brilliant gilded vermilion, demonstrating the ingenuity of ancient folk artists. . All are unique ancient art products that few places have preserved to this day. The harem, with a table-top door, separated from the outside, is a dark place where no one is allowed to enter, except the guard. In addition to the main works, Vinh Ninh communal house also has dance courts on both sides of the communal house yard and the front door of the altar. Each building has 3 ironwood rooms, tiled roof, and brick walls. The eastern court has a wooden floor to place feasts and offerings, the western court has no floor, and is often used as a place for pork and village affairs. Vinh Ninh Communal House is the only typical cultural belief building of the villagers, a place to worship two saints Cao Son and Quy Minh (two generals during the reign of Hung Due Vuong). The legend of the two Saints has been passed down through many generations by local people. The story goes: Cao Son and Quy Minh are twin brothers from the reign of the 18th Hung King, in a family of ritualistic, well-educated, and talented martial artists that no one can match. When both men were 2 years old, both of their parents passed away. At that time, King Hung Due Vuong issued an order to the provinces, districts, and religions to select talented and virtuous people to lead soldiers to defeat foreign invaders. Seeing that, the two of them asked to go back to court to apply for the position. The king saw that the two men had more martial arts talent than others, so he immediately recruited and ordered them to hold the position of military commander. Although they were grateful to the king, they did not forget their parents - their funerals and worship were very thoughtful and sincere. Again: King Hung gave birth to four children (two sons and two daughters). But then the two sons died prematurely, and when the two daughters reached adulthood, Hung Due Vuong married one to Chu Dong Tu, the other to a Nguyen general named Tung and passed on the throne to him. At the same time, in Ai Lao land, there was a person with the surname Thuc named Phan, who was a descendant of the Hung family. After branching out, he came to rule this land and changed his family name. Hearing that King Hung Due passed the throne to his son-in-law, Thuc Phan decided to Feeling jealous, he sent troops to invade. Hung Due Vuong was worried, immediately summoned Son Thanh to attend, Cao Son-Quy Minh came to receive his orders and was appointed left-right general, pioneering the journey to defeat the Thuc invaders in the Northeast. Mr. Cao Son and Quy Minh obeyed their orders and set out, with drums and flags flying in the sky. When they reached the Northeast, Bac Giang Highway, it was already dark, so the two men camped here. Seeing that this land had many advantages for military operations, the two men ordered the army and people to establish strongholds to fight the enemy. SOURCE ELECTRONIC INFORMATION PORTAL DEPARTMENT OF CULTURE - SPORTS - TOURISM OF BAC GIANG PROVINCE
Bac Ninh
3647 view
Rating : National monument
Dong Nghiem Pagoda
Dong Nghiem Pagoda, also known as Ke Pagoda, was built a long time ago (before the Le Dynasty). The pagoda was built right next to Nghe Ke in Dinh Ke ward. Dong Nghiem Pagoda is a branch of Vinh Nghiem Pagoda, a resting place for monks before returning to the place where Vinh Nghiem's ancestors sit down. Dong Nghiem Pagoda plays the role of Chief Administrator of Vinh Nghiem ancestral temple. Therefore, it is very likely that Dong Nghiem Pagoda was built during the Tran Dynasty and was a busy place because of the missionary activities of the Truc Lam Zen sect in its ancestral home of Vinh Nghiem. During the resistance war against the Ming Dynasty invasion, Dong Nghiem Pagoda was destroyed and ruined. In the 17th and 18th centuries, it was renovated and expanded, becoming a quite busy center of Buddhist activities of the people. The ancient architectural works of the pagoda are quite large-scale, including many buildings: the Upper Palace, the Three Jewels, the Nine Items Court, the bell tower, the grand entrance, the ancestral house, the three-entrance gate, and the garden. It is very unfortunate that due to the war, many works of Dong Nghiem Pagoda no longer exist. Dong Nghiem Pagoda still maintains a fairly complete system of worship statues concentrated in the upper palace. Most of the statues are carved from wood and gorgeously painted, among which the statues of Tam The, Amitabha, Samantabhadra Bodhisattva, and Bodhisattva Bodhisattva are beautiful statues. There are also many other precious worship objects. In particular, the pagoda still has 3 valuable stone steles left. Dong Nghiem Pagoda has been ranked by the Ministry of Culture and Information as a national architectural and artistic relic according to Decision No. 226/VH-QD, dated February 5, 1994. SOURCE CENTER FOR CULTURE, INFORMATION AND SPORTS OF BAC GIANG CITY
Bac Ninh
3284 view
Rating : National monument
Nghe Dinh Ke
Dinh Ke is a commune located in the east of Bac Giang city, bordering the communes of Tan Tien, Huong Gian (Yen Dung), Dinh Tri, Tan Dinh (Lang Giang), Tho Xuong ward, Xuong Giang commune and two Le streets. Loi and Ngo Quyen belong to the inner city. Located right next to Highway 31, the road connecting Bac Giang city with the Northeast region of the country. This small, humble architectural work is located in the middle of high ground and luxuriant fruit trees, looking truly ancient and dignified, in the middle of a market street. The roads here are bustling with people and vehicles, bustling with trading and exchange scenes, and the economic activities are quite diverse, vibrant and bustling, proving that Dinh Ke has long been a place of urban gathering, farming, and farming. Rice, vegetable growing, mulberry growing and silkworm raising are the main livelihoods. However, handicraft activities, especially rice paper making, existed very early and became famous near and far, making the lives of Dinh Ke people increasingly improved - Ke market, a trading center, became busier. Since the Le Dynasty, it has been proven that commercial activities in Dinh Ke appeared quite early and have developed continuously to this day. It is thanks to the rich and diverse economic activities that make Dinh Ke countryside always vibrant, people's relationships are open, villages are not confined, framed in bamboo fences. Dinh Ke is a gathering place for residents in many places and is also a place for dynamic economic and cultural exchanges with other regions in the country. Those are the factors and the social and historical environment that make Dinh Ke rich in cultural tradition. The tradition of community solidarity is expressed quite centrally in the worship of Cao Son - Quy Minh. These are two generals of the Hung King period, with many merits in supporting the king and the country. The people of many Vietnamese villages and communes have built communal houses and temples to worship. The feudal kings of Vietnam conferred titles on two generals as superior gods. Nghe Dinh Ke is a small-scale architectural work with 1 room, 2 left, 2 doors as a worship center (local people often call it the harem court) and 5 worship rooms in front. Like many other countryside in Bac Giang province, Dinh Ke village is the center of worship, ceremonies and meetings of the people of the entire commune. Every year, on the full moon day of the third lunar month, a day of great blessings for the entire people, villages carry palanquins to place the saint's tablet on the altar, hold ceremonies, and express everyone's respect for the saint. . The convention was organized thoughtfully and solemnly. In order to conduct the festival thoughtfully, in the past, the whole commune also built a communal communal house (called communal communal house or Vinh Ninh communal house). This is a large ironwood communal house with a curved roof, wooden floors, and barred doors. This is the meeting place and festival organization of the people of the entire commune. In addition to procession of books, ceremonies, and sacrifices, Ke festival also has many interesting fun games such as Chinese chess; cockfighting; Swinging and other traditional games... In particular, in the Ke festival there are also games of human chess and word drawing: Boys and girls in the village are chosen to be chess pieces or word scissors and must practice months in advance. About 3-4 days before the opening day, these people gather together for a rehearsal. Participants in the word-pulling game are allowed to wear nice clothes, a folding hat or a pineapple top hat, nine-shaped shoes, a red tie, carry a five-colored flag, and follow the empty command of the Flagmaster until the game is arranged. into the shape of the word: "Peace in the world - Trinh mandarin congress". The Ke Festival in March is a religious and cultural activity of the people of the entire commune, attractive and attracts visitors from all over, becoming a major festival of human life in the civilized countryside, entering into natural life like breath: “Rumor has it that the Ke March meeting If you don't go to the festival, you will lose your life." On July 20, the Thuong Dien ceremony of the entire commune also takes place. On this day, the 7 villages of the villages bring offerings to worship at the commune's communal house, demonstrating their reverence for heaven and earth, the gods who have helped the crops to be lush and the people to be prosperous. The worship of saints by the people of Dinh Ke has been very respectful and respectful since ancient times and was conferred and recognized by the feudal state of Vietnam. Currently, Nghe Ca still preserves the 10 religious orders of the Nguyen Dynasty kings given to the people in the commune to worship according to old rules. Nghe is also the place to worship the academic sages of Bao Loc and Phuong Nhon districts, including the great academicians of Dinh Ke, Giap Hai, Giap Phong, and Nguyen Duy Nang. Worshiping objects, documents, antiques, especially tablets, saints, ordinations of kings, steles recording academics... are sources of ancient documents with high historical value. On the other hand, Dinh Ke relic is currently promoting the positive effects of a historical and cultural relic: a place of worship for saints Cao Son - Quy Minh and academic sages, a central place for organizing events. meetings and festivals of the entire people with spiritual and cultural activities rich in humanity and imbued with national identity. SOURCE ELECTRONIC INFORMATION PORTAL DEPARTMENT OF CULTURE - SPORTS - TOURISM OF BAC GIANG PROVINCE
Bac Ninh
3507 view
Rating : National monument
Thanh village pagoda
By the beginning of Tu Duc's reign in 1883, the population of the two villages had grown large, Ve Pagoda became cramped. Thanh villagers decided to expand the Am into a pagoda (the Am of the old mandarin from Dong Nham village, Nguyen Tuong Cong of the Le Dynasty, was dedicated to the village). Therefore, Thanh village pagoda's name is Am Linh Tu, Thanh Pagoda worships Bodhisattva Avalokiteśvara, the pagoda was built on high land in front of the village gate facing South to West. In front is Doc Dinh area, behind is a high mound area. In terms of feng shui, the pagoda is located on a post-prehistoric era. Although Thanh Pagoda is not large in architectural scale, it is neatly and closely arranged, harmonizing the exterior architectural landscape with the sculpted interior decoration. exquisitely engraved. Every year, the pagoda is regularly renovated; Especially from 2005 to 2009, with the support of the State and the generous contributions of the People, the pagoda was restored and expanded. Up to now, Thanh Pagoda is one of the beautiful and spacious pagodas in the region. Thanh Pagoda is located near National Highway 1A and the railway from Lang Son to Hanoi, so it is very convenient for tourists from all over to come to the festival and visit. Thanh Pagoda is an ancient architectural work over several hundred years old that was classified by the state and awarded by the Ministry of Culture, Information, Sports and Tourism as a cultural and historical relic on February 5, 1994. SOURCE ELECTRONIC INFORMATION PORTAL XUONG GIANG WARD - CITY. BAC GIANG - BAC GIANG PROVINCE
Bac Ninh
3293 view
Rating : National monument
Outstanding monuments
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Vinh Nghiem Pagoda
Vinh Nghiem Pagoda, also known as Duc La Pagoda, is an ancient pagoda in Duc La village, Tri Yen commune, Yen Dung district, Bac Giang province. Vinh Nghiem Pagoda is an ancient pagoda, where the only original set of woodblocks of the Truc Lam Buddhist sect is kept. The 3,000 woodblocks of Vinh Nghiem Pagoda have been awarded by UNESCO as a world memory documentary heritage. The pagoda is recognized as a Buddhist center, a place to train monks for the whole country, and the birthplace of the Three Patriarchs of Truc Lam Zen sect of Vietnamese Buddhism. In 2015, the pagoda was recognized by the State of Vietnam as a special national monument. Vinh Nghiem Pagoda is located at the confluence of Luc Nam and Thuong rivers (called Phuong Nhan junction). The pagoda overlooks the confluence of rivers, towards Luc Dau Giang - Kiep Bac, Cam Ly region, the gateway to Yen Tu mountain. Surrounding the pagoda are mountains, including Co Tien Mountain. Across the river is Tran Hung Dao's royal palace, Kiep Bac Temple. Legend has it that Vinh Nghiem Pagoda was built in the Ly Dynasty (11th century). At the end of the 13th century, (1010-1028), Buddha Emperor Tran Nhan Tong expanded and built this place into a major Buddhist center of the Tran Dynasty, renaming the pagoda Vinh Nghiem, associated with the birth and development of Truc Lam Yen Tu Zen sect. As one of the ancestral places of the Zen sect, Vinh Nghiem Pagoda was built with a grand architectural scale, many items, standard and exemplary of traditional pagoda architecture. This is an ancient temple with the richest architecture of Buddhist-Vietnamese identity that no other temple in the region has, worthy of being called a "great ancient site". In the pagoda, there are also Buddha statues, statues of the Patriarchs of the Truc Lam lineage, statues of later monks, statues of Dharma protectors, statues of Arhats... In the pagoda there is also a muzzle nearly half a meter long, painted glossy black, with a sound hole. There are two lines of Sanskrit inscriptions. In the past, Vinh Nghiem Pagoda was a place to train Buddhist monks, so it was a storage place for ancient scriptures that were up to 10 rooms wide. These are collections of sutras dating back 700 years, a treasure trove of extremely valuable ancient books, such as: The novice monk, the monk, the novice monk, the 348 precepts, the Yen Tu diary from the 15th century (the process of forming the Truc Lam sect), Hoa Nghiem Sutra, Amitabha Sutra, Mahayana Chi Quan, Precepts and Ni Sutras... Today there are many wooden shelves printed with historical sutras still at the pagoda. The ancients called this engraving, proving that Vinh Nghiem Pagoda once dominated 72 forests. Currently, the Moc Thu warehouse still preserves 34 books with nearly 3,000 engraved copies, each copy has two sides, each side has 2 upside-down engraved pages (negatives) with about 2,000 Nom and Chinese characters. Those engravings are still handed down in our country with each sharp and delicate handwriting. Today, those values still remain intact, without any loss of value. The pagoda's area is about 1 hectare, surrounded by dense bamboo. Currently, the pagoda is being renovated and creating favorable conditions for tourists to travel and worship. Visitors can follow the route such as: three-entrance gate, go about 100m deeper to worship the road, also known as Ho Pagoda. On both sides of the pagoda's road, pine clumps about 1 meter long were built to form pine forests. On the temple grounds there is a large stone stele with 6 sides built in the 7th year of Hoang Dinh (1606). Right in front of the ancient stele is the tomb tower garden of 5 monks: Phu Lang Trung Phap (named Sa Mon), Thong Due Ung Duyen, Thanh Quy, Tinh Phuong Sa Mon, Thanh Hanh and a number of other towers. Vinh Nghiem Pagoda Festival is held on the 14th day of the second lunar month. Source: Bac Giang Province Electronic Information Portal
Bac Ninh
10163 view
Rating : Special national monument
Phuc Long Communal House
Phuc Long communal house is located in Tang Tien commune, Viet Yen district, Bac Giang province. Phuc Long communal house is the center of traditional religious and cultural activities of the people of Phuc Long village, past and present. The village communal house is a place of worship for the entire people, and is also the center for organizing the village's festivals during Tet holidays, which represent the long history and cultural traditions of Phuc Long village. Based on the legend engraved on the stone stele of King Tu Duc, and according to the legends of the local people, Phuc Long communal house worships the gods of sound and inspiration, helping to fight the enemy to save the country and protect the country. defend the homeland. In addition, Phuc Long people also worship Nhue District Cong Le Tuong Cong, the Le Dynasty mandarin who helped people rebuild Phuc Long pagoda and communal house. That is the communal house and pagoda that remains today. Remembering his gratitude, the villagers carved a stele recording his merits and worshiped the mandarin as his successor. Every year, they worshiped him on the 10th day of the 7th month, called the death anniversary of the old man. The eulogy of the general's official was read on the death anniversary. They share a common belief in worshiping Heaven, Earth and Water - elements closely related to the lives of people working in wet rice agriculture. The value of Phuc Long communal house is not only in its ancient founding date, over 300 years ago, but mainly in its large scale, unique architectural style and talented carving and decoration art. , delicate. The most attractive thing about Phuc Long communal house is the decoration and engravings on the architectural parts: such as on the ends, levers, scrolls, hammock doors in front of the palace, on the gates, The column bibs (also known as column tapers), are all engraved with decorative images with many different designs. Unlike many other communal houses, the entire wooden frame of Phuc Long communal house is bare, unpainted and gilded, showing off all the sophistication and ingenuity of the workers who built the communal house. What is recognizable is the architectural structure and especially the carvings, showing the two unions of carpenters involved in building the communal house. Therefore, the architectural style, especially the carving, shows two different styles, delicate carving, trimming, elaborate and soft lines. But all of them blend together in unity, richness and diversity, reflecting the most common features of architectural art and engravings of the Le Dynasty in the late 17th century, imbued with folk art: Innocence, generous. Popular decorative shapes are the carvings, carvings of the "four sacred animals", "four precious" images with variations of dragon, Nghe, phoenix, tiger face, dragon-shaped, physical-chemical... extremely rich. Phuc Long communal house was officially recognized by the Ministry of Culture and Information as a national historical and artistic relic in 1993. Source: Electronic Information Portal of Viet Yen Town, Bac Giang Province
Bac Ninh
10072 view
Rating : National monument
Ham Long Pagoda
Ham Long Pagoda (or Long Ham) in Thai Bao area, Nam Son ward, Bac Ninh city, was built during the Ly dynasty (about the 12th century). According to folk eyes, the pagoda is located in the jaw of a dragon, meaning under the jaw of a large dragon 9 segments long, which is the entire Lam Son range. This is a large Buddhist center, and is said to be the place of practice for monk Duong Khong Lo. Located on a land area of more than 9,000 square meters, the pagoda has a beautiful landscape, in harmony with nature, is known as an ancient temple with a long history, the architectural works are designed and decorated according to Traditional style, exquisitely carved, artistic. Today, Ham Long Pagoda is the center of spiritual activities of local people and people from all over the region, a place to worship Buddha Dharma, a place to guide living beings to good things, to stay away from evil, to live with compassion, joy and forgiveness. The current pagoda has a large scale including works: Tam Quan gate, Tam Bao, Patriarch's house, Mother's house, Guest house, Monk's house and auxiliary works. The Three Treasures Pagoda is made of ironwood, shaped like a Dinh, including the 7-compartment Tien Duong, the structure of the roof "stacked with beams and gongs", the armpits of which "those sitting on the bed are fascinated" and 3 rooms of the Upper Palace, the structure of the roof. stack of gongs and gongs", because underarms "the one sitting". The pagoda worships the 7 Patriarchs, the Mother Goddess, and Mr. Do Trong Vy, he is famous for being an intelligent and studious man and later became an honest mandarin, teacher, and culturer, especially he was the one who had the merit of founding the Vietnamese Literature. Bac Ninh Temple. After he got old, he returned to Ham Long Pagoda to practice. After his death, he was worshiped here. Currently, Ham Long Pagoda still maintains the ritual of sending souls to the souls who died at evil and sinful hours. To avoid disasters and yokes, families of ghosts often send ghosts to Ham Long Pagoda to receive shelter and salvation, so that ghosts can soon be reborn and escape to the realm of bliss. The architectural works within the Pagoda's grounds are carved with sophisticated, artistic decorations with a spacious and perfect appearance. The pagoda has a festival on the 14th day of the second lunar month, in addition, during the year there are other days such as: Buddha's Birthday, Vu Lan festival, Full Moon week, First lunar month, traditional festivals, Lunar New Year. The pagoda also welcomed many domestic and foreign delegations, high-ranking leaders of the Party and State to visit Buddha. The pagoda was ranked as a cultural and historical relic by the Ministry of Culture and Information on January 18, 1988. Source: Bac Ninh province electronic information portal
Bac Ninh
9737 view
Rating : National monument
Van Coc Communal House, Van Trung Commune
Van Coc communal house is also known as Bai Ca communal house, people in the area often call it Bai communal house. Bai Ca communal house used to worship the saint Cao Son Dai Vuong together with Bai Xanh communal house. For some reason, this communal house was divided into two (upper communal house of Xanh village, lower communal house of Bai village. Both communal houses are located at the foot of the western mountain of Bai Mountain, one of the mountain ranges in the Nham Bien Son range or the 99-top anchor mountain. The village is spread out along the mountain slope like a flying Coc, looking down at the sunken field which is a lake Lang Bac in the past. Looking from above, Van Coc village looked like a Big Coc, the body was Bai Mountain, the head was Don Mountain, and the two long wings spread out on both sides were Van Coc village. The communal house was located under the eyes of the coc . Van Coc communal house is located in Van Trung commune, Viet Yen district, Bac Giang province. This is the place to worship the village's Tutelary God, Saint Cao Son Dai Vuong. Duc Cao Son is from Lang Xuong Cave, Thanh Chau district, Gia Hung district, Son Tay religion. He is the son of Nguyen Hanh and Dau Thi Loan. He was born because his parents were told in a dream that the god was reincarnated. So when he grew up, he was very intelligent in martial arts and knowledgeable about heavenly books. When the country had foreign invaders, King Due Vuong issued an edict to go everywhere to find talented and virtuous people to help the country. He immediately returned to the court to apply for the position and was immediately employed. He was appointed by Tan Vien Son Thanh as a senior general. With the wholehearted help of the local people - gods and people, he soon completed the work. When the Thuc army arrived, he was beaten to a pulp by his generals (afterwards he had to make peace with the Hung dynasty). After the war against the Thuc invaders, he returned to the army where he had built a stronghold to repay the people's kindness. When finished, he was ordered to return to court. Then the king sent him back to enjoy his fortune in Thanh Hoa and there the court ordained him as the Supreme God of Blessing and Strength for the places that had previously gone to fight the enemy and had received help from the people, so they had to establish a place of worship forever. His Holiness Cao Son Dai Vuong. According to Dinh's family tree, Trang Van Coc previously had an ancient temple in the communal house area, then moved it to the middle of the village. The current communal house was built in the year Mau Ty - Le Canh Hung dynasty (1788) and was built by Duong Tuong Cong - Tu Quoc Co. The communal house currently has 5 rooms, 2 rooms, 1 bamboo tube, 2 rooms, 3 harem rooms with high and wide wooden floors. In front of the communal house there are 2 square steles. The remaining relics are 8 sturdy and majestic hammock doors, 4 pairs of parallel sentences, 10 horizontal panels, 2 dragon and tiger altars, 2 water fountains, 2 purifying shelves, 2 ordination boxes, 1 color book. divine insignia, 1 jade genealogy book, 1 stone incense stick, 1 box containing a set of culvert bowls, 2 fan bones, 2 parasol bones, 2 large altar horses, 1 set of halberds with more than 20 halberds, a set of precious bowls, a Culinary temple, 1 dragon communal house, 1 ancient incense burner, 2 altar thrones, 2 tablets. All are painted with gorgeous gold lacquer. One drum, one gong and some stone lamps, candlesticks... Along with the brilliant victory on the Nhu Nguyet river front line, the historical site of Mount Don was the place where extremely fierce battles of our army and people during the Ly dynasty took place against the Song invaders. This was also the place to welcome Win a victory and chase the national enemy out of the country. Because after the swift and courageous strategic battle of our army and people against the army group commanded by General Quach Quy here, the enemy's invasion plot was crushed and Quach Quy resigned to bitter defeat. At night, the order was given to withdraw the remaining troops back to the country, trampling on each other (as the Song Dynasty's own history had to admit). Van Coc Communal House was ranked a national historical, architectural and artistic relic by the Ministry of Culture, Sports and Tourism on January 21, 1989). Source: Electronic Information Portal of Viet Yen Town, Bac Giang Province
Bac Ninh
9415 view
Rating : National monument
Do Temple and Tombs of Ly Dynasty Kings
The tombs and temples of the Ly Dynasty Kings are historical evidence of the ancient Co Phap village and today's Dinh Bang; It is a relic land, a temple to worship the Ly dynasty kings and is also the burial place of the Ly dynasty's ancestors and royal family. Ly Dynasty (1009 - 1225), from when Thai To (Ly Cong Uan) ascended the throne, moved the capital from Hoa Lu to Thang Long (1010), experienced 8 kings, passed the throne for 216 years, was the period when the state conferred independence, autonomy, and strength, the people can live in peace and prosperity. The relic site is a unique architectural work, with stone carving, wood carving, worship statue carving, and construction techniques all reaching a sophisticated level and many intangible cultural heritage values being preserved. : worship beliefs, festivals, customs, practices.... The tomb area of the Ly Dynasty kings is also a particularly important archaeological site serving scientific research. The relic has many other names, such as Do Temple, Co Phap Dien/Ly Bat De Temple and Tombs of Ly Dynasty Kings (Tho Tomb Thien Duc or Son Mau Forbidden Land); Includes 2 main areas: Do Temple and Tombs of Ly Dynasty Kings (Forbidden Land). 1. Do Temple: total area of 31,250m2, divided into inner city and suburban areas. Suburb: 26,910m2 wide, including semicircular lake, water pavilion, writer's house on the right, martial arts house on the left. Inner city: 4,340m2 wide, divided into interior and exterior areas. The interior includes: the harem, the carriage house, the altar house, the stele house and the house for 8 altar palanquins, the house for 8 worship horses on both sides. The exterior includes: Phuong communal house, King's temple, celebrant's house, guest house, exhibition house, hall, five dragon gates, temple yard, elephant statues, stone crocodiles... 2. Tombs of Ly Dynasty Kings (Forbidden Land) The tomb area is the final resting place of the Ly dynasty kings, about 800m northeast of Do temple, located in Sen Pond area, in the fields of Dinh Bang ward, Tu Son town, Bac Ninh province. Today, the tombs of the Ly Dynasty kings include the following buildings: - Tomb of King Ly Thai To - Long Chao Tomb - Tomb of Ca (King Ly Thai Tong) - Tomb Two (also known as Tomb Con) worships King Ly Thanh Tong - Tomb of the Elephant (King Ly Nhan Tong) - Tomb of Duong Gio (King Ly Than Tong) - Tomb of Duong Thuan (King Ly Anh Tong) - Tomb of King Ly Cao Tong - Tomb of King Ly Hue Tong - Mausoleum of Mrs. Nguyen Phi Y Lan - Phat Tich Tomb (Pham Thi's mausoleum) There are not many artifacts left at the Do Temple relics and the Ly Dynasty kings' mausoleum area, such as 8 tablets with the names of the Ly kings painted in red and gilded, carved in the Le dynasty, bronze tops, and cranes. bronze and some bowls and dishes dating back to the Le dynasty. In particular, there is a stone stele, dated 1604, compiled by Dr. Phung Khac Khoan, recording the merits of the Ly kings. In addition, cultural activities of folk beliefs and worship of Ly dynasty kings are still maintained and become traditions at Do temple. Every year, three main festivals take place in Dinh Bang: - Temple festival on January 7. - The communal house is held on February 15, taking place on 2 main days (from February 14 to 15). - Temple festival on March 15, held at Do temple. With special value, the historical site of the Ly Dynasty kings' tombs and temples was ranked a special national monument on December 31, 2014 by the Prime Minister. Source: Department of Cultural Heritage
Bac Ninh
9396 view
Rating : Special national monument
Ngoc Lam Temple
"The Ben Ngoc Daughter" is the name of a female general of the Trung Sisters, who made great contributions to helping the Trung Sisters repel the Han Dynasty invaders, and is today honored as a national historical celebrity. In Bac Giang city, there is a street named after Ba. She is Princess Thanh Thien. Ngoc Lam Temple is a relic located next to Ben Ngoc (literally called Ngoc Chu) - a place to worship and commemorate Princess Thanh Thien. Ben Ngoc is also known as Ngoc Lam, located in Ngoc Lam village, Tan My commune, Yen Dung district. "The Ben Ngoc Daughter" is the name of a female general of the Trung Sisters, who made great contributions to helping the Trung Sisters repel the Han Dynasty invaders, and is today honored as a national historical celebrity. In Bac Giang city, there is a street named after Ba. She is Princess Thanh Thien. Ngoc Lam Temple is a relic located next to Ben Ngoc (literally called Ngoc Chu) - a place to worship and commemorate Princess Thanh Thien. Ben Ngoc is also known as Ngoc Lam, located in Ngoc Lam village, Tan My commune, Yen Dung district. Princess Thanh Thien was the daughter of a family of Lac generals during the time of King Thuc - Because she did not cooperate with the Han dynasty, she hid at the temple. As a child, Thanh Thien was famous for his intelligence and talent. Growing up in the country's misery and humiliation under the domination of the Han Dynasty, this girl has since then nurtured a great ambition to take revenge for the country and society. Then she gathered her forces, stored food, trained soldiers and horses, and set up a base to wait for the opportunity to rebel. To strengthen her forces, she allied with patriots throughout Hai Duong (her hometown). Once when visiting her uncle in Ky Hop (Lang Giang), she stopped at Ngoc Lam site and was welcomed and wholeheartedly supported by the people. She discussed with him a plan to expel the enemy and set up camps in Ky Hop and Ngoc Lam. The base was established, and many clashes with the Han invaders occurred, the enemy forces were defeated many times. Once Ky Hop base was surrounded, Ngoc Lam base was blockaded. At that time, Hai Ba Trung's insurgent army stood up, heroes from everywhere came and Thanh Thien also followed that banner of insurgency. Under the banner of "Repaying the country's debt, avenging the family" of the Hai Ba, Princess Thanh Thien courageously stood side by side with the insurgents to expel the Han invaders and regain independence for the country. Crazy with defeat, the Han Dynasty sent the experienced male general, Ma Vien, to send troops to our country to suppress the uprising. Due to their defeat, Hai Ba Trung threw herself into the Hat Giang river and committed suicide to keep her virginity. As for Princess Thanh Thien, she fought until her last breath, following the Hai Ba to martyrdom at Ben Ngoc, refusing to fall into the hands of the Han invaders. Admiring Ms. Thanh Thien's example of filial piety, after her death, people built a temple to worship right next to Ben Ngoc - where she committed suicide. In the past, the monument was large and majestic, but now it is no longer intact. Currently, the ruins still have the Upper Temple and the Lower Temple. Thuong Temple is located on a high promontory adjacent to Chin Khuc River, opposite Bai Han area. The temple consists of two buildings: 3-compartment altar, simple architecture, inside there is an altar. The 3-room harem is located at the back. The altar has a altar, a throne, tablets and many other worship items. This is the sanctuary where the altar of Princess Thanh Thien is worshiped. The temple yard is tiled with square tiles, and in front there is an open-air altar. The landscape of Thuong Temple has an ancient sycamore tree reflecting on the Ben Ngoc river, creating a beautiful scene. Ha Temple is more ancient, built during the Le dynasty, and destroyed during the resistance war against the French. Now, the people have rebuilt the temple spaciously, including 5 high and wide front worship rooms and 3 back palace rooms. The landscape of Ha Temple is also very beautiful. In front there is a vast lake, located on the banks of the winding Chin Khuc River, creating harmony between the interior and exterior landscape. Ngoc Lam Temple was recognized by the Ministry of Culture and Information as Decision No. 138/QD dated December 31, 1992 as a Historical Relic and granted a monument ranking certificate at the same time. Since being ranked, Ngoc Lam temple relics have received more attention from local people to protect and restore./. SOURCE: ELECTRONIC INFORMATION PORTAL DEPARTMENT OF CULTURE - SPORTS - TOURISM OF BAC GIANG PROVINCE
Bac Ninh
8330 view
Rating : National monument
Chau Lo Temple
Trau Lo communal house is located in Mai Dinh commune, Hiep Hoa district, about 43km west of Bac Giang city center. The communal house worships King Ong and King Ba - two human deities who have made great contributions to their homeland during the reign of King Trieu Viet Vuong. Besides, Trau Lo Communal House also worships Saint Tam Giang - who had many merits in helping Trieu Quang Phuc fight the Luong invaders (VI century), bringing peace to the country. Based on the remaining Sino-Nom sources at Trau Lo communal house, it is said: In the year of Dinh Hoi, the reign of Duc Nguyen of the Le Dynasty (1677), the villagers held a "carpentry" ceremony to build a communal house. In the year of the Dog, during the reign of King Vinh Thinh (1706), Mrs. Ngo Thi The, a native of Trau Lo village, nicknamed Tu Khanh, brought 200 prehistoric mandarins to the commune to buy forest wood to build a communal house. Later, the communal house was also repaired. many times through the Le Trung Hung dynasty (18th century), Nguyen dynasty (19th century) and later periods. The communal house was built right in the center of the village, on a high, open, spacious area of land. This is an ancient architectural complex with a massive scale, including: the 5-compartment Pre-Sacrificing Court, the 5-compartment Great Hall with 5-compartment spaces and the Harem. In front of the communal house is a large square tiled floor. Over time, the Former Temple was damaged, leaving only the Great Court and the Harem. The Great Court - the main architecture of the whole project - has a massive scale with long, wide rooms, each with 6 rows of tall and muscular columns, supporting a wide roof frame with curved blades, soft curved roofs, The roof and strip banks are decorated with pincers, bucktails, phoenixes, and phoenixes dancing very vividly. The most valuable architectural part is the ironwood frame of the rafters, in the style of four pillars stacked on beams, the architectural decorative sculptures are concentrated at the top of the trap, and the diaphragm has many vivid themes and many objects. Cloud dragon patterns have rich variations and stylizations, imbued with the folk art style of the late 17th century. At Trau Lo communal house, each temple exhibits its own style and technical mark, proving that many workers participated in building the communal house, making the entire communal house a unified architectural structure. , but each has its own engravings that express its own artistic talent. Trau Lo Communal House and Trau Lo Temple are the center of cultural and religious activities of local people. Every year, the communal house has two main events taking place with the temple on the 4th day of the first lunar month and the 15th day of the ninth month of the lunar calendar. These are two great days, also known as the Great Blessing Ceremony. On the day of the festival, the people of Trau Lo village organize many solemn ceremonies such as procession of palanquins, tablets, altars to honor the merits of the Tutelary Gods and folk games imbued with regional identities such as marking milestones, pull rope, tug of war... On December 12, 1994, the Ministry of Culture, Sports and Tourism ranked Trau Lo communal house and temple as a national architectural and artistic relic and historical-cultural relic. Source: Bac Giang province electronic information portal
Bac Ninh
6928 view
Rating : National monument
Bac Ninh Temple of Literature
Bac Ninh Temple of Literature is one of six temples in Vietnam, with historical and cultural value, reflecting the academic tradition of the Kinh Bac countryside through the periods of building and defending the country under feudal dynasties. Bac Ninh Temple of Literature is the pride of the homeland's academic tradition and is an attractive tourist destination for tourists inside and outside the province. Bac Ninh Temple of Literature was built on Phuc Son mountain, in area 10, Dai Phuc ward, Bac Ninh city. The Temple of Literature was built before the Nguyen Dynasty (at the latest in the Le Dynasty), to worship and worship "Confucius" - who was honored as "Holy Master" or "Van The Master Bieu" and Tu Pham - the monks. The sages of Confucianism are Nhan Hoi, Tang Sam, Tu Tu, and Mencius (who are jointly worshiped with Confucius). The overall project of the Temple of Literature in Bac Ninh currently includes: Nghi Mon Gate, the Pre-Test Court with 5 compartments and 2 compartments, on the 2 sides of the Hau Duong are 2 Bi Dinh buildings with 5 compartments and 2 compartments, on the 2 sides of the Pre-Test Court are 2 Ta Vu - Huu vu, in the main yard between Nghi Mon gate and the front altar, set up a screen stele. Every year, on the full moon day of the first lunar month, an incense offering ceremony is held at the Temple of Literature with the participation of the provincial leaders to commemorate our ancestors and pray for peace and prosperity for the country and Bac Ninh province. , the education career is increasingly progressing. This place also often welcomes delegations of national and international excellent students from Bac Ninh province to offer incense and report their achievements after each exam. The relic gate is built with three gates, pillars with lanterns, two pillars in the middle of the communal house are covered with phoenixes to form a winch, two pillars on the sides are placed to flank the temple. Around the lantern, the main panels emboss the Four Spirits and Four Quarters bong channel. The stone stele (screen stele) erected in the middle of the Temple of Literature yard "Bac Ninh province restored the Temple of Literature Bi Ky" (Stele records the restoration of the Temple of Literature in Bac Ninh); It is nearly 10m2 in size and is considered a treasure of the Temple of Literature. The stele praises the role and significance of the Temple of Literature, as well as honors talented people. The center of the relic is the Tien Te building consisting of 5 compartments and 2 compartments, built on a brick foundation 55 cm higher than the yard. In front of the door is a table with three middle compartments, and two side compartments with doors shaped like the word Tho. The two walls are built of bricks in the style of a square-shaped square, connecting wind wings, lantern pillars, and a spread-out communal house. The roof is built with thread, the two ends are covered with dragons, in the middle are a pair of dragons flanking the moon. The back hall is next after the front hall and is connected by a bridge to form the word Cong. The 5-room Hau Duong House is carved with the Four Quarters. The back hall is a place to worship Zhou Cong, Confucius, and Tu Phoi. Connecting the two gables of the Hau Duong house, on the right is a stele house, on the left is the Tao Huong house, each building has 4 rooms, built on a brick foundation lower than the Hau Duong house. Architecture follows the style of pulling pincers and spreading rackets. The two houses, Ta Vu and Huu Vu, were built along both sides of the front yard of the front yard, each row had 4 rooms, two compartments, simple architecture in the style of a rectangular vase, brick walls, tiled roof, and open paneled doors in the middle space. The outstanding feature among all the remaining values of Bac Ninh Temple of Literature are the 15 stone steles. Among them, 12 "Kim Bang Luu Phuong" steles were built in 1889, honoring nearly 700 great scholars from Kinh Bac hometown who brightened the tradition of studious academics and contributed to the cause of construction and protection. country, developing Vietnamese culture. Source: Bac Ninh province electronic information portal
Bac Ninh
6799 view
Rating : National monument
Phon Xuong Fort
Phon Xuong Fort is located in the center of Cau Go town. Here De Tham and the uprising command stayed the longest, directing the strategic and tactical direction of the Yen The insurgent army. Phon Xuong Fort is 30 km west of Bac Giang province; From Bac Giang city, follow National Highway 1A (old) through Thuong River bridge, turn right along Provincial Road 398, Bac Giang-Cau Go route. Phon Xuong Fort, also known as Don Go, Don Cu, is located on the south side of a nearly 20m high hill, nearly 800m south of Go stream. Now this hill is called Phon Xuong hill or Ba Ba hill in Cau Go town. This is a large-scale base with a different structure from Ho Chuoi post and other posts. The fort has an almost rectangular architectural plan running along the North-South direction, with an area of about more than an acre of Northern Vietnam including two citadels. The outer citadel starts from the eastern hillside and runs around the foothill to the northern hilltop, forming an arc that protects the inner citadel, 140m long, 0.80m thick and 4m high. The inner city walls are located on top of a roughly rectangular hill. The inner wall on the east side is 71m long, the north side is 85m long. The wall is made of rammed earth, 2m thick at the base, 3m high and 1m wide on the surface. Inside the wall, there are 3 different levels that can be shot standing or kneeling. There are battlements all around the wall. The outer wall slopes gently like a roof. Phon Xuong Fort has 3 gates: The main gate faces East and two side gates are in the South and North. The two side gates open to the surrounding forests. In particular, the northern gate connects to the forest of the remaining half of the hill. The two 1.50m wide side gates are no longer intact, the main gate is 15m from the north wall, 2m wide with 4 steps up and down. Inside the main gate, there is a guard station located on the northern side of the wall in a square shape of 2m on each side. Inside the main door there are two layers of protective earth walls and many battlements. The gates all have two doors, the outside gate and the inside gate, and are all made of ironwood. The outermost position of the station is the guard posts, followed by the auxiliary posts, the trench system and then the surrounding citadel. The distance between the two rings is 20m at its widest and 10m at its narrowest. Within the citadel is a large space including a system of houses, guest houses, warehouses... all are thatched houses with mud walls mixed with straw. Except for the square house that receives guests, it is built of bricks. From the north to the south of the citadel, respectively, are the houses of Hoang Hoa Tham and Ba Ba, the house has 5 rooms running west and east. The second house is square with four sides left empty and is used as a meeting place for Hoang Hoa Tham with generals and to receive guests. The next house consists of two rows located close to the West and East sides of the citadel, and is the residence of the insurgent army. Next, there are 8 kitchens and stables located close to the southern edge of the citadel running east-west, followed by a light pole and flag pole. The architecture of Phon Xuong Fort is a special architectural style. Not only does it meet the requirements of being a stronghold, it also flexibly handles combat mobility and meets the requirements of being a command post, a place for insurgent transactions. Over time, the rampart system and residential buildings in the citadel built with rammed earth are also easily eroded. Now the residential buildings in the citadel no longer exist, and the citadel walls are no longer intact as before. Particularly, the eastern part of the wall still retains many old architectural features. There are quite clear bullet holes in the citadel wall. In the citadel, a Ba Ba temple is currently built. Every year, on March 16 of the solar calendar, Yen The festival takes place on this relic complex. Around the late 80s of the twentieth century, Mr. Hoang Hoa Tham's daughter, Mrs. Hoang Thi The, came here and when she died, she was buried here, on the tombstone there was only the simple words: "Mrs. Hoang Thi The, born in 1901, died December 9, 1988". It can be said that Phon Xuong was the capital of the uprising, the starting place to expand the movement to localities. Here the insurgents fought bravely against a large-scale attack by the French colonialists led by Colonel Vat-tay on January 29, 1909. With those historical and cultural values, Phon Xuong Fort is one of 23 relics ranked as Special National Monuments in Decision No. 548/QD-TTg dated May 10, 2012 of the Prime Minister. . SOURCE: BAC GIANG PROVINCE ELECTRONIC INFORMATION PORTAL
Bac Ninh
6537 view
Rating : Special national monument
Ho Chuoi Fort
Build a brave and courageous fighting spirit, not afraid of sacrifice, determined to fight to the end to protect your homeland and country. This is the core, most important factor that determines the victory in the Battle of Banana Pit of the Insurgent Army. In particular, in the context of the early years of the Yen The uprising, the Insurgent Army with rudimentary weapons and equipment had to confront the French Expeditionary Force - a professional army equipped with weapons, equipment and supplies. modern means of warfare, so building political and spiritual factors and determination to fight for the Insurgent Army is of decisive significance. Realizing that, De Tham and the leaders of the Insurgent Army educated and fostered a spirit of patriotism and hatred for the enemy in the Insurgents. Accordingly, on the basis of a just war, De Tham taught about the suffering of people losing their country; clearly shows that the cause of suffering is due to the brutality of the invading French empire. Through practice, he showed everyone clearly the hypocritical and hypocritical face of the enemy army; that it was the French army who shot and killed civilians and burned down houses and fields. If you want to save the country and the family, you must rise up to fight the French and his Insurgents swear to kill the enemy to protect the people. That's why the Yen The uprising in general, and the Ho Chuoi battle in particular, the insurgents demonstrated a spirit of courage and strong determination that the enemy did not expect. That was when the enemy fiercely bombarded the station, but the insurgents did not flinch, waiting for the enemy to get very close before opening fire to destroy them, causing the enemy to panic and flee. Even in the third attack (December 22, 1890), the enemy urged European and African troops to use bayonets to attack our fortifications, but the insurgents remained calm, took control of the battle, and rose up to destroy the enemy. leaving them helpless, suffering heavy losses, forcing them to retreat. Not only did De Tham regularly foster patriotism and determination, but when dangerous situations occurred, De Tham also proactively and calmly encouraged the insurgents to fight. Typically, in the battle on January 9, 1891, when Ho Chuoi post was burned by enemy fire, De Tham used the loudspeaker to encourage: "Soldiers in the loyal army, in the indomitable army, in the The army will win. I am very pleased with you! Try to resist. Reinforcements are coming. You are invincible"1. That spiritual medicine promptly encouraged and encouraged the insurgents in the station to calmly, enthusiastically, and resolutely defend, while the forces in the forts, despite the hours-long shelling, still maintained their positions. fight; When the opportunity came (when the enemy infantry was approaching), we all rushed out of the fortifications and fought fiercely, destroying most of the enemy's forces and maintaining the battlefield. Later, researchers all believed that, at Ho Chuoi, the French army faced an opponent with surprisingly high fighting determination.2. Create a dangerous, continuous, solid posture, ensuring smooth defense and attack. Through many battles with the French army, the Insurgents have mastered the rules of operation, combat tactics, and the enemy's strengths and weaknesses. That is, fear of close combat, especially difficulty in maneuvering in difficult terrain; rely on artillery fire and when there are casualties, morale easily declines, etc. Firmly grasping that fatal weakness, the Insurgents Supreme Command advocates creating a solid defensive posture in the Yen The mountainous area. Accordingly, in a low-lying area of the Huu Thuong forest filled with wild bananas, the Insurgents built Ho Chuoi station as a semi-floating, semi-submerged fortification (to limit the enemy's firepower and artillery) as their headquarters. To support the main post, the Insurgents also set up two defensive fortresses (North and South) about 100m away from Ho Chuoi, creating a flexible position to protect and support each other. In addition, De Tham also sent people to set up a system of defense posts around Ho Chuoi, such as: Hom post, Skull Cave, Nua village, Vang village,... a logistics base in Vong Dong with a system of fighting villages (Duong Sat, The Loc, Luoc Ha, Cao Thuong) with many dangerous obstacles. Thanks to a solid posture, the Insurgents were able to detect and attack the enemy from near and far, consuming and destroying many enemy forces before they reached their main target. In particular, at Ho Chuoi, with its unique and dangerous position, the forest became an obstacle to the enemy's firepower and limited vision; If you get close to the base of the fort, you will be shot back from dangerous battlements, etc. The uniqueness of this posture is also shown by the system of submerged trenches (without banks) connecting points together and connecting to Go stream in the rear, creating a flexible maneuver position, while being able to attack the enemy. From the front, you can attack the flanks and rear of their formation. This explains why the enemy gathered large, elite troops, with many modern weapons, attacked from many directions, for many days, but all four attacks were unsuccessful. SOURCE: National Defense Magazine
Bac Ninh
6521 view
Rating : Special national monument
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