Khuc Thua Du Temple is located in Cuc Bo village, Kien Quoc commune, Ninh Giang district, worshiping 3 national heroes of the Khuc family (Khuc Thua Du, Khuc Thua Hao, Khuc Thua My). The temple was recognized by the state as a national historical relic in 2015. The temple is located adjacent to the Luoc River dyke, the temple's face faces south. From outside, enter the temple through the stone bridge, to the festival yard, with two reliefs made of large rocks. The motifs are elaborately carved, depicting the scene of people gathering to follow the Immortal Lord Khuc Thua Du to gain autonomy and live a peaceful, peaceful life. Khuc Thua Du is one of the national heroes who first built the country in the 10th century. Starting his career as a chief of Hong Chau land, now Cuc Bo village, Kien Quoc commune, Khuc Thua Du was the one who built the country. The initial foundations for the cause of independence, building the country's autonomy, ending the feudal yoke of the North in the early years of the 10th century. His children and grandchildren are Khuc Hao and Khuc Thua America continued to follow in his father's footsteps, consolidating independence and implementing government management at the village and commune levels. On July 23, 907, Khuc Thua Du passed away. To commemorate the merits of National Hero Khuc Thua Du, people in the Hong Chau area contributed to building Cuc Bo communal house on a large area of land in the south of the village, about 300 meters from the Luoc River dyke. In 2005, Hai Duong province started construction of Cuc Bo temple to worship three heroes of the Khuc family: Khuc Thua Du, Khuc Hao, Khuc Thua My, right next to the ancient communal house of Cuc Bo village. The project has a total area of more than 57,000 m2, using three main materials: green stone, ironwood and copper. The temple has unique architecture, including many cultural and artistic works such as: Tam Quan, Tien Te, Trung Tu and Harem. On both sides there are Ta Vu and Huu Vu houses, dragon eye wells, stone reliefs, Spirit beast statues, lotus ponds, stone bridges, four pillars... All built according to traditional architecture. The center of Khuc Thua Du temple is called Thuong Dien. Here, the altars are arranged according to standard regulations and have deeply meaningful content. The council board is placed in the middle, with a 4-word horizontal panel inscribed with the words: "Thien Nam Chinh Khi": translated as Khuc family is the righteousness of the Southern heaven. And on both sides is the "Dual Ban" altar, with 2 horizontal panels: on the right "Hero of Hong Chau", which translates to: Hero, hero of Hong Chau land. On the left, "Hung Phong due to": translated means: The heroic demeanor is still here. At Khuc Thua Du temple, there are also art paintings called "Khuc Hoan Ca", depicting peaceful scenes and the peaceful life of residents under the first autonomy; Next to that is the scene of "gathering the righteous" and forging soldiers. The content that this painting conveys is the expression of the martial spirit and desire for peace, stability and prosperity of the Vietnamese people. In the palace area of the temple, there are 3 large bronze statues: the statue of the First Lord Khuc Thua Du in the middle, the statue of the Middle Lord Khuc Hao on the right, and on the left is the statue of the Late Lord Khuc Thua My. The statue of the Immortal Lord Khuc Thua Du with a sword in hand represents the authority and intelligence of the "Lord of the world"... is a statue with depth of charisma, showing the nuances of an emperor, with majestic appearance, superior temperament. Khuc Thua Du Temple is a meaningful project honoring the great contributions of the national hero Khuc family in the pre-independence period. Along with the significance of spiritual culture and tourism, Khuc Thua Du Temple is also an attractive tourist, sightseeing, and historical research destination on Hai Duong land, contributing to educating patriotic traditions and love. National pride for generations to come. Source: Collection of Hai Duong electronic newspaper
Hai Phong
9119 view
Rating : National monument
Phuc Khanh Temple was built at the end of the 16th century, on Tap hill, Pho Rang town, Bao Yen district, Lao Cai province, with an area of 2.4 hectares. Phuc Khanh Temple is located in the Nghi Lang Ancient Citadel relic complex, an architecture of the Le - Mac dynasties, a place to worship Bau lords and was recognized as a National Historical and Cultural Monument in December 2001. According to legend, during the time when the Mac dynasty replaced the Le dynasty, two brothers Vu Van Mat and Vu Van Uyen from Gia Loc district, Hai Duong province went to Bao Yen (Lao Cai) to escape the Mac dynasty and built a border guard base. Northwest boundary. At that time, Vu Van Mat realized that Bao Yen had a convenient transportation location and was the gateway to Lao Cai's trade routes, so he chose this place to build ramparts and recruit soldiers to fight against the Mac dynasty. protect the border and build Bao Yen into a prosperous region. After Vu Van Mat passed away, the people here built a temple to commemorate the merits of him and the Vu family for protecting the border, the land and the good people. Through many upheavals of time and history, the architecture of Phuc Khanh Temple has been much destroyed, leaving very few traces of the Temple. In 2006, the historical and cultural relic of Phuc Khanh Temple was restored and built on the old ground according to the architecture of the Le - Mac dynasties. The layout of the temple includes: main temple house; the two families: Left and Right; Tam Quan Ngoai, armpit gate and pillar at Tam Quan Ngoai. The altars for the Lady, the Uncle, the Son Than Temple and other sub-items such as: the lord's house, the temple house, the golden house, and the garden grounds. Phuc Khanh Temple has a convenient transportation location (75km northwest of Lao Cai city, nearly 280km from Hanoi along Highway 70), every year on the Dragon day in early January, the Phuc Khanh Temple Festival is held. held, attracting a large number of tourists from all over the country to offer incense to commemorate those who contributed to protecting the border and territory, and to visit the sights and explore the artistic and military architecture of Nghi Lang Ancient Citadel. as well as Phuc Khanh Temple. Source: Lao Cai province foreign affairs portal
Lao Cai
3917 view
Rating : National monument
Cao Temple relic area is located in An Lac commune, Chi Linh city, Hai Duong province. The Cao Temple relic complex is a place to worship five generals of the Vuong family who made contributions in the resistance war against the invading Song army and pay tribute to King Le Dai Hanh, the village's tutelary god Duong Ton Linh. With the current status of relics and legends still circulating here and the festival activities preserved and maintained by the people, the Cao Temple festival is considered one of the typical traditional festivals of Hai Duong. The relic complex has 5 temples and 1 pagoda. The King's Temple worshiping King Le Dai Hanh is located on Table Mountain, exuding majesty and dignity. Cao Temple worships the quiet Vuong Duc Minh located on the top of Thien Bong mountain in the Voi mountain range at an altitude of 30 m, in the middle of an ancient ironwood forest hundreds of years old. Ben Trang Temple worshiping Vuong Duc Xuan is rich in traditional colors and exudes seriousness, located next to the soft Moon River. Ben Ca Temple worships Vuong Duc Hong - a bare temple (no roof) filled with sacred vestiges, considered the most special temple in the system of temple relics in our country. Ca Temple worships the parents of 5 saints and their 2 daughters, Vuong Thi Dao and Vuong Thi Lieu, quiet in the middle of lush, rich fields, located next to a peaceful river. The legends still preserved at Cao Temple, compiled by the Academy of Great Scholars Nguyen Binh in the first year of Hong Phuc, during the reign of King Le Anh Tong (1572), clearly recorded the stories and merits of the saints of Cao Temple. During the Dinh dynasty, in Thach Tuyen village, Nga Son district, Ha Trung district, Thanh Hoa road, there was a family named Vuong named Tinh, and his wife was a villager named Thanh. Grandparents are hard-working, hard-working, and love people, so they are admired by neighbors. But the problem is that the couple is old and has not yet had a child. One day, their grandparents floated on a small boat, going back to the magic gate to find a new place to live. They arrived at Trang Duoc Dau, Bang Chau land, Nam Sach district, Hai Duong town, and saw that the people here were pure and kind. With lush green grass and trees, my grandparents immediately asked to reside there. At that time, in Duoc Dau Trang, there was a family of Mr. Pham, whose name was Luoc. Mr. Pham's family situation was also relatively well off, so he immediately let his grandparents stay at Duoc Dau Trang. One night, Mrs. Thanh dreamed of five stars entering her mouth. When Mrs. Thanh went to the Nguyet Giang River to bathe, she suddenly saw a five-colored dragon emerging and wrapping tightly around her body three times, Mrs. Thanh was extremely frightened. From then on, Ms. Thanh felt a flutter in her heart and became pregnant. When the pregnancy reached full term, she gave birth to a bundle, released 5 eggs, and gave birth to 3 boys and 2 girls. The boy has a handsome, majestic appearance, with phoenix eyes and a dragon face. The girl has a flowery face and powdery skin. The first son's name is Vuong Duc Minh. Second son Vuong Duc Xuan. Third son Vuong Duc Hong. The fourth daughter is Vuong Thi Dao and the youngest daughter is Vuong Thi Lieu. At that time, the Song army led by Quach Tien invaded our country. When the king sent his troops to fight the enemy, when he passed through Duoc Dau Trang, he saw that the ground was dangerous and immediately set up a camp right in the small market (customarily called Dau market). The five Vuong brothers all came to pay their respects. The king immediately gave them a test of their talents. All five brothers showed off their talents and responded. Knowing that they were truly talented people, the king immediately took them under his wing and promoted them. At that time, the three men and two women brought troops by land. Two women pretended to be people selling betel and medicine and went to the enemy's headquarters. After clearly understanding the enemy's situation, our army attacked, but the enemy army lost greatly and fled back to the country. The Cao Temple relic area was formed and developed for more than 1,000 years. Although the scale of the temples is not large, they converge the spirit of heaven and earth. The temples were built very early, in the Early Le Dynasty, after 5 generals passed away. During the Nguyen Dynasty, the temple was restored with a triangle-shaped architecture and has maintained its current status to this day. The system of valuable antiques and worship objects such as stele, dragon sword, precious bowl, and throne is still kept quite intact, typically the great paintings and parallel sentences. In the temple's harem, the ordinations of the kings are still preserved. Cao Temple is a unique temple built in the twentieth century and restored many times. The main festival takes place from the 23rd to the 25th of the first lunar month (lunar calendar) with many folk games such as wrestling and tug of war. The ceremony includes: Procession of the throne and traditional offerings, attracting many tourists to visit. On March 2, 2018, the Ministry of Culture, Sports and Tourism decided to "classify the Cao Temple complex as a historical and architectural monument". Source: Collection of Hai Duong electronic newspaper
Hai Phong
4385 view
Rating : National monument
Thanh Mai Pagoda (in Hoang Hoa Tham commune, Chi Linh City, Hai Duong). Thanh Mai Pagoda was built around 1329 on the slopes of Thanh Mai mountain, also known as Tam Ban mountain (meaning three interconnected mountain levels of the three provinces of Bac Giang-Hai Duong-Quang Ninh, belonging to the Dong Trieu arc). , about 200m high, now belongs to Hoang Hoa Tham commune, Chi Linh city. The pagoda is associated with the life and career of Zen Master Phap Loa, the second founder of the Truc Lam Yen Tu Zen sect. The main pagoda has Dinh-style architecture, with 7 front halls and 3 back halls. The pagoda's frame structure is made of ironwood with 12 main columns with a diameter of 50cm, 7.2m high and 16 military columns with a diameter of 42cm, 3.5m high, connected in a "stack of beams and eight poles" style, an architectural style of the Tran Dynasty. The pagoda's roof consists of 8 roofs, 8 knife heads, covered with funny nose tiles, on the roof is a bank, in the middle are embossed with four words "Thanh Mai Zen Tu". The pagoda started construction and was completed in 2005. Currently, Thanh Mai pagoda still preserves many valuable artifacts such as: Vien Thong Bao Thap built in 1334; Pho Quang Tower was built in the 23rd year of Chinh Hoa (1702); Linh Quang tower was built in the 24th year of Chinh Hoa (1703), along with 5 other towers. The pagoda also retains 6 steles of the Tran and Le dynasties, of which the Thanh Mai Vien Thong marble tower is recognized as a national treasure. The stele was carved in the 5th year of Dai Tri (1362) and tells about the life and career of the Second Patriarch of the Truc Lam Zen Sect. The stele also shows the contemporary political, religious, and land situation and the activities of Truc Lam's three ancestors: Tran Nhan Tong, Phap Loa, and Huyen Quang. Thanh Mai Pagoda Festival takes place on the first to third day of the third lunar month every year. In 1992, Thanh Mai Pagoda was recognized by the Ministry of Culture and Information as a national historical and cultural relic. At the end of autumn and into the winter days, the maple forest in Thanh Mai pagoda area has beautiful scenery. The forests during this time become brilliant with red, yellow colors... With an area of about 15 hectares, the maple forest in the Thanh Mai pagoda area is quite dense. The height of the maple tree is up to tens of meters, growing from the foot to the top of the mountain, including some trees with very large trunks, about 2-3 people can hug. And the most beautiful is the time when maple leaves change color, from green foliage to yellow, then to red. With its long-standing historical value, with many solemn rituals during the festival such as: preaching sutras, woodwork, holding the altar... and magnificent nature, Thanh Mai pagoda has been contributing to enriching cultural capital. Eastern origin. Source: Hai Duong province electronic information portal
Hai Phong
4104 view
Rating : National monument
Master Chu Van An's temple is located on Phuong Hoang mountain, in Van An ward, Chi Linh town, Hai Duong province. This place with beautiful scenery is also where many people come to ask for letters every time Tet comes and spring, praying for a new year of good luck and passing exams. Master Chu Van An's name is Tieu An - his first name is Linh Triet, his last name is Van Trinh. Born on August 25, Nham Thin year, the 2nd Trung Hung year (1292) in Van village, Quang Liet commune, Thanh Tri district (now in Hanoi city). He was the first person to make great contributions in spreading and educating Confucian moral thought in Vietnam. He was invited by King Tran Minh Tong (1314 - 1329) to become a private citizen teaching for the Crown Prince. During the reign of King Tran Du Tong (1341 - 1369), because he could not stand the evil tyrants, he gave his official seal and went into hiding on Phuong Hoang Mountain, specializing in teaching, writing books, poetry, and medical research. medicine until death. After Master Chu Van An passed away (1370), a temple was built to worship him at the place where he worked as a teaching house. After 2 phases of restoration, in 2008 Chu Van An temple became a majestic and solemn architectural complex including: three inner gates, three outer gates, lower yard, middle yard, terrace, garden, two houses. dance ceremony, two stele houses, the main temple with bas-reliefs of Dragon and Phoenix playing with clouds and 112 stone steps leading to the main temple. The temple was ranked a national historical relic by the State in 1998. The main temple is located on high, wide ground. According to feng shui, this is the eye of the Phoenix bird. In front of the temple, there is Ngoc mountain as the front altar, behind it there is Phuong mountain as the back temple, on both sides are Ky Lan mountain and Phuong Hoang mountain flanking the temple. The temple was built in the shape of the letter Nhi (二), with 2 floors and 8 roofs, tiled roofs with 8 curved corners, including 5 pre-worship spaces and 1 back palace space. The decorative art in the temple follows the theme of the four sacred animals (Long, Ly, Quy, Phuong) and the four precious animals (Tung, Cuc, Truc, Plum). The painted and gilded robes are decorated with fine art in the image of "dragons flanking chrysanthemums". In front of the temple are a pair of stone dragons with the architectural style of the Tran Dynasty... Every year, at Chu Van An temple, the opening ceremony of spring writing takes place on January 6 with 4 Han Nom calligraphy words: Chinh - Hoc - Thuan - Practice, and 10 National language words: Tam - Duc - Chi - Nghia - Trung - Talent - Minh - Tri - Thanh - Vinh. This is a cultural beauty that has been preserved since teacher Chu Van An came here to open a teaching class. The autumn Chu Van An Temple Festival takes place from the 1st to the 25th of the 8th lunar month (the main festival is on the 25th). Source: Hai Duong province electronic information portal
Hai Phong
8446 view
Rating : National monument
Xua Temple - Giam Pagoda - Stele Temple is a cluster of 3 relics located in 3 communes of Cam Son, Cam Vu and Cam Van of Cam Giang district. The three relics are very close to each other, worshiping the same founder, the famous Zen physician Tue Tinh, but each place has unique architectural works, creating its own mark and place in cultural and spiritual life. spirit of local people. In December 2017, the cluster of historical and architectural and artistic relics of Xua Temple - Giam Pagoda - Bia Temple was decided by the Prime Minister to be recognized as a special national monument. Giam Pagoda (Diem Quang Pagoda), built in the Ly Dynasty; In the late 17th and early 18th centuries, it was rebuilt on a large and beautiful architectural scale. The pagoda is located on a 2-hectare area of land. The pagoda has a "foreign domestic" style architecture with full works such as: Three gates, Tien Duong, Three jewels, Patriarch's house, corridor, Cuu product tower house, guest house, Sangha house, garden, Dharma garden. monk, teacher Giam. Architects and artisans have created on the pagoda's premises a continuity of items that exalt the ancient splendor and contain many layers of cultural wisdom. Giam Pagoda is a place associated with Tue Tinh's life since he was a child. According to historical documents, Tue Tinh was born around 1330, orphaned at the age of 6, and was raised and sent to school by monk Hai Trieu at Giam Pagoda. During his childhood and early knowledge of medicine, he was nurtured and attached to this temple. The most unique feature of Giam Pagoda is the nine-level lotus court placed in the yard behind the three jewels. The house is 8 m square, 3 floors high, 12 roofs, and has many architectural pieces that still retain the mark of the 17th century. Inside the nine-level house is a nine-level lotus flower court, over 6 meters high, shaped like a regular hexagon, with each side 1.24 meters long. On the nine levels there are 145 Buddha statues. The entire nine-grade structure is linked to a large ironwood pillar in the middle, this pillar is placed on a stone alley, like a ball bearing. On Buddha's day, with just two people pushing, the nine products can rotate gently. The nine-product lotus temple is a unique Buddhist architectural work only found in Vietnam. Currently, in the whole country there are only 3 nine-grade lotus temples that can be rotated, the remaining 2 are in But Thap Pagoda (Bac Ninh) and Dong Ngo Pagoda (Thanh Ha, Hai Duong). Xua Temple, is the official temple built to worship the great physician Tue Tinh in his hometown, now Nghia Phu village, Cam Vu commune, Cam Giang district. It is unclear what year the temple was built, but based on the existing architectural remains, it can be determined that in the 17th century there was a solid temple with delicate carvings. Currently, the relic still has about 50 valuable antiques such as bronze bells cast in the 8th year of Tu Duc (1855), ordained for Tue Tinh in the reigns of Thieu Tri, Tu Duc, Duy Tan, Khai Dinh, Bao Dai... These are evidence of Tue Tinh's illustrious medical career recorded in history. Beer Temple, located in the western field of Van Thai village (Cam Van commune), bordering Nghia Phu village (Cam Vu commune), hometown of the Great Physician Tue Tinh. The temple was built to worship the Great Physician Tue Tinh and the Stone Stele of the Le Dynasty, which is his commemorative relic, so it is called Stele Temple. The Stone Stele currently kept at the Imperial Palace of the Stele Temple is said to have been engraved by Dr. Nguyen Danh Nho according to the prototype of the stele placed on his grave in Jiangnan (China). Stele Temple is not the main place to worship Tue Tinh, but it is most visited by local people, because this place has become a prestigious herbal medicine center. On the occasion of the festival (April 1 of the lunar calendar), many visitors come here to cut herbal medicine as a way to pray for good health. Source: Hai Duong province electronic information portal
Hai Phong
8547 view
Rating : Special national monument
Mao Dien Temple of Literature is located in Mao village (also known as Mau Tai village), Cam Dien commune, Cam Giang district, Hai Duong province, located right on the new National Highway No. 5, 40km east of Hanoi capital and Hai Duong city. Duong to the west about 16km. The word Literature has a very broad meaning, including the entire field of social sciences; A shrine is a place of worship; Mao means grass, fragrant grass, yarrow; Dien means field. In the past, this place was a very large field with lots of fragrant grass and yarrow, people chose this place to be the Huong exam school of Hai Duong town. During the Tay Son period, the Temple of Literature was moved from Vinh Lai to merge with the exam school. Huong and took the local name to name the relic called Mao Dien Temple of Literature. The Temple of Literature is an architecture of Eastern countries influenced by Confucian culture. This is an architecture built to perform two religious and cultural functions. Regarding religious functions, the Temple of Literature is a place to worship the saints and sages of Confucianism; Regarding cultural function, the Temple of Literature is used as a school, to teach princes, princes and children of mandarins... In addition, the Temple of Literature is also a place to preserve stone steles, Enroll national or local university graduates (PhD or higher). The origin of Mao Dien Temple of Literature is the Temple of Literature in Hai Duong town, established between 1740 and 1800 under the Le and Tay Son dynasties on Van Dau land (Vinh Tuy, Vinh Lai, Binh Giang, Hai Duong). At that time, the Temple of Literature in Hai Duong town was one of the local Temples of Literature built early in the North. The Temple of Literature in Hai Duong town was moved to its present location and additional works were built, completed on July 26, Tan Dau year (1801). The location of the Temple of Literature is on the school grounds of the ancient Thuong Hong palace, located north of the headquarters of Hai Duong citadel, in the Mao Dien area. In the early 19th century, the Temple of Literature in Hai Duong town was restored and majorly repaired under the reign of King Gia Long, from the 6th day of the 10th month of the year of the Tiger (1806) to the 5th day of the 8th month of the year of the Dinh Mao (1807). wall. And 16 years later, the Temple of Literature continued to be majorly restored in the 4th year of Minh Mang's reign (1823). The worshiping arrangement at the relic was previously arranged according to the model of Hanoi's Temple of Literature. Outside the altar, there is a communal altar for scholars from far and near to worship. In the Harem there are 3 altars, the middle worships Confucius; The left side worships Nhan Hoi and Tu Tu; The right side worships Mencius and Zeng Tu - the four most trusted students of Confucius. In 2002, the worship arrangement in the relic changed, in addition to worshiping Confucius, it also worshiped 8 Vietnamese great men, including bronze statues of 5 famous people, Confucius and Tu Nghiep Quoc Tu. Director Chu Van An, Two Nations Poinsettia Mac Dinh Chi, National Hero, World Cultural Celebrity Nguyen Trai, Trinh Quoc Cong Nguyen Binh Khiem. The statues are placed in painted wooden caskets, ornately plated with gold. At the same time, 4 famous people were set up: Great Physician, Thai student Tue Tinh, Vietnamese Math Master Vu Huu, Pham Su Menh Pham Su Menh, Nghi Ai official Nguyen Thi Due. During the Nguyen Dynasty, the Temple of Literature in Hai Duong town was restored and embellished many times. In 1947, the public works of the Mao Dien Temple of Literature were still quite complete. Every year, in the Spring and Autumn periods, the Governor General from Hai Duong town (now Hai Duong city) came to worship very solemnly. In 1994, 1999, 2002, the Temple of Literature was continuously invested in restoration and repair. the entire relic area, returning the relic's original scale and appearance, commensurate with the historical and cultural values it carries, a mark of a piece of civilized Eastern land. Mao Dien Temple of Literature after many times of restoration, embellishment and expansion with a total area of nearly 1 hectare. With the above special values, the Prime Minister ranked Mao Dien Temple of Literature as a special national historical site on December 25, 2017. Source: Department of Cultural Heritage
Hai Phong
5092 view
Rating : Special national monument
The An Phu - Kinh Chu - Nham Duong relic complex in Kinh Mon district, Hai Duong province has long been known for its rare historical, cultural and scenic values. On December 22, 2016, the Prime Minister signed a decision to classify the historical relics and scenic spots of An Phu - Kinh Chu - Nham Duong complex as a special national monument. Cao Temple, located on the highest peak of An Phu range, is the highlight of the An Phu - Kinh Chu - Nham Duong relic complex. Cao An Phu Temple belongs to An Sinh commune, built in the Tran dynasty (13th century), worshiping An Sinh Vuong Tran Lieu - father of Hung Dao Dai Vuong Tran Quoc Tuan. In the grounds of Cao An Phu temple, there is also Tuong Van pagoda worshiping Buddha and Emperor Tran Nhan Tong - founder of the Truc Lam Yen Tu Zen sect. About 50m lower than An Phu Temple and about 300m in front is the nearly 13m high stone statue of Hung Dao Dai Vuong Tran Quoc Tuan, standing with his sword in his hand, holding a book in his hand, eyes facing the northeastern border of Vietnam. Country. The project was built by the People's Committee of Hai Duong province in 1993 with General Vo Nguyen Giap laying the first stone. The monument area also has a terracotta bas-relief 45m long, 2.5m high, consisting of 265 pieces assembled, depicting the resistance war against the Mongols of the Dai Viet army and people by ceramic artists in Cay village, Binh Giang district (Hai Duong) participated in the production. Kinh Chu Cave has long been classified as one of the six beautiful caves of the Southern Heavens. Kinh Chu Cave is located in the Duong Nham limestone mountain range (Pham Menh commune) with towering lance-shaped rocks. The cave is located on the south side of the mountain, through 36 stone steps, opening up with 3 large cave doors. The cave space exposes wonderfully arranged stalactites created by nature. With a natural scene like the realm of bliss, the cave was created by ancient people into a temple to worship Buddha. On the left side of the cave, there are four big words "Van Thach book room" (Van Thach Bookstore) which is the reading place of Pham Su Manh, a famous mandarin during the Tran Dynasty. In Kinh Chu, there are also many unique caves such as Vang cave, Luon cave, Tien Su cave... with endless legendary stories. Kinh Chu is also attractive because of more than 40 unique Ma Nhai epitaphs carved into the cliffs. Notably, the horizontal rectangular stele on the roof of the cave is engraved with a poem by King Le Thanh Tong (1442 - 1497), the host of the Tao Dan festival when he visited this place. Nham Duong (Duy Tan commune) is a place of magnificent mountain landscapes with dozens of caves: Thanh Hoa cave, Tinh Niem cave, Chieng cave, Trong cave, Toi cave... These caves store artifacts of Prehistory attracts the attention of archaeologists. At Thanh Hoa cave behind the pagoda, in 2000, people found many fossil bones of elephants, rhinos, monkeys, wild boar, especially ape bones..., a total of 17 species of animals belonging to the Quaternary period, about us 3-5 thousand years. In addition, many human bones were discovered stuck to the cave walls covered by stalactites, belonging to the prehistoric period tens of thousands of years ago. There is also an ancient temple built during the Tran Dynasty (1225 - 1400), which is the ancestral home of the Taoist Zen sect, which contributed to the revival of Vietnamese Buddhism. The pagoda also preserves two stone towers of the Le Dynasty containing the relics of the first Zen Master Thuy Nguyet and the second Patriarch Tong Dien. Source: Hai Duong province electronic information portal
Hai Phong
4441 view
Rating : Special national monument
Con Son - Kiep Bac relic is located in Chi Linh city, Hai Duong province, recognized as a special national relic in 2012. This place includes a complex of historical relics related to glorious victories. Three times, the army and people of the Tran Dynasty defeated the Yuan Mongol invaders in the 13th century and in the 10-year resistance war of the Lam Son insurgent army against the Ming army in the 15th century. This is a place associated with the lives and careers of national heroes Nguyen Trai and Tran Hung Dao along with many cultural celebrities of the nation: Tran Nguyen Dan, Phap Loa, Huyen Quang... Highlights of the relic site These relics are Con Son pagoda and Kiep Bac temple. Con Son Pagoda in Cong Hoa ward, Chi Linh city, is one of the Buddhist centers of the Truc Lam Dai Viet Zen sect founded by Dieu Ngu Giac Hoang Tran Nhan Tong in the 13th century. The pagoda's architecture is in the style of Gong script, including Tien Duong, Thieu Luong, and Upper Dien, which is a place to worship Buddha, including Buddha statues from the Le Dynasty up to 3 meters high. The road to Tam Quan is paved with bricks, running long under hundreds of years of weathered pine trees interspersed with lush, dark green lychee canopy. The three-entrance gate was renovated in 1995, in an ancient style, with 2 floors and 8 roofs with stylized floral and rattan motifs of the architectural art of the Le Dynasty. Nguyen Trai Temple, construction started on December 14, 2000, on a land area of nearly 10,000 square meters, at the foot of Ngu Nhac Mountain, located in the Thanh Hu Dong area and near the place where Mrs. Tran's temple used to be in the past. Thi Thai, Nguyen Trai's mother. On the right side is the Con Son stream flowing from North to South, winding from right to left, embracing the Temple area. The main temple leans back on To Son, on both sides leaning against the Ngu Nhac and Ky Lan mountain ranges, the left is Thanh Long and the right is White Tiger. In front there is a large lake, next is Truc Thon mountain opposite Phuong Hoang mountain. In the distance is the An Lac mountain range. Kiep Bac Temple is located in the two villages Duoc Son and Van Kiep, Hung Dao commune, Chi Linh city, and is the place to worship Hung Dao Dai Vuong Tran Quoc Tuan. Kiep Bac is the compound name of two regions: Van Yen (Kiep village) and Duoc Son (Bac village). This is an important relic in the Con Son - Kiep Bac relic area. The Kiep Bac temple area is a rich valley surrounded by the Dragon Mountains on three sides, and Luc Dau Giang on one side. Mountains form a posture of flanking dragons and tigers, and rivers form spacious halls. In front of the temple there is a large gate with three magnificent and massive doors. On the front of the gate, there are four words "Hung Thien Infinity", below there are 5 words "Tran Hung Dao Vuong tu". In the 13th century, this was where Hung Dao Dai Vuong Tran Quoc Tuan established a base, stored food, and trained soldiers in the resistance wars against the Mongols. In the 14th century, his temple was built here and was the place to organize annual festivals to offer incense to commemorate the hero of the Vietnamese nation, who had great contributions to the country and was revered by the people. is Saint Tran. Source: Hai Duong province electronic information portal
Hai Phong
5023 view
Rating : Special national monument
Hoa Duong Pagoda is in Tuan Lo commune, Tuan Lo district, Bach Hac district, Tam Doi district, Son Tay town. Now it is Thuong village, Tuan Chinh commune, Vinh Tuong district. The pagoda was built in the first year of Chinh Hoa (Canh Than 1680), during the reign of King Le Hy Tong Duy Hiep. Hoa Duong Pagoda was built in the Later Le Dynasty, in 1680. What remains today is a relic with quite massive and magnificent architecture, with a "cong" shaped floor plan consisting of 3 main buildings: Front Street (7 compartments). ), the upper palace (4 compartments) and the ancestral house (5 compartments), total area of 262m2 with 2 corridors including 20 compartments with an area of 196m2, in front of the yard is a hundred year old Bodhi tree and tree species: Dai, Ngau, Lan, and Crocodile create a solemn, somber atmosphere at the meditation door. Architecturally: The structure of the rafters is in the style of "stacking beams and gongs", the load-bearing column system is all made of large ironwood, the column circumference is 1.5m and is placed on square stone bases, each 75cm big to Anti-termite and anti-moisture. Regarding fine arts: The outstanding value of Hoa Duong Pagoda is the art of sculpture, expressed in the system of round statues and wooden sculptures (y subjects, shelf paintings, horizontal panels, parallel sentences). These are the basic classes of statues, generally representing the system of statues arranged in a Buddhist temple according to the Mahayana sect in Northern Vietnam, including the following classes: Set of statues of the Three Buddhas, Amitabha Buddha, Three Buddhas, Sakyamuni Buddha, Four Bodhisattvas, Four Heavenly Kings, Statues of Monsignors, Saints, Dharma Protectors and Patriarch Buddha statues. All Buddha statues are made from old, intact jackfruit wood, with elaborate, meticulous techniques, creative and skillful art, demonstrating high artistic aesthetic thinking ability and perfect harmony in perception. the absolute "emptiness" value of Buddha Dharma. The values of truth, goodness, and beauty of Buddhism originate from the simple truths of everyday life through thousands of years of cultivation, fostering, and transmission, and have become a fundamental part of the Vietnamese soul. The soul of the artist when giving life to statues made of wood, stone, or soil becomes shimmering, fanciful but very real for each person when entering the temple to worship Buddha. The wood sculptures include: 8 paintings of y mon (horizontal sea) all of the same size (3.0m long, 0.6m wide) embossed, lacquered and gilded with natural themes: flowers, leaves, clouds, Ancient trees, birds and animals are extremely close, natural and lively, in the middle are carved "great characters" with the meaning of praise and teaching, interwoven between Buddhism and Confucian philosophy. The 8 "Shelf paintings" engraved with verses in Chinese characters with content about natural landscapes and topics related to the propagation of Buddhism, are excellent poems embedded in talented sculptures, on The background of carving techniques, liberal decoration, harmonious layout, and beautiful painting is worthy of being a legacy for future generations to admire and reflect on. 8 sets of horizontal panels, parallel sentences lacquered with gold, precise and neat sentences, profound meaning, comprehensive semantics, sincere heart, true goodness. Along with ancient relics: bronze bells, incense sticks, stone stele, etc. are also ancient written documents on stone that will be preserved forever for future generations, tourists from all over, Buddhist monks and nuns to find opportunities to admire. worshiping in the quiet meditation scene hidden in the countryside. Hoa Duong Pagoda has a history of over 300 years old. The pagoda was ranked as a national historical relic on December 12, 1994. Source: Vinh Phuc electronic communication portal
Phu Tho
7997 view
Rating : National monument
Coi Pagoda, formerly located in Coi village, Hop Thinh commune, Tam Duong district, now belongs to Hoi Hop ward, Vinh Yen city. Coi Pagoda relics are a complete complex of a Buddha hall including: Three gates, pagodas and towers. The three-entrance gate of Coi Pagoda has an architecture of 3 small, compact compartments, with the main load-bearing system being 10 meticulously carved monolithic blue stone columns, 0.25m in diameter, 2.0m high, with 3 rows of column bases, In which, the 2 columns of the middle compartment use ironwood columns extending beyond them to serve as common columns for the 2 roof rafters in a stacked-rail style architecture. Instead of the bottom row of rafters, there is a wooden trap head that comes out to support the roof ship. , the 4 corners of the roof are curved, graceful knife heads hidden in the canopy of green leaves, creating a charming scene. On the two stone pillars in the middle, which are beveled flat on one side, there are inscriptions on each side. Although they have faded over the years, if you look closely, you can still read "Canh Ty, strong spring, auspicious day". According to documents of the Vietnam Fine Arts Museum, the three-entrance gate of Coi Pagoda was built along with Coi Pagoda in the 13th century. The original Coi Pagoda no longer exists, now there are only 12 ancient statues kept at the temple that was rebuilt in the late 20th century, including: 3 Buddha statues, the Amitabha Tam Ton set (Amitabha, Quan). Amitabha Buddha and Mahasthamaprapta Bodhisattva), statues of Venerable Ananda and Shakyamuni Buddha preaching the Dharma, all made of wood, lacquered with gold, round sculpture style of the late 18th century. Tower: A type of Buddhist architecture, one of the characteristics of Buddhism, the tower can be a place to contain relics, paintings, statues or have symbolic meaning, for example: 4 steps up to the tower represent the concept The concept is loving kindness - compassion - joy - renunciation or the 10 levels are statues of the ten realms,... The tower floors represent the means of propagating Buddhism. If it is a tomb tower, the statue represents the grave of a monk or nun, and the 5-petal lotus symbolizes the "Five Buddhas". The Papyrus Tower has 7 floors, 7.70m high, gradually shrinking from the base to the top, each floor shrinks by 20cm on both square sides and height (1 square side of the base is 1.70m long) - the bricks used to build the tower are Bat Trang bricks. , square brick type, 3cm thick, the bricks at the 4 corners of the tower are all beveled up, giving the tower a gentle, elegant curved shape, the adhesive mortar is made from shell lime mixed with molasses - the tower body is plastered. covered with a protective layer of mortar. Legend. Coi Tower was built around the middle of the 18th century, related to the event of the uprising of the Heo District (Nguyen Danh Phuong, 1740 - 1751): In just one night, Nguyen Danh Phuong had his troops finish building the tower and The entire Tien restaurant, in order to gain prestige and win people's hearts against Le Trinh's court, over hundreds of years, an ancient moss color covers the entire tower, further increasing the desire to learn about a new species. Buddhist architecture in Vinh Phuc. Thus, Coi Pagoda was built in the 13th century, and in the 18th century after erecting two towers (now only one remains, due to war destruction) became an architectural whole with artistic value recognized by the Far East. Uncle Co was ranked as a valuable cultural heritage in Vietnam (in 1939). Located in a complex of relics: Dong Dao communal house, Quan Tien, Tien communal house, Ha pagoda, stone bridge... and in the center of Vinh Yen town, Coi tower pagoda will be a destination for sightseeing and research. A large number of tourists from near and far inside and outside the province. Source: Vinh Phuc Tourism Information and Promotion Center
Phu Tho
4905 view
Rating : Provincial level relics
Huong Canh was originally the name of a commune of An Lang district, Son Tay town in the Later Le dynasty, then was taken as the general name of the Nguyen dynasty and the name of today's town - Huong Canh town (in Binh Xuyen district, Vinh Phuc province). According to folklore, Huong Canh is also called Tam Canh because this is the common name of three Canh villages including: Huong Canh, Ngoc Canh, Tien Canh. The place name Huong Canh also has the ancient name Ke Canh. This name comes from the local rice variety, which has two pointed rays on both sides of the grain. People call those two sharp rays WINGS and the grain of rice is called WINGS, taking the word WING as the name of the village. Initially, there was only one Huong Canh village here. Gradually, the population grew and the village was separated and named Ngoc Canh - a place with Gie Canh rice, rice grains as beautiful as pearls. Finally, when both villages Huong Canh (fragrant Canh rice) and Ngoc Canh (beautiful Canh rice) were densely populated, they expanded to the West and Northwest with another village and took the name Tien Canh, meaning "rice". Early wings”. Three communal houses in the three villages of Huong Canh, Ngoc Canh and Tien Canh are all ranked as national historical and cultural relics and are currently in the process of preparing documents to request special national ranking. The communal houses are located 50m to 100m apart, forming a monumental relic complex, adjacent to National Highway 2A, convenient for sightseeing, tourism and pilgrimage. Regarding the gods worshiped, according to local people's legend, after defeating the invading Southern Han army, Ngo Quyen became king and established the capital in Co Loa (now in Hanoi). The country was independent and at peace, but Ngo Quyen still did not forget to be vigilant and train soldiers and horses to prevent enemies. At that time, hunting was also a form of exercise, so once Ngo Quyen sent his two children, Ngo Xuong Ngap and Ngo Xuong Van, along with his close general Do Canh Thac, to bring troops to conduct an exercise in the form of hunting. They marched through Huong Canh, camped at a mound in the middle of the field, the people called Go Ngu. To record the sacred mark and pay tribute to the heroes of the Ngo Dynasty, the people of Huong Canh built a temple in Go Ngu to worship them, according to the concept of "life is a general, death is a god" (living is a good general - death is sacred). During the Later Le Dynasty, the people of the three villages of Huong Canh, Ngoc Canh and Tien Canh built a communal house in each village, took the sacred names to worship at the communal house and held festivals and offerings every year like today. 1. Huong Canh Communal House Formed the earliest, Huong Canh village built its communal house before the other two villages. Although not larger than Ngoc Canh communal house and Tien Canh communal house, Huong Canh communal house is crafted and shows more decoration and carving. The communal house is located in the south of Huong Canh town, the facade faces southwest, overlooking Diem Lang lake, the river arena and Cau Treo river. Through time and the ups and downs of history, for nearly 300 years Huong Canh communal house still stands there as if challenging the sun and rain, fighting with nature with its massive, graceful roof. The communal house's roof is covered with funny-nosed tiles, arranged in an orderly manner in the style of dragon-scale screws, very tight and beautifully flat. The roof of the communal house is built straight and the tips of the blades are curved. The entire roof of the communal house looks like a giant kite moving, about to fly into the air. 2. Ngoc Canh Communal House was built in the Later Le Dynasty and restored in the early Nguyen Dynasty. On the first sentence in Ngoc Canh communal house, there are two embossed words: "Twenty years in Gia Long, ten years in Quy Dau, ten moons, twenty-six days in old Thuong Luong, restoring earth and wood Giap Tuat years, five moons , the fifteenth day is completed, peace and prosperity are great." (Meaning: The 12th year of Gia Long is the year of the Rooster, on October 26, erect the roof tree as before. Repair the wood and door in the year of Giap Tuat. Complete on May 15, hoping for good harmony). According to the solar calendar, Quy Dau is in 1813 and Giap Tuat is in 1814, the restoration lasted 7 months. The second first sentence engraved is: "The year of Minh Menh, the year of Canh Thin, six moons, ten days, starting the golden cycle jewelry, ten months, ten days, completed great auspicious and prosperous" (Meaning: The first year of Minh Menh was the year of Canh Thin, construction started on June 11, painted golden, and completed on October 10, wishing good luck and prosperity. According to the solar calendar, Canh Thin is the year 1820, the first year of Minh Menh. The decoration lasted 4 months. 3. Tien Canh communal house was built last, but Tien Canh communal house is larger in scale than Ngoc Canh and Huong Canh communal houses. Regarding the construction date, when Thuong Luong's back house was dismantled for restoration, the engravings were still clearly clear: "Canh Hung thirty-seven years, five years Binh Than, twelve moons, twenty-two days, zodiac time, Receiving a high salary, great benefits and prosperity" (Meaning: Canh Hung year 37, year Binh Than, December, day 22, zodiac hour, building a roof tree is very auspicious, brings much prosperity). According to the solar calendar, the year Binh Than is 1776. So the communal house's back house was built 300 years ago (2022). The old first sentence of the great bow is engraved "Year of the Goat, ten months of At Hoi, twenty days of Dinh Mui, At Ty of the year, the great worship of Thu Thuong Luong" (Meaning: Year of the Goat, October of At Hoi, day 20 Dinh Mui, 10 a.m. At Ty, build a tree on the roof of the house to worship). Thus, the Tien Canh communal house was built in the 8th Canh Thinh era, Tay Son Nguyen Quang Toan dynasty - 1799, 223 years ago (2022), 23 years after the post house. These are three typical ancient communal houses of Northern communal house architectural art, built around the late 17th and early 18th centuries. The architectural and artistic relic of Huong Canh communal house cluster was recognized as a special national monument on December 29, 2022 by the Prime Minister. Source: Compiled by Vinh Phuc Newspaper
Phu Tho
7051 view
Rating : Special national monument
Bao An Pagoda, the full name in ancient documents is Bao An Thien Tu or Tu Gia Bao An, the popular name is Cam Pagoda, formerly belonging to Thap Mieu commune, Bach Tru canton, Yen Lang district, Phuc Yen province, Now belongs to Trung Nhi ward, Phuc Yen city, Vinh Phuc province. The pagoda was built in the 12th century during the reign of King Ly Cao Tong (1176-1210). This is one of the few pagodas dating back to the Ly Dynasty until today. The pagoda is built on a high hill, with luxuriant trees, windy on all four sides, beautiful scenery, quiet, full of solitude, a place of meditation. In the past, this area was called Tieu Dao Mountain, and is commonly called Cam Forest, perhaps that's why the pagoda is famous as Cam Pagoda. According to inscriptions and genealogies, the pagoda has existed for a long time. In the 12th century, the crown prince, son of King Ly Cao Tong, donated more than a hundred acres of fields, two thousand francs of money to repair the pagoda, and 700 francs of merit for a banquet. worship easily. Assign martial general Nguyen to directly direct and mobilize donations to repair the pagoda. As a result, the pagoda was restored with "seven newly built closely spaced rooms, columns painted with bright flowers, bright jade colors, a high and precious palace, bright sunlight and moonlight, a splendid Buddha statue, and a poised lotus throne." , the big bell towers over the phoenix, the noble king holds the dragon, the splendor and majesty are clear...". The military general of the Nguyen family also had the merit of a thousand francs to buy more than a hundred acres of fields to donate to the pagoda for farming. In the 14th century under the reign of King Tran Anh Tong, Bao An Pagoda was given a lot of money to repair and embellish by Princess Hung Nuong. To remember his merits, like many other pagodas in the area, people built a shrine to Princess Hung Nuong in the pagoda. Having gone through the ups and downs of thousands of years of history, Bao An Pagoda is still at the old campus but has had many changes. Ancient architectural buildings such as the front hall, incense burner, upper palace, ancestral house, Hung Nuong princess shrine and mother shrine were demolished due to deterioration. Currently, the pagoda has been renovated and rebuilt on a large scale, with reinforced concrete architecture and tiled roof. The pagoda also preserves valuable relics and antiques such as: Dharma statues, altars, bronze bells, and stone stele. Among them, the most typical is the stone stele "Bao An Zen Tu Bi Bi Ky" (inscription of Bao An Pagoda's stele). Up to now, according to review, survey and statistical data, this is the only Ly Dynasty stele remaining in the province. The stele was engraved in December of the year Tri Binh Long Ung (1209) and re-engraved later, probably at the end of the 18th century, placed at Bao An pagoda. The stele was mentioned and published by many researchers in Ly Tran Poetry (Social Sciences Publishing House, H.1977) and Ly Dynasty Epitaph (VNU Publishing House, H.2010). This is the oldest stele in Vinh Phuc and one of the 18 Ly Dynasty stelae remaining in our country today. The stele is 1.4m high, 0.85m wide, 0.14m thick, placed on the back of a smooth-shelled stone turtle, its head protruding, its four-clawed feet spread out in all four directions. The stele is engraved on both sides with 50 lines including 1498 Chinese - Nom characters, sharp handwriting in the style of Ly Dynasty script, very beautiful. The content of the memoir was composed by Wei Tu Hien in a parallel, parallel, and concise writing style. At the end of the memoir is an essay written in the style of Buddhist verse. The content of the stele describes the splendid and splendid scene of Bao An Pagoda in the 12th century, recording the merits of repairing the pagoda of Prince Sam, son of King Ly Cao Tong, military generals of the Nguyen family, along with Buddhists and people there. This. According to Nguyen Huu Mui (Research on Vinh Phuc Inscriptions, 2013), although the epitaph is still full of exaggeration, the image of a Ly Dynasty pagoda is clearly shown: the pagoda was restored by just one person. , the scale of the pagoda is large, inside the pagoda there are Buddha statues and lotus flowers, outside the pagoda there are bells and openings; The pagoda owns a lot of land and has a Thich Giao Zen Association (a type of Buddhist association, offering temple protection) to manage the meditation area. Based on this stele, it can be seen that the construction and restoration of pagodas took place on Vinh Phuc land since the Ly dynasty. The construction and restoration of pagodas was encouraged, not prohibited, by the royal court and assigned to the mandarins and aristocracy to preside and organize. The construction and restoration of pagodas is also considered an important event in the spiritual life of the people, attracting the whole region and even the whole country to join in the merit. This proves that during the peak development of Buddhism during the Ly Dynasty, Vinh Phuc area was also a popular center of this religion. The special thing is that among the nearly 1,500 words on the stele, there are mixed Nom words, these Nom words are used to write people's names and land names. It is said that this is one of the oldest evidences of Nom script found in Vietnam. Before this stele, traces of a few Nom characters were only found in two places: on the bell of Van Ban pagoda, Hai Phong (year 1076), and in an inscription at the pagoda of Huong Non commune, Tam Nong district, Phu Tho province. (year 1173). Bao An Pagoda was ranked as a provincial historical-cultural relic in 1995. In the period 2021 - 2025, Vinh Phuc province plans to build a scientific dossier to request recognition of the National Treasure for the pagoda steles. Bao An and upgrading the national monument ranking for Bao An Pagoda relics, these are activities to further strengthen the management, conservation and promotion of heritage values. Source: Bao An Pagoda Vinh Phuc
Phu Tho
8845 view
Rating : Provincial level relics
Tho Tang communal house is located in Tho Tang town, Vinh Tuong district, Vinh Phuc province. The communal house was built in the 17th century, and over time, it still retains its architectural style of the Later Le period relatively intact. The communal house worships the famous general Lan Ho, who was credited with fighting the Mongol invaders in the 13th century. Legend has it that, according to King Tran's orders, Lan Ho led his army to the Gia Ninh region (now in Phu Tho province) to set up a defense line, arrange troops for battle, command soldiers to fight heroically, destroy many enemy forces, and protect the enemy. Protecting the capital Thang Long. Currently, along a strip from Duc My - Son Vi (Phu Tho) to Vinh Tuong - Yen Lac (Vinh Phuc), there is a system of relics worshiping Lan Ho. In Tho Tang commune, there is Truc Temple, Tho Tang communal house, Phuong Vien communal house, in which Tho Tang communal house is the center for organizing festivals with performances and rituals commemorating the talented general Lan Ho and the resistance war against the enemy. Foreign invaders protected our country during the Tran Dynasty. Tho Tang Communal House was built on a massive scale, consisting of two architectural buildings arranged in the shape of a "nail". The main pavilion has 5 rooms, 2 chairs, 6 rows of legs, and the harem has 2 rooms. The whole temple has 60 columns, made of high quality wood. The main column has a diameter of 0.80m, the child column has a diameter of 0.61m. The communal house's foundation is 25.80m long, 14.20m wide, surrounded by green stones. Four-pillar architectural structure, piled with gong-shaped beams, reinforced and durable. Tho Tang communal house still has 21 extremely delicate wood carvings, shown on the architectural components: body, trap, trunk, with rich content, overview of the cycle: labor - business. - enjoyment of agricultural residents, of our people during the reign of Le Trung Hung. The carvings here are arranged in order according to that cycle. Entering the communal house door, you will immediately see the first carving of "field festival" (farming ceremony) followed by paintings of "shooting wild animals" to protect crops and villages. Entertainment scenes include: "soccer", "playing chess", "drinking", "dancers". Family life scenes include: "boy and girl in love", "happy family". Criticizing bad habits including: "jealousy", "lazy husband and wife". Worship decorations include paintings: "nine dragons painting pearls", "eight immortals crossing the sea" and many other dragon and phoenix images. According to historians, Tho Tang is the only place in our country that worships the three words "Hoa Vi Quy". These three letters are still quite intact today. The letters are painted in gilded vermilion on a dark brown wooden background. On both sides of the diaphragm are two small lines of text recording the time of engraving. Because of such sacredness, since it was built until now, Tho Tang communal house has never been harmed by bad people. After 400 years, experiencing all the ups and downs, the communal house remains intact from the iron pillars to the mussel-scale tiles. Tho Tang communal house was ranked as a national monument in 1964. Tho Tang Communal House is one of the communal houses that reached the pinnacle of ancient folk wood carving art in the Later Le Dynasty, and is the earliest nationally ranked relic in Vinh Phuc. In recent decades, it has always attracted attention. research by the scientific community, concern for protection and restoration by the State at all levels, authorities and local people. Source: Vinh Phuc communication portal
Phu Tho
4769 view
Rating : Special national monument
Bac Cung Temple (literally known as Thinh Temple) in Tam Hong commune, Yen Lac district is one of four large temples around the Ba Vi mountain region and the Red River Delta worshiping Saint Tan Vien. The temples: Tay Cung, Nam Cung, and Dong Cung are on the other side of the Red River in Son Tay territory. These are four temples that were built and preserved relatively carefully by the people. The temple is located in the middle of fertile fields on a 10,000 square meter plot of land next to winding canals, surrounded by rich and densely populated villages. On both sides, the left desert and the right desert stand majestically and silently, covering a large brick yard, looking up to a unique architectural work. Thinh Temple was built 20 centuries ago on the foundation of a small temple worshiping Saint Tan, where he had previously let his troops stay during a mission to help people clear land and manage water. The divine genealogy passes down that: Saint Tan (still called Son Tinh), whose name is Nguyen Tuan, was born on January 15, Dinh Hoi year in Lang Xuong cave, Trung Nghia commune, Thanh Thuy district, Phu Tho province. He lost his father at a young age and lived with his mother and two cousins, Nhuy Hien and Nguyen Sung. Every day, the three brothers crossed the Da River and went to the Ba Vi mountains to clear fields and farm, looking for a living. Here, Nguyen Tuan met Princess Thuong Ngan, was adopted by her, and gave her a walking stick and many magic spells to save humanity. After defeating Thuy Tinh and marrying Princess Ngoc Hoa, he refused the throne that King Hung wanted to give him, and with his two younger siblings traveled everywhere, helping people clear land and water, and was respected by people everywhere. When passing through the Tam Hong area, he let the troops rest and taught the people to grow rice and fish... After he left, the villagers came to the place where the Holy One rested and saw that there were still some packets of hearing left there, so after This temple is called Thinh temple. There is also a story that: when letting the army stay here, Saint Tan taught the people to butcher Thinh, so the people called the temple that name. From a small temple, during the reign of King Ly Than Tong (1072-1128), the temple was rebuilt into a large temple. This is where the king came to pray for longevity. During the reign of King Minh Mang (1820-1840), the temple was repaired many times. During the reign of King Thanh Thai, the Tri of Yen Lac district appointed monk Thanh At to restore the temple. The project lasted until the 6th reign of Khai Dinh (1900-1921). Through many ups and downs, the temple continues to be preserved and preserved by local people. On January 21, 1992, the temple was recognized by the Ministry of Culture and Information as a cultural and historical relic. Every year, the Thinh Temple festival is held from the 6th of the first lunar month to the 20th of the first lunar month. The festival includes sacrifices, palanquin processions from villages inside and outside the commune and many folk games will be held. Source: Vinh Phuc province electronic information portal
Phu Tho
9314 view
Rating : National monument
Ha Tien Pagoda is located on Ha hill - in Gia Vien village, Dinh Trung commune, Vinh Yen city, Vinh Phuc province. In the past, Dinh Trung commune belonged to Tam Duong district - During the Hung Vuong period, it belonged to Phong Chau, during the Tran dynasty, it belonged to Tam Bai route, during the Nguyen belongs to Vinh Tuong district, Son Tay province; In 1899, Vinh Yen province was established - now Gia Vien village, Dinh Trung commune, Vinh Yen city - Vinh Phuc province. Ha Tien Pagoda was built in the year of Quy Mui (1703), the 24th year of Chinh Hoa, during the reign of King Le Hy Tong Duy Hiep. From ancient times until now, tourists and Buddhists from near and far, when coming to Ha Tien Pagoda, not only burn incense and pray to Buddha but also sincerely worship before the Holy Mother to pray for peace in the country and people and a peaceful life. According to ancient books, the pagoda is located in the "mountain and water" position, on both sides there are large mounds of earth shaped like dragons and white tigers. When the country was invaded by foreign invaders, Mrs. Lang Thi Tieu, on her way to join forces with King Hung Vuong 7, saw a strange situation, so she stopped to recruit soldiers. Later, she was honored as National Mother Tay Thien. To commemorate her, people set up an altar tablet at the pagoda, called the Holy Great King. Ha Tien Pagoda is a place to worship the Three Jewels and also worship the National Mother. Ha Tien Pagoda also has another name: "Rain Praying Pagoda". In the past, the area often suffered from drought. People who rely on agriculture fall into hunger. The abbot of the pagoda at that time, Tinh Huan, built an altar to pray for rain. Furthermore, the monk vowed to self-immolate to pray for rain for the people on the 30th day of the 5th lunar month. After making a vow before the three jewels and heaven and earth, he sat in the lotus position and then immolated himself to worship the gods and pray for the people. On June 1, after a day of self-immolation, it rained heavily and lasted for 3 consecutive days. And since then, every year on the anniversary of the founder's death, it often rains. Deeply remembering the gratitude of the true monk, the people built a three-story stupa to store his ashes. Currently in the pagoda's tomb garden there are 8 towers. Most of the stupas are still intact with 3 main floors. The towers are about 3m high, have 4 sides, built of red bricks bonded with materials from tree resin combined with clay. Although all eight towers keep the treasured bodies of monks, Tinh Huan's tower is more special because it is covered by a birth tree. The perennial tree is still green and has many roots, covering nearly all three sides of the stupa. In the pagoda there is also an ancient well (Jade well) with cool water. In the past, during the drought season, all the other wells dried up, but the old well still had water, so people in the village had to go to the old well to draw water. The well of Ha Tien Pagoda is "clear and blue, with magical water veins", so the ancients still compared it: "No matter who is as ugly as a ghost/ Drinking the water of Ha Pagoda is as beautiful as a fairy". Every year, on major holidays, visitors from all over come to the temple to worship Buddha and ask for water from Ngoc well, bring it back to burn incense and drink gradually, especially in the early days of spring. People believe that having ancient well water to use during Tet will bring good luck. With the historical and cultural values outlined above, Ha Tien Pagoda was decided by the People's Committee of Vinh Phu province (now Vinh Phuc) to rank it as a provincial-level Historical and Cultural relic in 1995. Source: Vinh Yen City electronic information portal, Vinh Phuc province
Phu Tho
5081 view
Rating : Provincial level relics
Tran Nguyen Han Temple, also known as Ta Tuong Temple or Thuong Temple, is an artistic architectural work built in the Later Le Dynasty over 200 years ago. This relic is associated with the life and career of national hero Tran Nguyen Han. He was originally from the royal family of the Tran Dynasty and was a talented and virtuous general who made great contributions to helping Le Loi defeat the Ming invaders and win the Lam Son uprising. The temple is in Da Cai village, Son Dong commune, Lap Thach district. The temple worships General Tran Nguyen Han, who supported Le Loi in defeating the Ming invaders to liberate the country in the 15th century. The temple was built on a flat, wide and high ground, and is said to be the place where Tran Nguyen Han's old palace was located. The temple is structured in the style of the letter "Dinh", surrounded by walls forming a square "dien" campus. The construction works consist of 3 parts: Temple gate, pre-sacrificial house, and harem. Since its construction, the temple has been repaired and built many times, mainly during the Nguyen Dynasty. Architectural art in the style of the Nguyen Dynasty: Smooth, chiseled, simple decoration. Related to the relic, legend has it that there are two ancient objects: the Sword and the sword sharpening stone. The story goes that: During the period when the Ming invaders dominated our country, Tran Nguyen Han had just entered his youth. Because his parents went to reclaim land and set up camp at the top of Son Dong farm, Tran Nguyen Han still plowed and hoeed every day. While plowing in the Go Rach fields, Tran Nguyen Han plowed an iron bar as long as a sword. At night, he sharpened his sword on a large stone on the bank of Son pond, so that stone was called the sword sharpening stone. The stone had a dent that looked like a slash mark. Legend has it that it was the test cut of Tran's sword. Nguyen Han. The sword was carried by Tran Nguyen Han. By chance, Tran Nguyen Han was given a wooden stick shaped like a sword hilt from the riverbed by a raft owner at the mouth of the Phu Hau River. When the blade was inserted, it fit perfectly. That's the effect. That legendary sword was associated with the glorious victories of the first national founder of the Le Dynasty. Legend has it that Ton That Thuyet later borrowed that sword and took it to Can Vuong to fight against the French. As for the stone slab, after a long time being filled with silt from the Lo River, on January 12, 1998, people of Da Cai village found it at a depth of 2m leaning towards the lotus pond, about 2.49m long, about 1 meter wide. .6m, about 0.4m thick and weighs about 2 tons. This fairy stone was salvaged by the government and people of Son Dong commune and placed in the grounds of the Ta Tuong Quoc temple so that everyone can admire the remaining traces of the old hero. In 1984, the Ministry of Culture ranked the historical relic temple of Left General Tran Nguyen Han as a National Monument. Every year, on the anniversaries of his birth and death, especially at the beginning of Spring, people in the region and all over the country often come here to offer incense to commemorate the contributions of the National Hero. Source: Vinh Phuc Electronic Newspaper
Phu Tho
8303 view
Rating : National monument
Tay Thien - Tam Dao historical and scenic spot (Tay Thien Scenic Area) belongs to Dai Dinh commune, Tam Dao district, Vinh Phuc province. Tay Thien is located in the valley of the Tam Dao mountain system, with an altitude of 54m to 1,100m above sea level, a distribution range of about 11km2 with beautiful and majestic landscape. Tam Dao refers to 3 consecutive mountains (in a mountain range) that suddenly emerge, floating in the clouds, like 3 islands in a sea of clouds, according to ancient geology, Phu Nghi is 1,250m high; Thien Thi (Kim Thien) is 1,585m high; Thach Ban is 1,585m high. Tay Thien relics and scenic area is located on the slopes of Thach Ban mountain in Tam Dao range with a length of 11km and a width of 1km. It is a complex of historical - cultural relics and scenic spots, including a system of communal houses and pagodas with cultural and archaeological value such as Thuong temple, Thhong temple, Mau temple, Cau temple, Co temple... This place has a large concentration of old traces as well as cultural works and localities. only valuable for archaeological research hidden under old forests along Tay Thien stream... Thhong Temple: is the starting architecture for the entire Tay Thien relic system. The temple is located at the foot of the mountain, on a high and wide platform, built in a traditional style. The stone pedestal system runs along the front, with three ways up, separated by four large dragons. Next is the four-pillar ritual gate, newly rebuilt in the traditional style, with stone materials. Behind the ritual gate is the temple yard, very large and paved with stone. The main temple has a Dinh-shaped floor plan, including a front porch, with three compartments, two large wings, and the "malle", where the altar of the Holy Mother is located, has three vertical compartments. Cau temple - Co temple: pass Thhong temple on a bumpy stone road along the stream bank for more than 1km to Cau temple. There used to be a small temple there, but now it has been replaced by a seemingly simple house as a place of worship. In the center of the main hall, there are statues of three forest boys placed in the shrine. Cau Temple originated from Truong Sinh stream, which is said to be the place where "Cau" stayed to recruit and raise troops to follow the National Mother. The temple was renovated in 1993. Co Temple, about 2km from Cau Temple, near Silver waterfall, next to Giai Oan stream (upper part of Truong Sinh stream), so that sentient beings can shake off the dust of the world and gently move on to the holy land. Co Temple also has a long history and is currently worshiping Co Be, who is said to be a child of Heaven who together with the National Mother helped the people and the country. The scenery here is elegant, spacious and peaceful with rich vegetation and a fresh, cool climate all year round. Giai Oan stream and the ancient well near the foot of the temple add solitude and tranquility to the space here. If anyone takes water from there and offers it with offerings and then drinks, they will feel strangely relaxed, peaceful and calm. Thuong Temple area: Currently, this is a common spiritual area of both folk beliefs and religions, the center of which is the shrine of the National Mother Tay Thien. Thuong Temple: The alternating levels of the mountain circuit here have created the foundation of different shrines, in which, Thuong Temple is located in the center, with its back leaning against Thach Ban mountain, on both sides are two mountain arms running down, The front is spacious. Here, clouds play with the mountains, trees are lush, birds gather, streams ring happily, creating one of the Holy Lands of the Tam Dao mountain range. Thuong Temple faces West - South; The ritual gate is structured in a four-pillar style, with a wall connecting the large pillar and the side pillar, leaving only one door in the middle for pilgrims to enter and exit. On these walls are covered dragon fruit (green dragon), white tiger (white tiger) and plants symbolizing the four seasons. The stone-paved courtyard in the middle has a spiritual path, carved with three large letters Phuc, Loc, and Tho (connected vertically) leading to the steps leading up to the temple. This architecture has a Dinh-style base, three compartments, and two large wings. Looking at the front, the architecture is quite balanced with two "matching" floors and eight graceful curved roof corners. In the middle "match pile" hangs a large horizontal painting, titled "Temple of the National Mother Tay Thien" in the national language. On the main hall, there is only a statue of her sitting on the central pedestal, with a majestic and luxurious appearance, her legs hanging straight, her hands resting on the pillow, her right hand holding a folding fan. In addition, in this area there are also newly built works such as: Son Than Temple, Co Chin Temple, Dia Mau Temple, Tam Toa Thanh Mau Temple, Ta/Huu Vu. Tam Dao mountain god temple: Legend has it that the god had a blessing for the island bridge during the reign of Tran Nhan Tong (1279 - 1293), so he was awarded the title "Thanh Son Dai Vuong" by the king. During the early Le Dynasty, the reign of King Nhan Tong, the 8th Thai Hoa year (1450), the king sent his minister Le Khac Phuc to sacrifice, he left behind a ma chew stele (carved into the cliff) recording this event. (about 700m from the temple along the path). Stone stele: a valuable historical relic, is a stele written by ghosts in the area that locals call Stone Stele. This stele was previously known to many people but no one had published it because of the difficulties in traveling and coming into contact with the artifacts. Through actual survey, it is an epitaph carved directly into the middle of an ivory stone slab, about 5m long, about 3m high. The entire stone slab lies sideways on the bank of the stream, creating an arch shape, like a frog's jaw, preventing the letters of the stele engraved in the middle of the frog from being eroded by rain and sun. The stone stele has a total of 121 Chinese characters, inscribed in vertical rows, distributed on 11 lines, large lines have 16 characters, small lines have 3 characters. The text used is in the style of a book, with the characteristics of deeply engraved, easy-to-read letters. Only the three words Prajnaparamita (Prajna Stream) placed at the end of the stele are engraved large. With the above typical value, the historical relic and scenic spot Tay Thien - Tam Dao (Tam Dao district, Vinh Phuc province) was ranked by the Prime Minister as a special national monument on December 23, 2019. 2015. Source: Department of Cultural Heritage
Phu Tho
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Rating : Special national monument